Print by Gordon Grant. "In All Her Glory" print of a sailing ship at sea.

Print by August Hutaf of a drawing titled "Hold Still!" In this image, a little girl is buttoning the bloomers of an even smaller child holding a candy cane. Underneath the image is the title and copyright information as well as two safety pins. It is signed in the upper right corner.

Watercolor painting of an oceanside beach scene. Painting depicts a sandy dirt path or roadway leading to/from a body of water. Sandy grassy hills on either side of path with a small bush/tree on the right side. Water in background, sky above. In the lower right corner, the artist has signed the painting, "Nellie Bossey McCurdy 1903."

A newspaper clipping with a photograph of a Mineral Wells School. This clipping had been mounted in a scrapbook, and the legible portion of the caption says, "Mineral Wells School, Texas." The whole caption read: Mineral Wells College. [sic]--A School for Both Sexes The building, which the Weatherford Democrat of September 12, 1895 says would be built in Mineral Wells (It would have been in Romanesque architecture), was to offer "Classical, Scientific, English, Music, Elocution, and Art Courses" . Professor J. McCracken was the head of the school. The building was never built, because the state provided education up to (but not including) college. A need for further education was not felt. .

A 1906 seasonal advertisement, compliments Central Texas Realty Association, depicts a young lady (An Art Nouveau goddess?) half-kneeling within a frame that suggests stained glass. She is holding a water jug, from which pours a stream of healing elixir that splashes into the lowermost center of the brochure. Decorative scrolls reminiscent of wrought iron sculpture decorate the advertisement. Stars, both in the advertisement and on the lady's tiara, hint that Mineral Wells is the City of Light. What appears to be a coffee stain shows at the upper left. Someone has penciled "1905" in the upper right corner.

Certificate of Enrollment for the membership of the Cradle Roll. The certificate is issued to Rosa Louise Dill by Chas Manlou on behalf of the 1st Cumb Presbytn Ch on March 1, 1906.

Pen and ink drawing of the Salado Schools building in Salado, Texas. The note on the back of the drawing reads: "P.S. Check is money Helimer sent for his expenses on trip."

A collection of political and social comics drawn in ink, with extra marks in pencil, including a drawing on the back of one of the illustrations

A collection of drawings, most likely originally appearing in a single tablet, done by a young Roy Crane.

Compilation of political and advertising cartoons, depicting caricatures of angels, African-Americans, and Nazis. The compilation also includes non-caricature sketches of men, women, automobiles, and a small, one-story house.

Drawing of a residence for Mr. J. E. Nagley. It has two columns on the porch walls near the entrance, a pyramid shaped roof, two chimneys on both sides of the roof, and four windows on the second floor.

A bed sheet with text and/or artwork used as a visual aid to a preacher's sermon. On this particular sermon chart, the large cross functions to focus the audience upon the preacher's central theme of discipleship, i.e. taking up one's cross. Such discipleship is costly, as the preacher emphasizes in both left and right columns. Citing Biblical examples (a total of 51) of sacrifice, cost and devotion, the preacher climaxes the sermon by inviting hearers to embrace a life of Christian discipleship through faith, repentance, confession and baptism. It closes with an exhortation about the costs of and an invitation to the rewards of committed discipleship.

A bed sheet with text and/or artwork used as a visual aid to a preacher's sermon. In this particular sermon chart, the preacher's chief concern is the name by which a local group of Christians is known. A fundamental point underlying this sermon is the conviction that "Bible names unite -- human [names] divide." A name is not a small matter for the church, just as it was significant for Israel. The call, therefore, to hearers is to utilize only 'Bible' or 'Biblical' names for congregations.

A bed sheet with text and/or artwork used as a visual aid to a preacher's sermon. In this particular sermon chart, using Acts 19:1-5 as a key text, the sermon begins with the matter of definitions; first transliterated Greek words, then Webster and finally an array of Bible citations to arrive at a definition of baptism as "burial, planting, washing" (as highlighted in red in the left column). This point is further stressed from Romans 6:17-18 and 1 Corinthians 15:1-4: that the "D.B.R." (death, burial and resurrection of Jesus of Nazareth) is foundational Christian doctrine expressed in the life of a believer in immersion in water. The right column explores the purposes of baptism. For this preacher apparently the fundamental purpose of baptism is to (in red letters) "obey God."

A bed sheet with text and/or artwork used as a visual aid to a preacher's sermon. This particular sermon chart presents the fullness of what among Churches of Christ has been called the "Plan of Salvation." He cites three texts from the gospels (prior to the Day of Pentecost in Acts 2) in the first portion; in the second and larger portion he quotes a series of examples of conversion all from the book of Acts. His methodology is to discover in these cases of conversion the presence or absence of certain elements, compile them into a chart, and from the aggregate reason to the "Plan of Salvation." The performance of this plan answers the question "What must I do to be saved?" The constituent parts of the plan as outlined in the chart are: (T)eaching or (H)earing; (B)elief; (R)epentance; (C)onfession and (B)aptism followed by (R)emission of sins or (S)alvation. It is unclear how the mathematical chart functions for the preacher.

