Post Time is a non-fiction video program depicting some of the careers found at North American horse race tracks. Through the use of videotaped footage taken at eight race tracks and three training farms, the horse racing industry's trainers, jockeys, owners and grooms are profiled in the world they call the backstretch. The video begins with a brief history of horse racing and the origins of thoroughbred horses followed by closer examinations of the economic and social experiences faced by the owners, trainers, jockeys, and grooms as they attempt to prepare horses for racing every week.

This study explored the evolution of Denton's VHF educational television assignment Channel 2, from its inception on April 14, 1952, to September 2, 1977. The problem was to discern why the channel remained inactive for twenty-five years. Chapters explore the attempts of broadcast interests to acquire control of the channel, and discuss why they were unsuccessful. The study concludes that a lack of finances, combined with the apathy and self-interests of Denton's educational leaders, prevented the channel's utilization. Federal Communications Commission policy allowed Denton's educators more time to raise money for a Denton station. Other conclusions suggest that the channel not be reassigned and that it be activated.

This study is an examination of Lino Brocka's development as a filmmaker of the New Cinema of the Philippines. It provides a close textual analysis of two recent Brocka films, Macho Dancer (1988) and Fight for Us (1989) using a sociocultural approach to the study of the representation of aspects of social reality and their relationship to contemporary Philippine society. The study is divided into six chapters: Chapter I contains the introduction to the study, Chapter II traces the development of Philippine cinema in relation to Philippine socio-political history, Chapter III describes the New Cinema film movement in the Philippines, Chapter IV provides a biographical sketch of Lino Brocka in which the development of his critical attitude, notions of social reality, and significant works are discussed, Chapter V contains the film analyses, and Chapter VI contains the conclusions to the study.

China Run is a 92 1/2 minute documentary film which portrays an ultramarathon runner's record-setting 2,125 mile run across China in 53 days, starting at the Great Wall north of Beijing and concluding in Guangjhou (Canton). It is a story of the difficulties, both physical and emotional, suffered by the runner, as well as the story of his encounters with the people of China.

This study reviews the changes in Taiwan's newspaper industry during its current period of transition. Contemporary newspaper development in Taiwan after the lifting of martial law in July 1987 is evaluated in relation to transformations in the newspaper marketplace, journalistic practices, labor relations, and freedom of expression. This study concludes that changes in Taiwan's newspaper business are closely related to changes in the country's political atmosphere. The lifting of the Ban of Newspaper brought freedoms for which journalists had fought for decades; however, journalistic quality has not improved at the same speed. Changes will continue in the journalism industry; whether it grows in a healthy way is a topic for future study.

Martin Scorsese's films, GOODFELLAS and CASINO, and Quentin Tarantino's RESERVOIR DOGS and PULP FICTION are examined to determine if the crime film of the 1990s has become increasingly more in the style of film noir. The differences and similarities between the two crime films each director has either written or co-written in the 1990s are delineated to demonstrate this trend. Other crime films of the latter 1990s (SEVEN, THE USUAL SUSPECTS, and MULHOLLAND FALLS) are also examined to aid in defining the latest incarnation of the crime film as "Noir Modernist," a term that is demonstrated to be a more accurate description for the current crime films than B. Ruby Rich's, "Neo-Noir of the 1990s."