Photograph of a group gathered outside of the Ott Cribbs Public Safety Center for the dedication of a street that has been renamed in memory of Officer James Johnson. Three people, a police officer and two women, are holding a new street sign: "James Johnson St 200" (block). The signs were presented to the families of each officer before being erected on the streets surrounding the main station.

Photograph of two street signs on a stop sign post that were placed in memory of police officers Gary Harl and Terry Lewis. The picture of the sign post is angled to show clearly the renamed streets: "Gary Harl St 500" (block) and "Terry Lewis St 200" (block). The signs were presented to the families of each officer before being erected on the streets surrounding the main station.

Photograph of a group of people looking at a renamed street sign, "James Johnson St 200" (block) which has been installed on the sign post with "W Division" street sign. The signs were presented to the families of each officer before being erected on the streets surrounding the main station.

Photograph of a Fort Worth Star-Telegram newspaper article written by Jessamy Brown. The article is about the street naming dedications for Arlington police officers James Johnson, Gary Harl, Jerry Crocker, and Terry Lewis who died in the line of duty. It includes brief statements from family members of the slain officers. There are three pictures in the article. The largest is of Luther Johnson with a photo of his brother Officer James Johnson who died in 1930. Two other smaller pictures are photos of Officer Jerry Crocker and Officer Terry Lewis.

Photograph of a Fort Worth Star-Telegram newspaper article written by Jessamy Brown. The article is about the street naming dedications for Arlington police officers James Johnson, Gary Harl, Jerry Crocker, and Terry Lewis who died in the line of duty. It includes brief statements from family members of the slain officers. It shows a map of the street locations.

Four photographs of the Boerne Village Band playing at an event. The first photograph features the whole band, wearing traditional German dress, and playing instruments while sitting on chairs in front of a residential fence. The second photo features six of the men and a boy setting up their equipment and instruments. The third photo features three women (one of whom is not in traditional Germanic dress) and a man sitting down with their instruments. The two women in traditional dress are holding accordions. The fourth photo features a man in traditional dress in front of a fence, holding a brass instrument. The photos are attached to a piece of paper with handwritten notes on it, including one that reads, "Börne Dedication."

Photograph of a group of people standing outdoors near what appears to be a single-story structure. Two older men are walking towards a white car on the left, while others are heading towards a black truck closest to the house. Though mostly cropped out of the picture on the right side, the house is in different stages of repair. The roof and the walls have been covered with different construction underlayments, but the patio's entire wood framework can still be seen. In the distance, a few trees and telephone poles are visible.

Photograph of a single-story home taken a short distance away from the front door. The house has horizontal, white siding and dark shingles covering a gable roof. A wooden set of steps and railing leads to a single gray door on the right wall. There are no visible windows. In the distance, an empty plot of land and some trees can be seen. Accompanying information states this is the Hansen Shed, perhaps referring to the owner.

Photograph of a man and a woman standing outside next to a house. The woman, identified as Elsie Christensen, looks to her left while resting her right arm inside a window ledge. She wears a blue print top and a dark, pleated skirt. To her right, the man, identified as Pastor Fred Toerne, stands on the grass smiling at the camera. Accompanying information states they are at Pioneer House before repairs were made. The house appears to be a two-story structure. Door and window holes have been made, but no permanent structures have been installed. A small scaffold is in the background, a short distance away from Pastor Toerne.

Photograph of a group of older men and women standing outside of a two-story house. Although names have been provided through accompanying information, they have not been matched properly to the photograph. They stand in a line in front of a patio and a small scaffold. The patio is covered by a sloping roof surface supported by slender wooden columns. The left part of the house appears to be older than the right, judging by the aged look of the siding that covers that part of the house. The right side, on the other hand, looks to be an add-on to the house. Much of its walls have been covered by construction underlayment. The roofs, additionally, have been covered in tar paper.

