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Missa Papae Marcelli: A Comparative Analysis of the Kyrie and Gloria Movements of Giovanni Pierluigi da Palestrina and an Adaptation by Giovanni Francesco Anerio
The Art of Recording the American Wind Band
Marcel Mihalovici: A Critical Evaluation of His Solo and Chamber Works for Clarinet, A Lecture Recital, Together with Three Recitals of Selected Works by Bozza, Uhl, Martino, Sowerby, Kalliwoda, Bax, and Others
The Castrato Sacrifice: Was it Justified?
Interpretive performance techniques and lyrical innovations on the bass trombone: A study of recorded performances by George Roberts, "Mr. Bass Trombone."
Modern Chinese Piano Composition and Its Role in Western Classical Music: A Study of Huang An-lun's Piano Concerto No. 2 in C minor, Op. 57
The Role of Self-Efficacy and Modeling in Improvisation: The Effects of Aural and Aural/Notated Modeling Conditions on Intermediate Instrumental Music Students' Improvisation Achievement
Tracing Messiaen in Naji Hakim's Le Tombeau d'Olivier Messiaen
The "Beethoven Folksong Project" in the Reception of Beethoven and His Music
Pablo de Sarasate: His Life, Music, Style of Performance, and Interactions among Other Performers and Composers
The Serpent and Ophicleide as Instruments of Romantic Color in Selected Works by Mendelssohn, Berlioz and Wagner
Teaching the Bass Tuba: A Survey of Current Trends in the College and University Applied Studio in the United States
Beethoven's Opus 18 String Quartets: Selected First Movements in Consideration of the Formal Theories of Heinrich Koch as Expressed in Versuch Einer Anleitung Zur Composition
Unique Contributions for Oboe in the Classical Period: Jacques Christian Michel Widerkehr's Duos for Oboe and Piano and François Devienne's Six Sonatas for Oboe and Basso Continuo
Toward a Framework for a New Philosophy of Music Education: Løgstrup as Synergy Between the Platonic and the Aristotelian Perspectives in the Music Education Philosophies of Bennett Reimer and David Elliott
Reevaluating twelve-tone music: analytical issues in the second movement of Anton Webern's Quartet for Violin, Clarinet, Tenor-Saxophone and Piano, Op. 22.
Exploring the Private Music Studio: Problems Faced by Teachers in Attempting to Quantify the Success of Teaching Theory in Private Lessons through One Method as Opposed to Another
The Centralized Higher Education System in Turkey and the National Music Teacher Training Program Since 1998: An Analysis.
From Deux Danses to Fluctuations: Compositional components and innovations in two solo trombone works of Jean-Michel Defaye.
A Financial Resource Guide for the Beginning Secondary Choral Music Director
Observed Eye Contact between Selected Students and Teacher in the Music Making Process
An Approach to the Analytical Study of Jung-Sun Park's Choral Work: Arirang Mass
The Influence of Fredrik Melius Christiansen on Six Minnesota Conductor-Composers
The Opening Section of Isang Yun's My Land My People: A Cross-Section of Korean and Western Musical Features
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