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Ensemble: 2002-08-29 – Adkins String Ensemble

Ensemble performance at the UNT College of Music Winspear Hall.
Date: August 29, 2002
Creator: Adkins String Ensemble
System: The UNT Digital Library
Oral History Interview with Al Adkins, May 25, 2012 transcript

Oral History Interview with Al Adkins, May 25, 2012

The National Museum of the Pacific War presents an interview with Al Adkins. Adkins joined the Marine Corps in the fall of 1942. He served with the 6th Marine Division, 22nd Marine Regiment. They participated in the Battle of Eniwetok in the Marshall Islands. On Guadalcanal, they formed the 1st Provisional Marine Brigade, participating in the Battle of Guam until they disbanded in September of 1944. Continuing on with the 22nd Marines, Adkins served in the Battle of Okinawa. He returned to the US and received his discharge in September of 1945.
Date: May 25, 2012
Creator: Adkins, Al
System: The Portal to Texas History

Ensemble: 1999-11-08 - Les Petits Violons

Concert presented at the UNT College of Music Recital Hall.
Date: November 8, 1999
Creator: Adkins, Cecil
System: The UNT Digital Library

Alumnus and Faculty Recital: 2013-10-27 – Christopher Adkins, cello and Steven Harlos, piano

An alumnus and faculty recital performed at the UNT College of Music Voertman Hall.
Date: October 27, 2013
Creator: Adkins, Christopher & Harlos, Steven, 1953-
System: The UNT Digital Library

Guest Artist Recital: 1988-10-17 - The Adkins Trio

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A guest artist recital performed at the UNT College of Music Recital Hall.
Date: October 17, 1988
Creator: Adkins, Elisabeth; Adkins, Christopher & Wodnicki, Adam
System: The UNT Digital Library

Senior Recital: 1998-04-06 - Madeline Adkins, violin

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A senior recital presented at the UNT College of Music Recital Hall.
Date: April 6, 1998
Creator: Adkins, Madeline
System: The UNT Digital Library

Clothed in the Soft Horizon

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Recording of Mathew Adkins' Clothed in the Soft Horizon. The work presents a communitive interaction between electronically built sounds and the original unprocessed sounds, which are modelled after water droplets and the motion of a wave that builds, crashes, and breaks. This use of processed and unprocessed sound is the overall bas of the work and also the Spectro morphological design of many of the individual sounds. Overall, the work is both a physical representation of the flow and motion of the water and a personal response to it.
Date: 1994
Creator: Adkins, Mathew, 1972-
System: The UNT Digital Library

Melt

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Recording of Mathew Adkin's Melt. Melt is the description of a train journey. The work is based on the mediation between: regular movement and impulse, and raw sounds or computerized sounds. The basis of the work is live recordings of trains, metro announcements, crowds, synthesized sounds with characteristics of natural sources, and synthesized sounds. Throughout the work, the sounds of the real world mix with the synthetic equivalents of the dream world, like a traveler falling back in and out of a dream day.
Date: 1994
Creator: Adkins, Mathew, 1972-
System: The UNT Digital Library

Noumena

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Recording of Mathew Adkin's Noumena. "Noumena" was a term used by Kant referring to the things that underline our experience both of the physical world and of our own mental state. This work is a number of short discrete sections that play continuously, with the sections alternating between "inner" and "outer" senses.
Date: 1999/2000
Creator: Adkins, Mathew, 1972-
System: The UNT Digital Library

Pagan Circus

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Recording of Mathew Adkin's Pagan Circus. For electronics, manipulated voice, and pre-recorded sound. This work is based upon two sources: the poem Pagan Circus by Rose Dodd and the circus paintings of Frantisek Tichy (1896-1961).
Date: 1996/1997
Creator: Adkins, Mathew, 1972-
System: The UNT Digital Library

Silent red

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Recording of Mathew Adkins' Silent red. This work was written as part of a multimedia performance. For three dancers, three video projections and electroacoustic sound. This work was inspired by the triptych paintings of Francis Bacon. The sound was created from recording of the dancers during improvisation sessions. This current version is a shortened concert version of the original dance presentation.
Date: 1997
Creator: Adkins, Mathew, 1972-
System: The UNT Digital Library

Aerial

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Recording of Monty Adkins' Aerial. This is a work for electronics and is included on the album "Mondes Inconnus" by the composer.
Date: 2002
Creator: Adkins, Monty
System: The UNT Digital Library

Breaking

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Recording of Mathew Adkins' Breaking. This work mixes electronic sounds with those of classic R&B music.
Date: 1999
Creator: Adkins, Monty
System: The UNT Digital Library

