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The Interpretation of Facial Expressions by Drawings: Problem 1 (open access)

The Interpretation of Facial Expressions by Drawings: Problem 1

This study deals with an analysis of facial characteristics and expressions and their interpretation through drawings. Through the past several years of teaching in a Dallas school where so many nationalities are represented and where the various peoples of the lowest privileged groups are segregated, the writer has become deeply interested in what is to be seen in the faces of children. The second problem of the study features an analysis of facial characteristics and expressions and their interpretation through drawings, modeling in clay, and papier mache.
Date: August 1949
Creator: Best, Alytiabel Johnston
Object Type: Thesis or Dissertation
System: The UNT Digital Library
An Analysis of Stage Band Rhythmic Patterns (open access)

An Analysis of Stage Band Rhythmic Patterns

An analysis of stage band rhythmic pattern provide a basis of interpretation which will aid directors of stage bands in understanding this musical idiom.
Date: August 1956
Creator: Maxwell, James E.
Object Type: Thesis or Dissertation
System: The UNT Digital Library
Stage Band Intonation Studies (open access)

Stage Band Intonation Studies

This study focusses on stage band intonation. The purpose of the unison study, for example, is to develop in the student a sensitivity for pitch placement and also make him conscious of the sounds around him.
Date: August 1956
Creator: Maxwell, James E.
Object Type: Thesis or Dissertation
System: The UNT Digital Library
The Use of the Brass Section in Prokofiev’s Alexander Nevsky (open access)

The Use of the Brass Section in Prokofiev’s Alexander Nevsky

Thesis examines the life of prolific composer Sergei Prokofiev and his work for the motion picture Alexander Nevsky. Gary Langford analyzes Prokofiev's use of the brass section in his compositions for the film.
Date: August 1971
Creator: Langford, Gary
Object Type: Thesis or Dissertation
System: The UNT Digital Library
An Analysis of the Hindemith Sonata for Double Bass and Piano, for Performance Purposes (open access)

An Analysis of the Hindemith Sonata for Double Bass and Piano, for Performance Purposes

This paper analyzes composer Paul Hindemith's Sonata for Double Bass and Piano and provides conclusions about how to interpret the movements in performance as well as the compositional techniques used by Hindemith to create them.
Date: August 1972
Creator: Jacobson, Harry P.
Object Type: Thesis or Dissertation
System: The UNT Digital Library
A Comparison of Editions of Carl Maria von Weber’s Grand Duo Concertant, Op. 48, for Clarinet and Piano, With the Composer’s Autograph Score (open access)

A Comparison of Editions of Carl Maria von Weber’s Grand Duo Concertant, Op. 48, for Clarinet and Piano, With the Composer’s Autograph Score

This paper compares various editions of Carl Maria Von Weber's Grand Duo Concertant, Op. 48, with the composer's original autograph score. Catherine E. Wood discusses how well these editions retained the composer's intentions, and which edition is the most accurate.
Date: August 1972
Creator: Wood, Catherine E.
Object Type: Thesis or Dissertation
System: The UNT Digital Library
Pianistic Problems in the Fifth Sonata of Scriabin (open access)

Pianistic Problems in the Fifth Sonata of Scriabin

This paper discusses the pianist problems in the fifth sonata created by Alexander Nikolayevich Scriabin and provides historical background to the works of the composer before analyzing his work.
Date: August 1972
Creator: Smith, Jennie
Object Type: Thesis or Dissertation
System: The UNT Digital Library
Some Acoustical Considerations in the Design of the Contemporary Organ Case (open access)

Some Acoustical Considerations in the Design of the Contemporary Organ Case

This paper discusses the historical roots, placement, shape, and materials and methods in the construction of the contemporary organ case. James W. Kibbie explores the acoustical considerations of its design and how these are reflected in the finished product.
Date: August 1972
Creator: Kibbie, James W.
Object Type: Thesis or Dissertation
System: The UNT Digital Library
A Style Comparison of the Piano and Organ Versions of Liszt’s Prelude and Fugue on B-A-C-H (open access)

A Style Comparison of the Piano and Organ Versions of Liszt’s Prelude and Fugue on B-A-C-H

