Copy negative of two pictures from World War I with notes printed on them in French. The top picture is of a barbed wire fence around an area with a soldier, a building, and plants. The bottom picture is of the Highland Brigade who took Martinpuich marching down a road beside a field. The men in front are playing bagpipes.

Photograph of Charlyne Creger wearing a blue checkered blouse and white shorts (center) with an unidentified woman wearing a short-sleeved blouse and shorts (left), and a man in a hat and white shirt selling strawberries from a box that reads "Louisiana Strawberries" (right). On the left the silhouettes of several people and a carriage in an alley are visible in the background and on the right part of a sign that reads "chateau" can be seen.

Only a caption on the photograph identifies it as the Cafe Royal. This building that houses it, on the N.W. corner of NW 1st Avenue and 3rd Streets, was known as the W.E. Mayes Building. Upstairs rooms were rented under the name of the "Carlsbad Hotel" in recognition of the nearby Carlsbad Drinking Pavilion at the opposite (or NE) corner of the block: 700 NW 2nd Avenue. (The first edition of "Time Was in Mineral Wells", page 105, identifies it as the Wells Hotel.)

Photograph of uniformed soldiers standing in front of small buildings on a waterfront. Tanks and trucks can be seen closer to the water in the background. The three buildings in the center and right side of the photo have pallets piled around them. The buildings on the left and right have signs that say "Embarkation and Ship Loading Control," while the central building has a sign that says "382nd Fort Battalion Smoking Area Autorisation de Fumer." An ocean liner with three smoking funnels can be seen in the background.

Photograph of Jean de Lattre wearing a dress uniform with metallic buttons, ribbons over his left breast pocket, and patches along his left shoulder. He is wearing a kepi hat with a thin brim.

Photograph of a group of uniformed soldiers gathered around a sign that says "Promenade de Nuit" and "Chateau d'If et la Corniche." A building in the background is obscured by the sign. A handwritten note on the reverse side of the photo says that the soldiers are leaving an excursion boat.

Two near-identical images of a cotton baling press in use at a mill. A bale is at the front and a man is standing just behind it at left, near the machinery. There is a blur where the man moved during the exposure. Descriptive text printed below the images in the lower-right corner: "7722- Baling Cotton--a powerful press just releasing a 500-lb. bale--at a mill in Texas." The same text is printed on the back in six languages

Photograph of the Place de Clichy in Paris, France. The intersection is visible in the foreground. White buildings surround the intersection. Cars are parked in front of buildings.

Photograph of a soldier on a bike in front of a hotel in France. Signs on the building say "The Attractions" and "Hotel No. 2, United States Riv Rec Area."

Photograph of a building on a busy street corner with a large circular sign that says "FFI," with text around the edges as well: "Exposition, Vers L'armee Nouvelle." A handwritten note on the back of the photo says "Paris, FFI Headquarters."

Copy photograph of a beach front scene in Casablanca, Morocco. Visible are several swimmers, water slides and a tall clock. In the background is a building labeled, "Brasserie Restaurant." There are several children sitting near the water.

Photograph of U.S.S. New York, U.S.S. Texas, U.S.S. Wyoming, and S.S. Normandie at a port in Le Havre, France, with tugboats around them.

Photograph of the Tomb of the Unknown Soldier inside the Arc de Triomphe in Paris, France.

Photograph of a group of veterans with their wives seated in wooden chairs around a table in an unidentified room. Behind them, a pair of double doors (right) has restroom signs above it and a n advertisement for "Tropico" is on the wall (left); empty tables are partially visible in front of the group. Handwritten text on the back of the photo says: "Besançon 4-22-85. Waiting for TGV to Paris."

Photographs of "Echoes of France" by Amy Robbins Ware, held by UNT Special Collections. The cover is dark blue with a rubricated title and illustration enclosed in a black-stamped frame. Image 2, inscription on inside of cover written in pencil. On the left page is a stamped design. This image in Echoes from France by Amy Robbins Ware, an American nurse in France during WWI, demonstrates the kind of tensions generated by the coexistence of photographs and text. Image 3, pages 40 and 41. The page on the left has a black and white photo of a woman in a dress and gas mask, the page on the right a poem titled "J'attends, C'est la Guerre." Although the book contains no photographs of abject gore, it does feature this photo of a woman with a gas mask as a haunting reminder of such horror and an effacement of the familiar, such that the woman now wears the large dark eyes and proboscis reminiscent of insect life. The text at the bottom works against the tone of estrangement by way of the domesticating rhetoric of “little tin derby” in the place of “helmet.” The diminutive qualifier is not supported by the …

Photograph of the French Club float in the Midwestern University parade in the late 1940s or early 1950s. The float is labeled, "Le Cercle Francais." A large crowd is gathered on both sides of the street watching the parade as it passes in downtown Wichita Falls.