Deepfield

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Recording of Mathew Adkins' Deepfield. This work was commissioned by the Césaré Musical Creation Studio at the Reims Planetarium and premiered there in 2000. The sounds in this work come from rocks of various sizes and gas cylinders, creating a sonar exploration of deep space and worlds unknown, inspired by the discoveries made with the Hubble telescope.
Date: 2000
Creator: Adkins, Monty
System: The UNT Digital Library

Mapping

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Recording of Mathew Adkins' Mapping. According to the composer, this work depicts the slow evolution of a landscape and brings the listener through unknown territory as sounds from the real world are transformed. The piece deals with the notion of "beginning" and the perception of objects over time.
Date: 1997/1998
Creator: Adkins, Monty
System: The UNT Digital Library

Neutrotransmission

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Recording of Mathew Adkins' Neutrotransmission. This is a work for electronics.
Date: 1998
Creator: Adkins, Monty
System: The UNT Digital Library
Oral History Interview with Christine Adler, February 1, 2002 transcript

Oral History Interview with Christine Adler, February 1, 2002

The National Museum of the Pacific War presents an oral interview with Christine Adler. Adler was born in New York City in 1931 to Filipino and American parents. She tells of living in an orphanage until 1938 at which time she went to the Philippines to live with her father. Upon arriving in the Philippines she attended private schools. She recalls December 1941 when she was awakened by the sound of tanks and Japanese soldiers entering homes and taking anything of value. As her father worked with a guerilla group they left their home. Adler tells of fleeing with no shoes, few clothes and very little personal belongings and moving place to place to avoid detection. She recounts an incident where Japanese soldiers picked her up and took her to Fort Santiago. She and her father were later released. She describes seeing piles of bodies and witnessing torture being done by the Japanese during the occupation and of seeing the fires as Manila was set ablaze. She tells of the joy felt by the population upon seeing the American tanks and soldiers roll into the city and of the return of her and her father to the United States aboard …
Date: February 1, 2002
Creator: Adler, Christine
System: The Portal to Texas History

Dencias

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Recording of Alfredo Marcano Adrianza's Dencias. “Dencias” was realized at the Laboratory of Electronic Music (CICMAT) of Buenos Aires. The work is conceived as a large surface of electronic sounds that appear and disappear in different harmonic combinations, on a resonant background of delicate character, formed by percussion sounds of instrumental origin. The slow, somewhat hypnotic unfolding of the work is sometimes interrupted by the violent appearance of fortissimo attacks.
Date: 1977
Creator: Adrianza, Alfredo Marcano
System: The UNT Digital Library

Un souffle, une Ombre, un rien

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Recording of Ondřej Adámek's Un souffle, une Ombre, un rien. This is the composer's first electroacoustic composition and includes various concrete sounds that have been both untouched and transformed.
Date: 2001
Creator: Adámek, Ondřej, 1979-
System: The UNT Digital Library
[Jamey Aebersold Lecture, April 10, 1989: Parts 1 and 2] transcript

[Jamey Aebersold Lecture, April 10, 1989: Parts 1 and 2]

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Jazz Lecture Series presentation by Jamey Aebersold on April 25, 1989 at 9:30AM at the UNT College of Music. It includes a lecture and performance by Jamey Aebersold, saxophone, interspersed with questions from the audience.
Date: April 10, 1989
Creator: Aebersold, Jamey
System: The UNT Digital Library
[Jamey Aebersold Lecture, April 10, 1989: Parts 3 and 4] transcript

[Jamey Aebersold Lecture, April 10, 1989: Parts 3 and 4]

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Jazz Lecture Series presentation by Jamey Aebersold on April 25, 1989 at 2:00PM at the UNT College of Music. It includes a lecture and performance by Jamey Aebersold, saxophone, interspersed with questions from the audience.
Date: April 10, 1989
Creator: Aebersold, Jamey
System: The UNT Digital Library

The Circle of Existence

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Recording of Mihail Afanasiev's The Circle of Existence. This is an opening of the new way of the author's expression. The syntheses of instrumental and studio thinking and the use of synthetic instruments. The fragment of the quartette of the composer V.Belyaev, with whom the composer studied with in conservatory, is used in composition.
Date: 1996
Creator: Afanasiev, Mihail
System: The UNT Digital Library

Ni le rêve, ni lumière, ni la tristesse…

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Recording of Mihail Afanasiev's Ni le rêve, ni lumière, ni la tristesse…. This is a work for electronics and is the continuation of the new sound space mastering.
Date: 1998
Creator: Afanasiev, Mihail
System: The UNT Digital Library

SBA

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Recording of Mihail Afanasiev's SBA. This is a work for electronics and is the first composition recorded by a method called "Transformational technology or new dramaturgy". Sound structures by A. Skryabin, "Beatles", and the composer are used.
Date: 2001
Creator: Afanasiev, Mihail
System: The UNT Digital Library