Autograph score of an alternate version of the piece in Box B, Folder 3, Item 9 in this collection. This item has many penciled marginalia.

Four preludes.

Manuscript fair copy score of several short pieces for organ.

A cappella score for Oppel's composition for Männerchor entitled Ich sah den Wald sich färben ("I saw the forest change color").

Envelope containing Oppel's doctoral diploma.

Fair copy score of a fantasia in the form of a fugue for organ.

Five movements: 1. Präludium; 2. Presto; 3. Allegretto Grazioso; 4. Grave; 5. Finale. Allegro molto, quasi Presto.

Autograph sketch of song in Box B, Folder 4, Item 1 in this collection

Handwritten letter from Loewe to Mayer dated 19th of March, 1859. 1 leaf, with writing on one side.

Printed text of two Hungarian folksongs translated into German by Max Farkas and set to music by Reinhard Oppel: "Komm nicht in später Nacht" ("Do not come late at night") and "Hinterm Dorfe flieβt die Szamos" ("The Szamos flows behind the village").

Letter from Carl Loewe to Emilie Mayer. Content of letter on p. 1. Address and postmark on p. 2.

Handwritten sketch likely part of Messe II.

Handwritten pencil sketch of last six pages of unknown composition likely for piano and orchestra (in reduced score).

A letter written by Franz Liszt, including a notated example.

Suite for piano in E major.

Handwritten list of Oppel's works.

Manuscript piano/vocal score for three songs from "Siebenten Ring" by Stefan George. Lied I appears in two keys: B-flat major and C major although the first version does not resemble Lied I from Box A, Folder 19, Item 1 in this collection. Lieder V and VI also appear in G major and A-flat major, respectively.

Program for Regents Faculty Lecture by Dr. Timothy Jackson, Associate Professor of Music Theory, College of Music on "The 'New Teaching' 1928-1935 and 2001-: the Reinhard Oppel Memorial Collection at UNT and Schenkerian Analysis in the New Millennium." Program includes a WebCT Demonstration by Jennifer Sadoff, doctoral student, teaching fellow, and winner of the Toulouse Doctoral Fellowship and scholarships from the Jewish Federations of Chicago and Dallas. Other participants include Melissa Hall, piano, and Heejung Kang, performing Liebeslied ("Love Song") by Oppel, Schliesse mir die Augen Beide ("Close Both My Eyes") by Paul Kletzki, Über ein Stündlein ("In a Short While") by Oppel, Fugue by Hans Weisse for Heinrich Schenker, and Klavierstuck ("Piano Piece") Op. 4, No. 1 by Heinrich Schenker.

Two songs set by Reinhard Oppel: 1. Über ein Stündlein (Paul Heyse); 2. Irrlichtergesang (W. Walloth).

Autograph sketch of a cappella SATB choral work

Autograph score for an a cappella SATB choral piece set to a Reformation text; composed in Bonn.

Manuscript piano/vocal score for three songs from "Siebenten Ring" by Stefan George. Lied I appears in two keys: B-flat major and B major. Lieder V and VI also appear in F major and G major, respectively.

Envelope of letter addressed to Elfriede Oppel containing a photo of her and correspondence between Franz Liszt and Carl Loewe.

Autograph sketch for a piece for violin and organ composed on April 21, 1932, in Leipzig.