Loss of Innocence uses sculpture, two-dimensional imagery, and text to explore the moment when children lose their innocence or realize their mortality. In the introduction, I explain that there are many factors, such as age and personality, which determine how children will deal with traumatic events in their lives and the duration of time that must pass before they move past the event. Often, children will combine childhood fantasy with random facts to create their own satisfactory explanation of what has happened. In my problem in lieu of thesis, I discuss work that I created with these thoughts in mind. I explore how the sculpture, two-dimensional imagery, and text work together to convey the emotion of innocence lost.

This thesis explains the stories and concepts behind each piece that was discussed on the opening night of my MFA Exhibition. The works, entitled Film Noir, Brains, Trains, and Beer, The Boy Next Door, Peterbuilt, and 10-50, H-1, was discussed more specifically and in greater detail. Speaking in public has always been a difficult task, especially on the subject of my art. My images deal with the highly intense subject matter of violence inflicted onto others as a result of human social behaviors. These vile social behaviors are translated into colorful and humorous lithographs, etchings, and drawings. These images are displayed to the public for individual interpretation. This thesis discusses audience interpretation before the literal meaning is revealed, how much information should be revealed to the viewer, and how this information manipulates the aesthetics of the piece.

I have been working with horses as imagery for about seven years and my problem in lieu of thesis continued along this vein by researching the roles of the horse in history, specifically mobility, and developing work that creates visual links between the past and present roles of horses. I am a printmaker and the work involved in the project consists of prints that use layers of related images and juxtaposition of unrelated images to accomplish my goals of cohesion between horses and the machinery that has replaced them. As the project developed the links between past and present society became my impetus rather the horse and mobility, and my future work will respond to this.

This paper analyzes stock index reactions to interest rate actions by the FOMC. Unlike previous analyses this study utilizes macro-economic indicators and accounts for pre-decision market expectations. Results indicate significant reaction of the stock market to the actions of the FOMC regardless of interest rate actions matching pre-decision market expectations. Binary dummy variables representing the five days following an FOMC meeting indicate a significant reaction for days one; two and three of the Dow Jones model and for day five of the NASDAQ model. The magnitude of the coefficients are 0.17%, 0.09%, -0.07% and -.15% respectively. These findings may be sensitive to a priori choices regarding the definition of the market expectation variable.

The City of Denton Landfill, Permit #1590A, utilizes “Dry-Tomb” techniques for disposal and promotion of municipal solid waste stabilization, as described by the Resource Conservation and Recovery Act (RCRA) prohibition in 40 CFR. Bioreactor research suggests re-circulating leachate increases biodegradation rates and reduces long-term monitoring from fifty years to less than ten years. Current procedures that are followed at Denton's landfill, literature review and the use of the Hydrologic Evaluation of Landfill Performance (HELP) model, suggest that a bioreactor landfill cell is worthy of further research. Re-circulating leachate and augmenting it with additional liquid will increase biodegradation and the need to design and build a landfill gas collection system to capture methane for energy recovery uses.

Chapter I presents my background as an artist born and raised in Romania, and describes my artwork in connection with my interests and experiences. Maps and traditional Romanian art are important sources of influence. The questions in the statement of problem deal with the way ideas, references to various elements, and installation impact the artwork. Chapter II discusses the installation at the Dallas Visual Art Center, the creative process, and how the artwork addressed the questions in the statement of problem. Important points are: a step into three-dimensionality with the tall, freestanding pieces painted on both sides, the use of topographical contours in creating shapes, issues of form and content as expressed in the painted surfaces, and the interaction of the individual works in the installation.

This paper documents the execution and exhibition of a group of oil paintings exploring themes of spectacle and the construction of reality in contemporary American society. The paintings are composed of figures and fragments of text originating in stills taken from television news and reality TV. This paper describes and assesses the paintings according to a set of questions developed by the artist at the inception of the project. Various strategies employed in the execution of the work are analyzed and compared. The contribution of this project to the field of contemporary visual art is evaluated via comparison with other art, past and present, expressing similar concerns.

A life history and productivity study of Enallagma civile was conducted in a playa that was located in the southern High Plains of Texas. Other odonates were also studies to identify their contributions to the habitat.

For a spectroscopy purpose, we are interested in producing continuous wave (CW) UV laser light at 243 nm with at least 2 mW power. The theory of nonlinear optics suggests that we should be able to produce a desired 2.9 mW of 243 nm light by second harmonic generation (SHG) from a 50 mW blue laser at 486 nm using a BBO crystal in a build up cavity. The most important physical parameters are calculated. A 10 mm Brewster cut BBO crystal can provide phase matching conditions for coupling two ordinary photons at 486 nm and make a secondary beam at 243 nm. The single pass conversion efficiency is calculated not to be enough to generate 2.9 mW of SH light. My investigation shows that a standing wave build up cavity can provide a buildup factor of 94 and an overall conversion efficiency of 5.9% if one use an input coupler mirror with 1.1% transmission at 486 nm.

Surfacing the Void is an exploration of surface design in relationship to the topic of voids. For the purpose of this paper, two types of void were addressed: shelters and hulls. The theme behind the sculptural works dealt with negative spaces as an analogy for the voids in people's lives. The goal was to find a way for the surfaces to elicit an emotional response from the viewer that correlates to the impression of either shelter or hull. Keeping this in mind, each experiment was approached with how to best represent the meaning of void being manifested. Imagery was applied during different states of the clay: wet, dry, and fired. Methods of exploration included texturing, drawing, stenciling, stamping, incising, decoupage and covering the surfaces with textiles.

