Letter from Paul Yarwood to Hortensia Blanca Mariajimenez. Names and accompanying titles are printed around a circular icon, which has text including "Advisory Pardon Board" positioned below it. A wide column of text fills the rest of the page and continues onto the paper's back side, ending above a signature.

Letter from Ernesto O. Schuster to Pedro J. Gonzalez. A location and date are printed above a wide column of paragraphed text. Below the text column is a signature and an underlined address.

Letter from the Asociacion de Locutores de Radio y Similares de la Baja California to Pedro J. Gonzalez. A microphone icon is printed next to multiple lines of red and blue text, below which is a wide column of paragraphed text printed in black. Below the paragraphs is a second microphone icon stamped between two signatures and above additional lines of printed text.

Letter from Pedro J. Gonzalez to Manuel Acuña Varela. The letter contains a column of paragraphed text printed above a signature, below which is an additional paragraph.

Letter from Pedro J. Gonzalez to Manuel Acuña Varela. Six lines of text are printed above two paragraphs, below which is a signature.

Letter to Pedro J. Gonzalez from Mercedes Valenzuela. Four lines of text are printed above a date and name, which are followed by a paragraph and a signature.

Letter from the Asociacion de Locutores de Radio y Similares de la Baja California to Pedro J. Gonzalez. A microphone icon is printed next to multiple lines of red and blue text, below which is a wide column of paragraphed text printed in black. Below the paragraphs is a second microphone icon stamped between two signatures and above additional lines of printed text.

Letter from the Asociacion de Locutores de Radio y Similares de la Baja California to Pedro J. Gonzalez. A microphone icon is printed next to multiple lines of red and blue text, below which is a wide column of paragraphed text printed in black. Below the paragraphs is a second microphone icon stamped between two signatures and above additional lines of printed text.

Manifest for members of the Confederación Nacional de Organizaciones Populares (CNOP). The title "Manifesto" is printed at the top of the page, above a wide column of paragraphed text that ends above individual text lines. Numbers have been handwritten above the page's bottom edge.

Act of inspection of Pedro J. Gonzalez's land. A small sheet of paper with handwriting across its top is layered on top of a larger paper that has a wide column of text printed to the right of handwritten words. The larger paper also has a printed seal at its top, next to a written "#4." The back of the page has a second seal marked above four signatures.

Letter to Pedro J. Gonzalez from Eduardo Angeles Meraz and Roberto Sanchez Aguilar. On the front of the page, a long title is printed above small lines of text that are positioned around a bird icon. Below the icon is a wide column of text printed to the right of a narrower text column. On the page's back are a few short lines of text followed by two signatures.

"Declaraciones de los ofendidos." A small block of text is printed above a few handwritten marks and a wide column of text that has a column of numbers to its left. The text columns continue onto the paper's back, ending above additional paragraphs and handwriting.

A news clipping titled "Division Campesina." Above the title is the word "Editorial" and the newspaper's date, to the left of which is a torch icon. Two columns of text extend across the rest of the clipping.

Letter from Pedro J. Gonzalez to Milton Castellaños Everardo. A long, curving title is printed above small lines of text that sit above and beside a bird icon, below which is a printed date. Beneath the date is a wide column of text positioned to the right of a smaller text column. At the bottom of the page is a signature and a printed seal, a mark that is repeated on the back of the page under four long lines of text.

Letter from Pedro J. Gonzalez to Raul Madero González. A long, curving title is printed above small lines of text that are positioned above and beside a bird icon, below which is a date. Beneath the date is a wide column of text positioned to the right of a smaller text column and a handwritten paragraph. The wider column of text continues onto the back side of the page, ending above a signature.

Letter from Pedro J. Gonzalez to Rebeca. A long, curving title is printed above small lines of text that are positioned above and beside a bird icon, below which is a printed date. Below the date is a wide column of text positioned to the right of a smaller text column. At the bottom of the page is a signature and a bold lien of text.

An article titled "Frontera Norte Pedro J. Gonzalez." The title of the article is enclosed by an oval that how hand-written words above and below its bottom edge and above its top edge. Below the headline is a single wide column of text that extends across the length of the page and then continues to the right of the headline. On the back of the clipping are large handwritten words.

Letter from Pedro J. Gonzalez to Roberto Fierro Villalobos. A line of text is handwritten in red ink above a long, curving title printed above small lines of text and a bird icon, below which is a printed date. Beneath the date is a wide column of text positioned to the right of a smaller text column and a line of handwriting. The wider column of text continues onto the back side of the page, ending above a signature.

One telegram from Pedro J. Gonzalez to the president José Lopez Portillo and one telegram from José Lopez Portillo's secretary, Carlos Javier Vega, to Pedro J. Gonzalez. A paper with a wide column of printed text across it has a signature at its bottom and is layered over a paper that has text printed atop a faint pattern. Both papers have stamped marks on them. The upper paper has some handwritten text at its top.

Letter from William L. McIntyre to Pedro J. Gonzalez. Eight ruled paper sheets have paragraphs of handwritten text across their front sides. The envelope accompanying the letter has handwriting in three different inks on its back and a red stamp its top right corner.

Letter from Pedro J. Gonzalez to Roberto Fierro Villalobos. A long, curving title is printed above small lines of text that sit above and beside a bird icon, below which is a printed date. Beneath the date is a wide column of text positioned to the right of a smaller text column and above a signature.

Transcript for Pedro J. Gonzalez interview (tape I side 2). A wide column of paragraphed text is printed across the fronts of two pages. Handwritten words sit between the printed text and each page's left edge.

Letter from Pedro J. Gonzalez to Claudio Estrada. A long, curving title is printed above small lines of text that are positioned above and beside a bird icon, below which is a printed date. Below the date is a wide column of text positioned to the right of a smaller text column. The wider text column continues across the back of the pages and onto a second paper, filling its front and half of its back. Beneath the end of the printed text are multiples lines of blue handwriting.

Legal agreement document between Pedro J. Gonzalez and Isaac Artenstein (Cinewest Productions). The first page is titled "Agreement" and has two introductory paragraphs followed by a single wide column of text containing two paragraphs numbered "1" and "2." The paragraph labeled "2" continues onto a second page and is followed by a paragraph numbered as "3" and a finishing statement containing a date. Gonzalez's and Artenstein's signatures sit at the bottom of the page.