The 2010 U.S. Census data showed that over the last decade the Latino population grew from 35.3 million to 50.5 million, accounting for more than half of the nation’s population growth. The editors of The Roots of Latino Urban Agency, Sharon Navarro and Rodolfo Rosales, have collected essays that examine this phenomenal growth. The greatest demographic expansion of communities of Mexican Americans, Puerto Ricans, and Cuban Americans seeking political inclusion and access has been observed in Los Angeles, Miami, Chicago, and San Antonio. Three premises guide this study. The first premise holds that in order to understand the Latino community in all its diversity, the analysis has to begin at the grassroots level. The second premise maintains that the political future of the Latino community in the United States in the twenty-first century will be largely determined by the various roles they have played in the major urban centers across the nation. The third premise argues that across the urban political landscape the Latino community has experienced different political formations, strategies and ultimately political outcomes in their various urban settings. These essays collectively suggest that political agency can encompass everything from voting, lobbying, networking, grassroots organizing, and mobilization, to dramatic …

The Texas Folklore Society has been alive and kicking for over one hundred years now, and I don’t really think there’s any mystery as to what keeps the organization going strong. The secret to our longevity is simply the constant replenishment of our body of contributors. We are especially fortunate in recent years to have had papers given at our annual meetings by new members—young members, many of whom are college or even high school students. These presentations are oftentimes given during sessions right alongside some of our oldest members. We’ve also had long-time members who’ve been around for years but had never yet given papers; thankfully, they finally took the opportunity to present their research, fulfilling the mission of the TFS: to collect, preserve, and present the lore of Texas and the Southwest. You’ll find in this book some of the best articles from those presentations. The first fruits of our youngest or newest members include Acayla Haile on the folklore of plants. Familiar and well-respected names like J. Rhett Rushing and Kenneth W. Davis discuss folklore about monsters and the classic “widow’s revenge” tale. These works—and the people who produced them—represent the secret behind the history of the …

Music has long played a role in American presidential campaigns as a mode of both expressing candidates’ messages and criticizing the opposition. The 2016 campaign was no exception and was a game changer similar to the development of music in the 1840 campaign, when “Tippecanoe and Tyler Too” helped sing William Harrison into the White House. The ten chapters in this collection place music use in 2016 in historical perspective before examining musical messaging, strategy, and parody. The book ultimately explores causality: how do music and musicians affect presidential elections, and how do politicians and campaigns affect music and musicians? The authors explain this interaction from various perspectives, with methodological approaches from several fields, including political science, legal studies, musicology, cultural studies, rhetorical studies, and communications and journalism. These chapters will help the reader understand music in the 2016 election to realize how music will be relevant in 2020 and beyond.

Compilation of articles about various topics related to folklore organized into five chapters by subject: "The first tackles this issue of folklore and its relationship to history, with some of the articles trying to provide some of that folkloric filler to historical facts. Another chapter focuses on women; one features various types of occupational lore; and another is a tongue-in-cheek look at 'shady characters' such as police officers, politicians, and horsetraders. A final chapter has no theme; it is a catch-all, containing a few interesting articles you may remember from some of our [Texas Folklore Society's] most recent meetings" (p. viii).

Collection of Tex-Mex folklore and related essays, including papers presented at Texas Folklore Society meetings. The book is organized into four topical categories: I. Remembering Our Ancestors, II. Texas-Mexican Folklore, III. Miscellaneous Memorabilia, and IV. The Family Saga (Cont'd).

This volume of the Publications of the Texas Folklore Society contains a miscellany of Texas, Mexican and Spanish folklore, including information about hunting, canning, cooking, and other folklore. The index begins on page 225.

Collection of folklore stories and personal anecdotes that relate to travel in Texas, grouped into broad topics that include historic and modern modes of transportation. Index starts on page 281.

Series of family anecdotes, collected from authors across the state of Texas describing general family history, how families arrived in Texas, and experiences related to the Civil War, Indians, animals, religion, ghosts, feuds, historic figures, and various other topics. Index starts on page 349.

Collection of folklore that specifically relate to education, including pieces about rural school houses, day care and scout programs, high school sports and activities, Paul Patterson's contributions to teaching, university campuses and traditions, academic scholarship regarding folklore studies, and many other relevant topics. Index starts on page 307.