There has been a growing trend in the film industry in the use of three dimensional computer generated images (3D CGI) for special effects. With the popularity of this relatively new medium comes the need for new terminology. This exploration developed a general system of classification for 3D CGI effects for use in film. This system was based on a study of various writings about the significant films, which employ 3D CGI effects. A three-group system of classification system was developed. The three-group system was composed of the Elements Group, Level of Reality Group, and the Kind Group. These terms were developed to aid in the day-to-day production of 3D CGI special effects in the future.

Document that details the conception, evolution and conclusions of a body of work consisting of seven prints executed in the printmaking technique of intaglio printing in the manner of the state print. The work is discussed by explaining the visual and conceptual associations that occur in an "Alice In Wonderland" manner, where the initial idea is paired with seemingly unrelated topics to establish a progressive visual language. This language is further supported by discussing a comparative of the state print with the idea of the sketchbook as a tool of thought generation and elaboration. The technical aspects of intaglio and the choice of techniques utilized are discussed to support this comparison. How the quality of the prints reflects the quality of the sketchbook and how these techniques combine with the conceptual reasoning, which result in the body of work. Findings for the work are based on three questions that deal with the progression of conceptual reasoning, predictability of recurring ideas and the intentions of the technical choices made.

The focus of my graduate work was to find my own voice through my continued efforts in woodcarving. I proposed to produce six to eight wood carved sculptures for my thesis that would be dealing with a juxtaposition of struggle expressively portrayed by the figure between two-dimensional and three-dimensional worlds. I used these works to express my emotions about myself, and my interactions with others in a form of nonverbal communication with the viewer. The result of this process did lead me to find my own voice and with this voice I expressed three-dimensionally, not only my own struggles, but also those that many other women have experienced as well.

As the use of virtual environments (VEs) is becoming more widespread, user needs are becoming a more significant part in those environments. In order to adapt to the needs of the user, a system should be able to infer user interests and goals. I developed an architecture for user modeling to understand users' interests in a VE by monitoring their actions. In this paper, I discussed the architecture and the virtual environment that was created to test it. This architecture employs sensors to keep track of all the users' actions, data structures that can store a record of significant events that have occurred in the environment, and a rule base. The rule base continually monitors the data collected from the sensors, world state, and event history in order to update the user goal inferences. These inferences can then be used to modify the flow of events within a VE.

Due to the growing need of the Internet and networking technologies, simple, powerful, easily maintained distributed applications needed to be developed. These kinds of applications can benefit greatly from distributed computing concepts. Despite its powerful mechanisms, Jini has yet to be accepted in mainstream Java development. Until that happens, we need to find better Remote Method Invocation (RMI) solutions. Feasibility of implementation of Multicasting in RMI is worked in this paper. Multicasting capability can be used in RMI using Jini-like technique. Support of Multicast over Unicast reference layer is also studied. A piece of code explaining how it can be done, is added.

This research is the result of an effort to provide real-time machine recognition of hand-send Morse code through the use of the M6800 microcomputer. While the capability to recognize hand-send Morse code messages by machine has been demonstrated before on large scale special purpose computers, on minicomputers, and even on the M6800 microcomputer, the main contribution of this paper is to demonstrate it with relatively understandable hardware and software.

There is a natural tendency for biological systems to change as their environments change. The fittest in the biological systems survive, adapt to their environment, and multiply while the weakest in the environment diminish. There have been attempts in computer science to model the processes of natural selection and survival which occur in biological systems in order to obtain more efficient and effective machine-learning algorithms. Genetic algorithms are the result of these attempts.

This interface was bought to perform floating-point arithmetic and for its function capabilities such as SIN, COS, and e^x. My application required an integer truncation function that is not performed by this calculator, so i wrote a small assembly language subroutine to do it. A potentially irritating problem is that the calculator chip does not automatically convert to scientific notation if the numbers become too big to display in floating point. The control program must keep track of the display mode.

I wanted to see if I could affect the "unknown" by attempting to steer the subconscious. I kept a journal of events going on in my life, dreams, therapy sessions, or ideas for songs or short stories. In my studio, I kept a running list of ideas for titles of songs, stories, or paintings. In addition to this, I recorded narrative or metaphoric ideas that the paintings presented on the search for the final painting.

In my Problem in Lieu of Thesis I explored the use of analogy in my work. I searched for ways to heighten the difference or distance between the imagery within an analogous relationship and yet maintain meaningful similarities or relationships. An analogy, for the purpose of this paper is defined as the following: "a similarity or likeness between things in some circumstances or effects, when the things are otherwise entirely different."

The questions answered by this investigation are as follows: 1. Which silkscreens and stencils will work in screening flat and three-dimensional objects? 2. Which mediums and coloring agents will survive a glaze firing to produce an acceptable image? 3. How can the image be modified by screening during the different stages of a ceramic piece (wet, green, bisque, glazed)? 4. What glazes and glaze applications will be compatible? 5. Generally, what is the relationship between the image and the object?

I intend to explore various canvas sizes and many formal issues, focusing on space and the application of paint are paramount in my work. I used closely cropped photographs to aid in this study and my exploration addressed the following questions: 1) How does the speed of execution affect the spontaneity and authority of the piece? 2) How important is the unexpected for the success of my painting in regards to formal issues?

Through this study I intended to analyze and determine the significance of the recurring imagery that emerged as an integral part of my compositions. Furthermore, I attempted to discern the importance and over all the effects of the small scale upon my work and determine how vital is the spontaneity that is used to obtain each composition.

To emphasize the preciousness of these tools, I envisioned object-specific carrying cases, like a violin case or my grandmother's china cabinet. The object-specific case or cabinet is, like the tool it houses, special and singular inits utility and serves to underscore the ceremonial nature of the tool. Of all the examples of object-specific environments I've looked at, most have been constructed of fine woods; many have also been either covered or lined with various skins, silk, or velvet to reflect the preciousness of their contents.