The scholarship on the extent of the Nahuatl writing system makes something of a sense-reference error. There are a number of occurrences in which the symbols encode a verb, three in the present tense and one in the past tense. The context of the use of calendar systems and written language in the Aztec empire is roughly described. I suggest that a new typology for is needed in order to fully account for Mesoamerican writing systems and to put to rest the idea that alphabetic orthographies are superior to other full systems. I cite neurolinguistic articles in support of this argument and suggest an evolutionary typology based on Gould's theory of Exaptation paired with the typology outlined by Justeson in his "Origins of Mesoamerican Writing" article.

Music plays an important role in Mexican funeral ceremonies, acting as a vehicle for men to acceptably express emotions of bereavement. As an important symbol of mexicanidad (Mexicanness), mariachi music is often used in traditional Catholic funerals, ritualizing grief equally as a mourning of loss and a celebration of the life of a deceased person. Although a form of popular music, mariachi's secular songs go through a process of sacralization, becoming meaningful sites for experiencing grief. As a musical expression of Mexico's idealized gender norms mariachi opens an aesthetic sphere for masculine grief to be expressed, experienced, and socialized in an acceptable form. The purpose of this thesis is to investigate the musical mediation of masculine grief, experienced and ritualized within funeral ceremonies, and observed through an ethnographic study of Mexican immigrant communities.

A study of the history of weaving in Guanajuato, Mexico.

This thesis presents a history of the United States' war with Mexico with a focus on the maturing of the United States artillery on the battlefields of Mexico.

In 1521 a band of several hundred Spaniards overthrew the Aztec empire in Mexico and its ruler, Moctezuma II. This defeat in itself created a major cultural shock for the indigenious population, but the later arrival of Spanish officials and colonists constituted a far greater if less dramatic upheaval. For the victorious Spaniards rejected Aztec governmental institutions, considering them to be distinctly inferior, and quickly substituted their own. Moctezuma II and a substantial number of the Aztec ruling class had died during the violence which accompanied the conquest and those who remained were not permitted to exercise leadership. It was, however, the stated policy of the Spanish Crown that the Indian population of New Spain should be treated with kindness, allowed to retain their property, and led gently toward acceptance of the Christian faith. Among the surviving members of the Aztec nobility were several of the emperor's children, to whom Spanish authorities accorded special attention because of their unique position. Moctezuma II's son, Tlacahuepan, who on his conversion was baptized Pedro de Moctezuma, was one who received special grants and favors, for it was the Crown's intention that members of the emperor's family should be treated with consideration and be …

This study analyzes the procedures and operations of the Quartermaster, Ordnance, Commissary, and Medical Departments during Scott's campaign to determine the efficiency of the prevailing logistical system. Unpublished and published government documents, official records, manuscript collections, memoirs, diaries, and newspapers provide the data. The first chapter describes the logistical departments interworkings; the remaining chapters detail the operations of the bureaus during the expedition's assembly and campaign against Mexico City. The evidence revealed organizational deficiencies which caused severe shortages, particularly in transportation, for Scott's army. The shortages severely hampered the expedition. Because of .the numerous victories over 'Mexican forces, however,. American leaders ignored the organizational deficiencies, These shortcomings reappeared to .impede operations during the Civil War.

This investigation traces the history and development of music theory in Mexico from the date of the first Mexican treatise available (1776) to the early second half of the nineteenth century (1866). This period of ninety years represents an era of special importance in the development of music theory in Mexico. It was during this time that the old modal system was finally abandoned in favor of the new tonal system and that Mexican authors began to pen music treatises which could be favorably compared with the imported European treatises which were the only authoritative source of instruction for serious musicians in Mexico.

The Rio Gavilan watershed, located in Mexico 's northern Sierra Madre Occidental , has significance in conservation history. Upon visiting the remote, largely un­developed watershed during two hunting trips in the 1930s, renowned conservationist Aldo Leopold thought it was the best picture of land health he had seen. His main indicators of healthy land were slow water runoff rates regulating erosion and historical predator-prey relationships. The visits confirmed Leopold's concept of land health, inspired many of his essays, and helped shape his land ethic. Leopold proposed the area as a control site to research healthy land throughout North America . The proposal never went forward and the area has since been more intensively logged and grazed. This dissertation research used extensive literature review, archives, oral histories, citizen surveys, and rapid assessment of forest, rangeland, riparian, and socioeconomic health to assess impacts of past cultures and update the area's land health status. Projects that could restore land health, such as linked eco-tourism, forest density reduction, and rotational grazing, were assessed for feasibility. Recent critiques of Leopold's land ethic were also reviewed. Results indicate most pre-1940s impacts were light, current land health status is moderate, and local interest exists in restoring land …

One of the most recognized icons of Mexico is the mariachi moderno tradition, which in the global popular imaginary, is associated with nostalgic, humorous, and emotional songs of love, heartache, death, drinking, and place. Inseparably fused to tequila and the historic charro figure, mariachi moderno completes a symbolic trinity of hetero-nationalist culture, conveyed within a popular imaginary of authentic mexicanidad (Mexican-ness). For mariachis and aficionados in Mexico, performative hypermasculine machismo acts as a perceptual baseline, structuring modes of feeling that signify an experience of authentic nationalist musicality This process is musically constructed in an incorporation of bodily movement, instruments, sound timbres, and symbolic clothing, simultaneously gestured with a heavy male-accent fusing an experience that feels genuinely Mexican. This reflexive signification is a consequence of the lived experience, shared dispositions, and competencies learned in the habitus, constituting real and imagined notions of hetero-nationalist culture. I refer to this musical semiosis as mariachismo, a neologism describing an intersubjective experience of machismo-infused mariachi subjectivity, ritualized through repeated gestures of sound, lyric, and corporeality. The semiotic power of mariachismo is most potent for subjects enculturated to Mexico's hetero-nationalist culture, shaped by popular imaginaries operationalizing gender and mexicanidad, connecting the two, making them feel unquestioned, …