Maxi dress of black jersey. Surplice bodice is trimmed with a red band and a yellow band. Long sleeves are trimmed with a red band and a yellow band near the wrist, and the lower sleeve is made up of long panels of red and yellow. Empire waistline trimmed with a red band; long wrap skirt. Inner black fabric lining with snap-crotch. Designer Label: Sant'Angelo

Dress of silk knit in a geometric design of magenta, pink, orange, beige, and black with "Emilio" signature in pattern.

Hostess dress of gray, aqua and pink Pucci-style printed silk surah in abstract swirl and circle design. Fabric has "Bessi" signature in fabric design. Flared, maxi length princess-line seaming with high rounded neckline. Bracelet length, set-in sleeves with a box pleated shaping tuck between the elbow and wrist. Center back zipper closure with hook & eye at the neckline. Fully lined in pink silk jacquard with the designer's name. Designer's label: Bessi / Firenze Italia Retailer's label: Expressly / for / Lou Lattimore / Made in / Italy Fabric/Care label below retailer's label: To be dry cleaned / 100% pure silk / Made in Italy Size tag below fabric/care label: 16

Jacket of blue/gray wool. Straight cut with princess seams. Long sleeves, wide convertible collar. Patch pockets at front hips with double row of topstitching. Hand finished blind flat fell seams. Designer label: André Laug / Piazza di Spagna 81 / Roma Retailer label: Martha / Palm Beach / New York Bal Harbour B) Tie belt of matching fabric; 1/2" wide.

Recording of Takehisa Kosugi's Catchwave 71.

Dress of creme silk knit with print of brown, gray, and white thistle flowers and pink leaves. "Emilio" signature in flowers.

Recording of Oeuvre Collective's Il paese della félicita.

Recording of Luigi Ceccarelli's Il Contingente Cambia Colore, installation for 4 tape loops with concrète sounds.

Recording of Albert Mayr's Relazioni-transformazioni. “Relationships-Transformations” is part of a series of works that are based on the TIME-ASPECTS text and thus start from the same basic hypothesis: highlighting the relationships that come into being between various sound events - or even visual, theatrical – in function of relationships between their organizations in time and subjective transformations - of such events that occur during the operation. This hypothesis is carried on with the use of a very small material, both for recorded and instrumental parts, without any virtuosity, even to avoid masking, with affirmative artisans, the state of erosion of making music today.

Silent film of the Intercontinental Football League's (IFL's) 1976 European tour to promote American football as a leisure activity. It includes footage of players on buses and in cars, football games, spectators, cheerleaders, European scenery and promotional activities. Many stills of promotional brochures, newspaper articles, and photographs are included.

Compilation film of home movies and news coverage of the 1976 Intercontinental Football League's (IFL) European tour of Germany, Austria, and France promoting American football as a leisure activity. Includes footage of football game play, spectators, cheerleaders, and promotional activities. The narration implies that this film was used to promote the IFL and its potential as a revenue source.

Scrapbook containing color photographs, opera programs, tickets, stickers, coins, maps, and restaurant menus in relation to John Brigg's travels to Venice, Berlin, Dresden, Prague, and Bruges. It also includes images of monuments, museums, and landmarks. John Logan Briggs Jr. is the creator of "The Experience," a self-discovery workshop for the LGBT community.

Recording of Luigi Ceccarelli's "Abominable A" for magnetic tape. The piece includes the voices of Kadigia Bove, Francesca Furlanetto, Eugenio Giordani, Luciano Martinis, Michela Mollia, Achille Perilli, Marina Poggi, Enrico Pulsoni, Giovanni Puma, Kerstin Riemer, Claudio Rufa, Stefano Scodanibbio, Gaetano Trusso, and Catherine Verwilgen. The piece contains a recitation of all the words in the Italian vocabulary that begin with the letter A, read in sequence from voices with different stamps, rhythms, and intonations. To these are added other sequences in French, German, and English. The work is divided into fifteen sections, each of which has a different criterion for processing the timbre, rhythm, and space. It was realized at the Electronic Laboratory for Experimental Music at the Conservatory "G. Rossini" in Pesaro from 1978 to 1980.

Recording of Frank Royon le Mée's Complices, pour in lendemain fête. Extracts from the three big hours of the office for a day-after party. For voice, processing device, magnetic tape, analog synthesizers. The vocal sequences have been elaborated and are sung by the composer. For Complices, techniques used: singing with harmonic (2 voices), Tibetan singing. Complices: made following a study visit during the spring

Recording of Giampaolo Testoni's Glossario II for tape.

Recording of Arrigo Lora-Totino's Trio Prosodico II. Poetry is spoken by Lora-Totino. The music of this piece is found in the "natural melody" of the diction and language.

Recording of Arrigo Lora-Totino's Trio Prosodico. This work is modeled after a 'da camera' musical. There is no instrumental music. There is the natural melody of the diction, in three contemporary voices. All three voices are the composer.

Recording of Elżbieta Sikora's The waste land, for fixed media. The piece is a journey through time and spaces. The present is mixed with the past, the ordinary with the extraordinary, dream with reality. The work was commissioned by the Experimental Studio of Polish Radio and was realized in October 1979. The text comes from T. Elliot's poem "The Waste Land."