Collection of photographs and essays documenting the charreada rodeo tradition and its history in Texas. Index starts on page 97.

This volume includes information about the play-party in Oklahoma, folklore of Texas birds, tall tales, folk anecdotes, Texas folk songs and ballads, and other folklore (back cover). The index begins on page 185.

This volume of the Publications of the Texas Folklore Society "contains a sample of the research that members of the Society were doing at the turn of the millennium as represented at the 1998, 1999, and 2000 meetings." The volume covers "a wide variety of contemporary and historical topics," including baby lore, stories about notable women, stories about food and cooking, information about the Model T Ford, and more (inside front cover). The index begins on page 339.

The musical career of Alexander Tumanov extends from Stalinist and Soviet Russia through contemporary Canada, and as such provides an inspiring portrait of one person’s devotion to his art under trying circumstances. Tumanov was a founding member of Moscow’s Madrigal Ensemble of early music, which introduced Renaissance and Baroque music to the Soviet Union. The Ensemble enjoyed tremendous popularity in the 1960s and 1970s, despite occasional official disapproval by the Soviet bureaucracy. At times the compositions of the group’s founder, Andrei Volkonsky, were banned. Volkonsky eventually emigrated to escape the oppressive conditions, followed soon after, in 1974, by Tumanov, and the Madrigal Ensemble continued in a changed form under new leaders. The story of the author's subsequent life and career in Canada provides a poignant point of contrast with his Soviet period — at the musical, academic, and political levels. These 7 sound files are located in different pages of the book: 1. p. 169: after “an explosion of applause” Title of piece: О страстях (Bicinium De Passione) Performers: Karina Lisitsian (contralto) and Ruzanna Lisitsian (soprano) Composer: Erhard Bodenschatz Year: 1968 LP title (translation from Russian): Thousand Years of Music (Vol. 3): Madrigal – Germany. Renaissance and Early Baroque. LP …

This reference work was compiled as a resource for those needing assistance in locating Texas criminal justice statistics. R. Scott Harnsberger has compiled more than 600 entries describing statistical sources for Texas crime; criminals; law enforcement; courts and sentencing; adult and juvenile corrections; capital punishment and death row; victims of crime; driving/boating under the influence; traffic fatalities; substance abuse and treatment; polls and rankings; and fiscal topics such as appropriations, revenues, expenditures, and federal aid.

The subantarctic forests of South America are the world’s southernmost forested ecosystems. The birds have sung in these austral forests for millions of years; the Yahgan and Mapuche peoples have handed down their bird stories from generation to generation for hundreds of years. In Multi-ethnic Bird Guide of the Subantarctic Forests of South America, Ricardo Rozzi and his collaborators present a unique combination of bird guide and cultural ethnography. The bird songs, names and stories recorded on the CDs of the guide book includes entries on fifty bird species of southern Chile and Argentina, among them the Magellanic Woodpecker, Rufous-Legged Owl, Ringed Kingfisher, Buff-Necked Ibis, Giant Hummingbird, and Andean Condor. Each bird is named in Yahgan, Mapudungun, Spanish, English, and scientific nomenclature. As a whole, the recordings of this guide book express the voices of multiple species and indigenous, rural and urban cultures, whose lives are interwoven in the temperate forest region of South America.

This volume of the Publications of the Texas Folklore Society contains information about folklore in Texas and Mexico, including folk songs and ballads, ghost stories, Mexican animal tales, sermons, stories about games and celebrations, folklore of Texas plants, and information about folk remedies. The index begins on page 349.

In January of 2001 Jon Pfautsch, Lloyd’s youngest son, put together a CD collection of performances of as many of his father’s compositions as were known to be extant. Most were from Dr. Pfautsch’s personal collection; the rest were given to him by colleagues and former students. The collection spans nearly 50 years and involved media as varied as paper and acetate reel-to-reel tapes, cassette tapes, LP’s and CD’s. While the fidelity is not always what one would hope, the value is in hearing the composer conduct his own works (in most cases) with a few performed by colleagues or former students, but chosen by him for this collection. They are numbered according to Track Numbers, and the “Example” numbers refer to the illustrations in UNT Press’s A Day for Dancing: The Life and Music of Lloyd Pfautsch. Note: the final selection was not used as a musical example, but appears here because it is the one composition for which Pfautsch most wished to be remembered (“Music When Soft Voices Die”).