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Audiovisual Concatenative Synthesis and "Replica"
Critical Essay and Musical Score Accompanying the Original Music Composition, "East is East, and West is West (and Never the Twain Shall Meet)"
EverWind: Original Composition and Analytical Essay on the Role of Inspiration and Nature in Music
Gradual: A Sound-Based Composition for Tenor Saxophone and Fixed Electronics, with Critical Essay
"Natural Disasters"
Strategies for the Creation of Spatial Audio in Electroacoustic Music
Cosmophonia: Musical Expressions of Astronomy and Cosmology
Sonic "Alchemy": An Original Composition for Piano and Electronics with Critical Essay
Music as a Woven Narrative to an Absurd Tale in Act One of The Metamorphosis
Music on the Edge of Silence
Postmodern Multiplicities in Three Original Works
Replenishment: A Musical Narrative Inspired by Sleep
Among the Voices Voiceless: Setting the Words of Samuel Beckett
Evocative Foreshadowing: The Motivic Construction in "The Legend of Two Rings"
Interactive Networks in Forgotten Lyres: Critical Analysis and Original Composition
Monolith: A Piece for Midi Piano, Mixed Sextet, and Fixed Electronics
Recent Approaches to Real-Time Notation
Virtual Stage: Merging Virtual Reality Technologies and Interactive Audio/Video
Creating Musical Momentum: Textural and Timbral Sculpting with Intuitive Compositional Systems and Formal Design
Tempered Confetti: Defining Instrumental Collage Music in Tempered Confetti and Venni, Viddi, --
"Deborah": The Creation of a Chamber Oratorio in One Act
An Analysis of Du cristal…à la fumée by Kaija Saariaho and Axiom Unearthed, Original Composition
The Nothingness of Presence: Sound, Ritual, and Encounter in the Music of Into Your Hands
Ta/v\am: Real-time Audio/video Scrubbing Tools for Analysis of Multimedia and G®¡nd
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