This paper analyzes the piano and organ versions of the Prelude and Fugue on B-A-C-H composed by Franz Liszt and provides a style comparison of the two. Jerry Glynn Smith also provides context for Liszt's work with the organ.
Date: August 1972
Creator: Smith, Jerry Glynn
Object Type: Thesis or Dissertation
System: The UNT Digital Library
A Stylistic Evaluation of Aaron Copland’s Piano Variations (open access)

A Stylistic Evaluation of Aaron Copland’s Piano Variations

This paper evaluates the style of American composer Aaron Copland's Piano Variations. Philip Carey Jones discusses its position as a unique piece in twentieth-century piano literature and compares his work to that of other composers.
Date: August 1972
Creator: Jones, Philip Carey
Object Type: Thesis or Dissertation
System: The UNT Digital Library
A Survey of New Extensions of Clarinet Technique as They Appear in Four Published Works (open access)

A Survey of New Extensions of Clarinet Technique as They Appear in Four Published Works

This paper explores the new extensions of clarinet technique in four published works, discussing the percussive effects, melodic effects, and multiple sounds that can be produced through these extensions. David R. Widder also explores the history of innovational solo clarinet works.
Date: August 1972
Creator: Widder, David R.
Object Type: Thesis or Dissertation
System: The UNT Digital Library
Igor Stravinsky's Use of the Bassoon in his Compositions from 1908 to 1948 (open access)

Igor Stravinsky's Use of the Bassoon in his Compositions from 1908 to 1948

Igor Stravinsky is widely considered one of the most important and influential composers of the 20th century and a pivotal figure in modernist music. This study analyzed how Stravinsky absorbed the bassoon's solo and ensemble functions which he inherited and later significantly extended the scope of these functions by adapting them to his individual needs. The study concluded that Stravinsky's compositions are and will remain important landmarks in the history of bassoon literature.
Date: August 1973
Creator: Schroeder, Daniel F.
Object Type: Thesis or Dissertation
System: The UNT Digital Library
The Physical Development of the Bassoon (open access)

The Physical Development of the Bassoon

This paper explores the history of the bassoon and its construction. Bob A. Sparks analyzes its evolution over time, from the versions created in France and Germany to the bassoon of the twentieth century.
Date: August 1973
Creator: Sparks, Bob A.
Object Type: Thesis or Dissertation
System: The UNT Digital Library
Some Aspects of Unity in Beethoven’s Piano Sonata Op. 81A (open access)

Some Aspects of Unity in Beethoven’s Piano Sonata Op. 81A

This paper highlights aspects of unity in Ludwig van Beethoven's Piano Sonata Op. 81A. Jannis M. Peterson provides historical background to the work, identifies the problem of unity, and analyzes the piece.
Date: August 1973
Creator: Peterson, Jannis M.
Object Type: Thesis or Dissertation
System: The UNT Digital Library
Ultra-Rationality and Anti-rationality as Pre-compositional Techniques of the Twentieth Century (open access)

Ultra-Rationality and Anti-rationality as Pre-compositional Techniques of the Twentieth Century

Thesis analyzes the concepts of ultra-rationality and anti-rationality as pre-compositional techniques and then compares and contrasts the two. John W. Petersen discusses the development and use of the two techniques and their impact on the history of music.
Date: August 1973
Creator: Petersen, John W.
Object Type: Thesis or Dissertation
System: The UNT Digital Library
Adding and Subtracting Color in the Painting and Serigraphic Processes: A Development of Consistency in Two Art Media (open access)

Adding and Subtracting Color in the Painting and Serigraphic Processes: A Development of Consistency in Two Art Media

This is a method in which designs as a whole are not pre-planned or pre-arranged, but are developed by applying layers of color. This is an additive method for obvious reasons, and it is subtractive because shapes can be covered with opaque paint or very intense stain. Transparent layers of color applied over existing colors cause hue changes, and the process creates subtleties resulting from one color showing through another.
Date: August 1974
Creator: Gilbert, Richard W.
Object Type: Thesis or Dissertation
System: The UNT Digital Library
Combining Silkscreen, Drawing, and Painting on Canvas (open access)

