Recording of a Duke Ellington medley of hits dated April 30, 1947, which is not listed in the Ellingtonia or Tom Lord discographies. The EllingtonWeb site places the band at the Paramount Theatre in New York at this time.

A recording only labeled "Sir Oliver," dated November 30, 1951, and likely of "The" Orchestra of Washington, D.C.

The second segment of Willis Conover's House of Sounds program for December 30, 1961, on WCBS radio in New York.

This recording is a part of the radio series “Toscanini: The Man Behind the Legend,” which was a tribute to conductor Arturo Toscanini. The broadcasts consist of music performed by the NBC Orchestra as well as interviews with composers, conductors, orchestra members, and other people associated with Toscanini. This segment includes performances of Saint-Saëns's Danse macabre, Berlioz's Queen Mab Scherzo from Romeo and Juliet, Catalani's Dance of the Water Nymphs, Dukas's Sorcerer's Apprentice, and an interview with Robert Hupka.

Audio recording of WFAA interviews with Barry Goldwater, Najeeb Halaby, Bill Allen, Henry Barbosa González, and the Dallas and Richardson Police Departments.

This recording is a part of the radio series “Toscanini: The Man Behind the Legend,” which was a tribute to conductor Arturo Toscanini. The broadcasts consist of music performed by the NBC Orchestra as well as interviews with composers, conductors, orchestra members, and other people associated with Toscanini. This segment includes performances of Ottorino Respighi's Pines of Rome, Fountains of Rome, an interview with director Bern Meyer, and Meyer's interview with Elsa Respighi, the composer's widow.

This recording is a part of the radio series “Toscanini: The Man Behind the Legend,” which was a tribute to conductor Arturo Toscanini. The broadcasts consist of music performed by the NBC Orchestra as well as interviews with composers, conductors, orchestra members, and other people associated with Toscanini. This segment includes performances of Wagner's Faust Overture, Barber's Adagio for Strings, Bach's Air on the G String, and Strauss' Tritsch-Trastch Polka.

This recording is a part of the radio series “Toscanini: The Man Behind the Legend,” which was a tribute to conductor Arturo Toscanini. The broadcasts consist of music performed by the NBC Orchestra as well as interviews with composers, conductors, orchestra members, and other people associated with Toscanini. This segment features Toscanini: The La Scala Years.

This recording is a part of the radio series “Toscanini: The Man Behind the Legend,” which was a tribute to conductor Arturo Toscanini. The broadcasts consist of music performed by the NBC Orchestra as well as interviews with composers, conductors, orchestra members, and other people associated with Toscanini. This segment includes a performance of Ponchielli's Dance of the Hours from La Gioconda and features Toscanini: The Metropolitan Years, Part II, about Toscanini's time at the Metropolitan Opera.

This recording is a part of the radio series “Toscanini: The Man Behind the Legend,” which was a tribute to conductor Arturo Toscanini. The broadcasts consist of music performed by the NBC Orchestra as well as interviews with composers, conductors, orchestra members, and other people associated with Toscanini. This segment includes performances of Berlioz's Rákóczy March, Strauss's Till Eulenspiegel and Respighi's Pines of Rome and features an interview with NBC sound effects specialist Chet Hill.

This recording is a part of the radio series “Toscanini: Centennial Series,” which was a tribute to conductor Arturo Toscanini on the hundredth anniversary of his birth, and was a subset of the radio series "Toscanini: The Man Behind the Legend". The broadcasts consist of music performed by the NBC Orchestra as well as interviews with composers, conductors, orchestra members, and other people associated with Toscanini. This segment includes performances of Un ballo in maschera, Act I Scene 2, by Giuseppe Verdi.

Part 3 of 4 segments of raw audio of Willis Conover's 1970 interview with Johnny Mercer, which was used in the series of seven memorial broadcasts between program numbers #7879-A and #7893-A.

Interview with Grover C. Edge, a resident of Baytown, Texas since 1921. Topics include the early history of Baytown and the Humble Refinery, the VFW and the Bayshore Rod, Reel and Gun Club

Willis Conover interviews Jorge Luis Borges.

Audio cassette from The Black Academy of Arts and Letters recorded during the 1st "Medal of Merit" Annual Awards Banquet for the Junior Black Academy of Arts and Letters held on June 30th, 1979. The tape includes two tracks of audio that are generally noisy and intelligible. Track 1 covers the awards banquet speakers and track 2 a performance by Helen Monday of "My Living Shall Not Be in Vein".

Interview with Earl Yates, Jr. about the history of Grapevine, Texas.

Interview with Jerry Traylor, Miller Casey, and Mike Prewitt, who were Public Works employees during Hurricane Alicia. Topics include memories of Hurricane Alicia and the aftermath.

Interview with John Oliver Brown, who discusses his life experiences and viewpoints.

Interview with Roy Long, a longtime resident of Baytown after moving in 1929 from Houston, Texas. Long answers questions and details his early employment in Baytown at the Humble Refinery, and goes on to talk about his law practice, offices, and the growth of the town.

Ensemble concert performed at the UNT College of Music Concert Hall.

Choral concert performed at the UNT College of Music Concert Hall.

The National Museum of the Pacific War presents an oral interview with Howard Jackel. Jackel served aboard the USS Portland (CA-33) beginning in 1937. During World War II, he was aboard the USS South Dakota (BB-57). He noticed a stark difference between the two crews: while the Portland’s crew were polished sailors, the South Dakota’s were fighting men; uniforms did not mean much to them. During the Night Battle of Guadalcanal, Jackel was in the main battery plotting room, taking ranges from five range finders. As readings were coming in as quickly as five per second, Howard was concentrating on his plotting so much that he did not feel it when the ship was hit. By the end of the battle, only one range finder was left.

The National Museum of the Pacific War presents an interview with Rear Admiral Ray Hunter and Howard Jackel. The interview begins with Admiral Hunter’s experiences aboard USS Washington (BB-56) during the Naval Battle of Guadalcanal on 14-15 November 1942. Hunter served as officer of the deck, and speaks of events that occurred in company with USS South Dakota (BB-57). In the second interview, Howard Jackel shares his experiences aboard the South Dakota from January of 1942 through January of 1944. He participated in the Battles of Santa Cruz, the Naval Battle of Guadalcanal and part of the Gilbert and Marshall Islands campaigns. Jackel speaks of their interaction with the Washington during the Guadalcanal battle.

The National Museum of the Pacific War presents an oral interview with Ray Hunter. In this interview, Hunter recounts the Night Battle of Guadalcanal, for which he served as officer of the deck on the USS Washington (BB-56), on the lookout, keeping the ship out of collision with friendly forces, and making sure that the commanding officer’s orders were carried out. The crew had been at general quarters for 12 hours before the first shots were fired. Still, everyone remained calm. At the climax of the battle, Hunter ordered a port turn to bypass destroyers that were sinking and burning in front of the Washington. This put the Washington behind the flames so that it would not be silhouetted. For reasons unknown, the USS South Dakota (BB-57), which until this time had been following closely behind the Washington, made a starboard turn, creating a silhouette effect, and was subsequently hit by a salvo of shells. The Washington then shepherded the South Dakota to Noumea.