A bed sheet with text and/or artwork used as a visual aid to a preacher's sermon. On this particular sermon chart, the sermon presents (in purple) the blessings of being "in Christ" with accompanying Biblical references (in black). The emphatic red-letter invitation in the bottom right corner is designed to move the hearer to action.

A bed sheet with text and/or artwork used as a visual aid to a preacher's sermon. Organized in four distinct sections, this particular sermon chart pursues a golden chain through thirty-nine Bible references. The red-lettered one-word themes progress from the Trinity (Father, Son, Sprit) through the grace and the death of Jesus to the proclamation of the gospel. The chain is complete upon the reception of the "Plan of Salvation" in the life of the believer. It is unclear what "D.B.," "D.M.," "H.B.," and "H.M." represent.

A bed sheet with text and/or artwork used as a visual aid to a preacher's sermon. In this particular sermon chart, using green textual references and red summaries, the preacher utilizes Biblical examples of divine-human interaction to motivate his hearers to place themselves where God can "use [them]." The theological bottom line is the chart's closing line: his sermon addresses that which "mold[s] destiny and reward." The question for the hearers is whether they will avail themselves of the preacher's message.

A bed sheet with text and/or artwork used as a visual aid to a preacher's sermon. In this particular sermon chart, the rationale for the green and blue lettering is unclear: in some cases a subject is highlighted, in others a textual reference. The red-lettered words seem to function to grab the hearers attention. The sermon's plan is clear: present biblical data about the return of Christ, from its nature and character to its timing and results. In what appears to be the climactic illustration of the sudden and dramatic nature of the return of Christ, the preacher refers to "children looking for parents---Johnstown Flood." The Johnstown Flood occurred 31 May 1889 in Johnstown, Pennsylvania; one of the most severe floods of its kind, it claimed the lives of over 2,000 persons.

A bed sheet with text and/or artwork used as a visual aid to a preacher's sermon. This particular sermon chart begins with God's instruction to Abraham to teach his children. The preacher then elaborates upon the Biblical imperative to instruct and indoctrinate children in the way of God. He spends considerable time in Deuteronomy and Proverbs and cites disastrous examples from the Bible when such instruction went unheeded. He concludes the sermon by citing similar passages from the epistles. He refers to [Robert G.] Ingersoll, noted 19th century agnostic as a counter-example of the influence parents have on children. His emphatic conclusion, lettered large and in red, asks, "Who will be Leaders of Tomorrow?"

A bed sheet with text and/or artwork used as a visual aid to a preacher's sermon. This particular sermon chart employs typology, an interpretive strategy by which a single concept (in this case salvation) is explained by way of noting similarities between two persons (in this case Noah and the hearers of the sermon). Assuming unity and consistency of the Biblical message, typological interpretation one example serves as a pattern by which or lens through which another is interpreted. For this preacher, the key Biblical text is 1 Peter 3:19-20. It appears considerable time is spent in developing the plan of salvation, particularly baptism.

A bed sheet with text and/or artwork used as a visual aid to a preacher's sermon. Using this particular sermon chart, as the preacher reads down the pages, first the left, then the right page, he traces the meaning of identity in the people of God. He moves quickly to the church, citing Ephesians 1 and Colossians 1. This sermon explores, if only in a basic way, a common understanding of ecclesiology, or the doctrine of the church, among Churches of Christ. By employing imagery of the large book, presumably a Bible, as the backdrop for the chart contents, the preacher reinforces a notion that he speaks only from the Bible. In this way the chart reflects both a doctrinal commitments, but also a persuasive rhetorical strategy.

A bed sheet with text and/or artwork used as a visual aid to a preacher's sermon. In this particular sermon chart, affirming first that a "guide [is] needed" the preacher stresses the Bible is intended for "plain" or "common folk." Confident of humanity's capacity to "understand" and given the simple nature of the Bible, he stresses therefore that "God demands" humans to be "of one mind" as was the "early church." If his hearers will reject "prejudice," "creeds" and their "lack of study' they too can be "one."

A bed sheet with text and/or artwork used as a visual aid to a preacher's sermon. An eight-point sermon with forty-seven citations of Bible texts, this particular sermon chart develops several aspects of "compromise." The root issue for the preacher is the distinctive identity of the Church of Christ: separate from the "world," "human machinery," "union meetings [with other religious groups, specifically "Jews, Catholics, Mormons"]" and "pleasures." The sermon is addressed to church members and therefore is hortatory: do not "compromise." Yet the sermon ends with an evangelistic thrust in points VII and VIII. The preacher appeals to men who say "let women & children go." He appeals to any hearer to "take your stand" before it is "too late."