Combining Silkscreen, Drawing, and Painting on Canvas

It is the purpose of this study to visually and technically explore the combination of the direct methods of drawing and painting and the more indirect process of silkscreen printing on canvas. The flexibility of the three technical areas- silkscreen, drawing, and painting- proved to make the combination more feasible.
Date: August 1974
Creator: Bennett, Jolynn N.
Object Type: Thesis or Dissertation
System: The UNT Digital Library
The Influence of the Commedia Dell’ Arte on Opera Buffa (open access)

The Influence of the Commedia Dell’ Arte on Opera Buffa

This paper explores the connection between the Commedia dell'arte and the opera buffa genre and asserts that performers should be aware of this connection. John Arden Hopkin explores the history of the Commedia dell'arte and the rise of opera buffa.
Date: August 1974
Creator: Hopkin, John Arden
Object Type: Thesis or Dissertation
System: The UNT Digital Library
Interspersed Color Blend Lithography (open access)

Interspersed Color Blend Lithography

Interspersed color blend lithography is a technique that facilitates simultaneous multi-colored printing. The problem of color blending was to gain control over the process and explore a variety of uses. The research was entirely experimental. Interspersed color blend lithography is a unique process that allows for the application of any number of colors at one time, and complete freedom in their placement. The results of the investigation produced a process that is at once predictable, simple and immediate.
Date: August 1974
Creator: Bergmann, John E., Jr.
Object Type: Thesis or Dissertation
System: The UNT Digital Library
Unusual Double-Reed Bass Instruments: A Historical Survey (open access)

Unusual Double-Reed Bass Instruments: A Historical Survey

Thesis provides a historical survey of unusual double-reed bass instruments. Carol E. North provides a historical overview before separating the instruments into those with a cylindrical bore and those with a conical bore and describing each in turn.
Date: August 1974
Creator: North, Carol E.
Object Type: Thesis or Dissertation
System: The UNT Digital Library
Large Graphite Drawings on Gessoed Surfaces (open access)

Large Graphite Drawings on Gessoed Surfaces

The problem for the project emerged threefold: (1) to further explore the uses of the graphite medium including the possible integration of wet media color on large surfaces, (2) to use the human figure as subject matter, and (3) to explore gessoed drawing surfaces of masonite and paper.
Date: August 1975
Creator: Aguilar, Eduardo E.
Object Type: Thesis or Dissertation
System: The UNT Digital Library
The Human Figure: A Study in Related Areas of Color, Medium, Scale, and Expression (open access)

The Human Figure: A Study in Related Areas of Color, Medium, Scale, and Expression

There were no restrictions as to style or technique, and since my previous works had been realistic, this direction was to be continued during the entire investigation. The primary objective was to create a series of drawings and paintings which would concentrate on the basic facial topography and idiosyncrasies of a constant model with variations in color, scale, medium, and expression.
Date: August 1976
Creator: Ally, Harry Paul
Object Type: Thesis or Dissertation
System: The UNT Digital Library
An Investigation of Large Scale in Painting (open access)

An Investigation of Large Scale in Painting

As a painter, I have been working the past few years to develop a mature pictoral image and the concepts of space that were flexible enough for me to produce what I believed was a valid art statement. I have investigated several avenues for improving my work, i.e., acquiring certain technical painting skills, reading more to broaden my concepts and imagination, and visiting various art galleries and museums. During an earlier critique it was realized that the majority of my paintings were all very similar in scale. I decided to approach my work on a much larger scale than previously attempted in the hopes of discovering a better, or at least different painting concept.
Date: August 1976
Creator: Coffee, Baxter L.
Object Type: Thesis or Dissertation
System: The UNT Digital Library
Brahms-Schumann Variations, Op. 9: A Significant Contribution Among Brahms’s Piano Compositions (open access)

Brahms-Schumann Variations, Op. 9: A Significant Contribution Among Brahms’s Piano Compositions

This paper analyzes the Variations on a Theme by Schumann, Op. 9, created by . Pamela S. Lee discusses the influence of Robert and Clara Schumann on Johannes Brahms and his music, evaluating the impact of the piece and its origin.
Date: August 1977
Creator: Lee, Pamela S.
Object Type: Thesis or Dissertation
System: The UNT Digital Library