Photograph of a group of older men and women standing outdoors in front of a two-story house. Although names have been provided by accompanying information, they have not been matched properly to the people in the picture. They stand in front of a small scaffold that touches the edge of a sloping roof that covers the patio. The overhang created by the roof is supported by two wooden columns. Construction underlayment covers the part of the house that is closest to them. The rest of the house, on the other hand, appears to be much older; the siding, for instance, looks aged and weathered. Tar paper covers intersecting gable roofs on all sides.

Photograph of an older man, identified as Carl Larsen standing outdoors in front of a two-story house. He wears a white shirt tucked into gray pants. The house behind him has two doorways, a roof covered by tar paper, and siding that looks aged and weathered. The man stands next to a sign with red lettering. It states, "Future home of Danevang Heritage Society Museum." An address appears to be listed in the bottom, but it is too small and the photograph too out-of-focus to be read with certainty.

Photograph of Veteran R. L. Templeton standing outdoors in front of the Veterans Memorial Collingsworth County Courthouse. He is wearing a fifty year battle uniform and holding a cane.

Photograph of a tank on display at a memorial dedication. Cars are parked on the side of the road behind the tank, and a building is visible in the background.

Photograph of the 12th Armored Division patch engraved on the side of the Armored Forces Monument. The 13th Armored Division patch is also visible to the right, and text is engraved on the top of the monument.

Photograph of a list of military units engraved into the Armored Forces Monument in Abilene, Texas. The text reads: "Armored Divisions: 1-14, 16, 20 Armored Groups: 1-3, 6-11, 17 Armored Regiments: 13, 32, 33 Armored Field Artillery Battalions: 58, 59, 62, 65, 69, Armored Infantry Battalions: 6-11, 14-17, 19-21, 23, 27 Armored Infantry Regiments: 6, 36, 41 Cavalry Groups: 2-4, 11, 14-16, 101, 102, 106, 113, 115 Cavalry Reconnaissance Squadrons: 2, 3, 4, 6, 15-19, 24, Reconnaissance Troops: 1-5, 8-10, 26, 28-30, 34-36, 42, Tank Battalions: 70, 191, 701, 702, 707, 709, 712, 714, 717, 735".

Photograph of a close-up of the Armored Forces Monument. There is a picture of men standing beside and on tanks, and one man on horseback. The words "Forging the Thunderbolt" are inscribed in the top right corner. The text at the bottom of the monument reads: "'A balanced team of combat arms and services of equal importance and equal prestige.' Maj. Gen. Adna R. Chaffee Father of the American Armored Forces".

Photograph of five men, including three in uniform, and a woman seated on a blue raised platform during a memorial dedication. Six red and yellow flags are planted in the ground behind the platform, and to the right, another uniformed man speaks into a microphone at a podium. Trees are visible in the background.

Photograph of Elton Samuels holding out a 12th Armored Division flag at a dedication ceremony. Three other division flags are placed in the ground behind blue velvet chairs with programs set on them. Trees are visible in the background.

Photograph of a monument covered in a white sheet with a red, white, and blue pleated fan at both top corners. To the right, a line of four soldiers stand at attention, carrying rifles and two flags. To the left, a woman and two uniformed men stand on a raised platform in front of a podium. Another uniformed soldier stands beside the covered monument, and trees are visible in the background.

Photograph of a map of the European theater engraved on the Armored Forces Monument in Abilene, Texas.

Photograph of a World War II monument. A woman and a uniformed man stand looking at it, and four soldiers stand at attention to the right. The outside two carry rifles, and the inside two carry flags. Another soldier stands at attention behind the monument on the left. Trees are visible in the background.

Photograph of Mica England in a black dress (left) and Kay Wilkinson (right) wearing a black dress with big, polka-dotted sleeves. The two women are standing next to each other as Wilkinson holds onto her 1991 Extra Mile Award plaque, posing for their portrait together.

Photograph of Marty VanKleeck in blue with her arms over her head while bowing over as others around the podium watch at the 1991 annual Extra Mile Award ceremony. Emma Colquitt, Lory Masters, and Molly Behannon are sitting on either side of her.