Report for an Institute of Museum and Library Sciences (IMLS) Grant Partner Uplift Project. This report reviews the tools and software to support interoperability between digital repositories and the Library of Texas federated search. This review will be used for providing recommendations for best practices and workflows for installing software and tools onto Digital Asset Management Systems (DAMS) and selected databases that support search interoperability.

This presentation discusses the MARC Content Designation Utilization (MCDU) Project. It presents information about the goals and scope of the project, the methodology and information about the process, and the implications of this project.

Photograph of a program for a session of a seminar on Lamkang history origin, including an image on the left panel, and a list of sessions to be held December 1-2, 2006. The right panel of the tri-fold bulletin is only partially visible.

This technical report discusses user searches in IMLS DCC collection registry.

This paper discusses the findings pertaining to the framework for building good digital collections. This paper is part of the three-year interim project report for the IMLS Digital Collections & Content Project, summarizing major findings October 2002 through September 2005.

This paper describes the MARC Content Designation Utilization Project, which is examining a very large set of metadata records as artifacts of the library cataloging enterprise. This is the first large-scale examination of descriptive metadata utilization. Presents an overview of study activities and suggests the study's significance to the broader use of metadata in digital libraries.

This poster discusses preparing, creating, and managing a large dataset of MARC 21 records. The MARC Content Designation Utilization (MCDU) Project is examining catalogers' utilization of available MARC 21 content designation (e.g., fields/subfields). A critical component of this project is the development of methods, procedures, and software tools for reliable and valid analyses of the complete WorldCat database of more than 56 million MARC 21 records.

Article examining MARC records as artifacts that reflect metadata utilization decisions.

This is a narrative about how people started building houses after the world was flooded. They watched animals build their houses, like wild boars and birds, and then collected the tools and materials to build houses. Then, they blessed the house.

This is a description of marriage customs. Both families send 'go-betweens' to mediate the agreement and discuss dowry. For the ceremony, the bride passes through a bundle of reeds, and a gift called "geumbang siya" is given. Sometimes, there are other gifts as well, and a feast. If someone cannot pay the dowry, elders may allow them to pay something later, at a time when they can afford it. He also describes the different practices of groups in surrounding areas, and compares traditional marriage customs to current ones affected by Christian influence. The speaker is from Krangku originally, but had moved to Putao several years before the time of recording.

This is a traditional narrative about a rich woman who receives many marriage proppsals. But, she will not speak to the men who propose to her. She says will only respond to the man she loves. An orphaned boy goes to her house and tries to cook, and she yells at him that he's doing it wrong. Then, she has to marry him because she has spoken to him, so he must be the one she loves. The speaker, Vshaq Sangdong Pōng, is from the Mvtjùng valley, and is about 70 years old at the time of recording. He speaks the lower Mvtjùng variety.

This is a description of how fish traps are used to catch fish. Three main kinds of traps are described: longdip, made of rocks; nakung, a raised sieve after a dam to catch fish; and ngatong, a bamboo tube. The fishermen discuss how the traps are designed and placed, how fish are collected from them, and beliefs/taboos surrounding fishing. They also describe fishing practices followed in other villages, like using poison to kill fish or shooting them with small arrows.

The 1st Lamkang book on old Lamkang proverbs, sayings & quiz

This is a narrative about how the Vzeu dance originated, recorded in Myitkyina. The Vzeu dance started when people wanted to express gratitude, so they imitated the butterflies and eagles. The speaker is from Krangku originally, but had moved to Putao several years before the time of recording. He also briefly describes the different beliefs and dances of groups in surrounding areas.

This is a traditional narrative about a wise woman who marries an orphaned boy, and gives him credit for being a good hunter even though he is a bad hunter. But because he has a reputation as a good hunter, the couple becomes rich. The moral is that the woman is the head of the family, and if she is capable and brave, the family will be successful. The speaker, Vshaq Sangdong Pōng, is from the Mvtjùng valley, and is about 70 years old at the time of recording. He speaks the lower Mvtjùng variety.

Call Number, is the newsletter of the School of Library and Information Sciences, University of North Texas. The periodical contains information about professors, news in the department, and the school's alumni.

Call Number, is the newsletter of the School of Library and Information Sciences, University of North Texas. The periodical contains information about professors, news in the department, and the school's alumni.

A linguistic description of Boro tones, specifically in polysyllabic words, including an overview of Boro's phonemic inventory and syllable structure. The authors identify three tones (high, low, and falling), present examples, and discuss the effects of morphology and final consonants on tone. They conclude by comparing the Boro tone system to those of Tiwa and Rabha, and positing directions for further investigation.

Handwritten notes on Boro, focusing on tone, pitch, and lexical stress in polysyllabic words. Includes examples of three tones (high, low, and falling), discussion of how these tones are differentiated, and diagrams of potential tone combinations.

This is a monologue about the teachings of elders. He warns that people need to think carefully before judging. The speaker, Vshaq Sangdong Pōng, is from the Mvtjùng valley, and is about 70 years old at the time of recording. He speaks the lower Mvtjùng variety.

This is a narrative about Makangya who lived with a group of monkeys. He pretends to be dead and the monkeys throw him off a cliff, where he meets a tiger.

This is a description of the mountains near Dukdang, Putao, and others in surrounding areas. The speaker, Vshaq Sangdong Pōng, is from the Mvtjùng valley, and is about 70 years old at the time of recording. He speaks the lower Mvtjùng variety. He lists the mountains, and the groups that live in those areas. He tells which mountains have roads nearby, and how some have changed names over time.

This is a description of the rivers and streams near Dukdang, Putao, and others in surrounding areas. The speaker, Vshaq Sangdong Pōng, is from the Mvtjùng valley, and is about 70 years old at the time of recording. He speaks the lower Mvtjùng variety. He lists the names of different rivers, and describes where they meet, and what roads or villages are near them.

This is a traditional narrative about an orphan boy who finds treasure inside a gourd and becomes rich. The speaker, Vshaq Sangdong Pōng, is from the Mvtjùng valley, and is about 70 years old at the time of recording.