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Catchwave 71

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Recording of Takehisa Kosugi's Catchwave 71.
Date: 1971
Creator: Kosugi, Takehisa
System: The UNT Digital Library

Overfall

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Recording of Lelio Camilleri's Overfall. Transformed piano sounds and sound structures realized by means of voltage control make up the sound material of the piece.
Date: 1983
Creator: Camilleri, Lelio
System: The UNT Digital Library

Jabara

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Recording of Martin Brinkerhoff's Jabara. Sound material consists of percussion sounds that have been manipulated by concrete methods: pitch and duration transposition, inversion, and mixing. The work is dedicated to percussionist Martin Jabara, who provided the basic sounds. The piece was realized at the Center for Music Experiment at California San Diego University.
Date: 1979
Creator: Brinkerhoff, Martin (Composer)
System: The UNT Digital Library

Suiana Wanka

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Recording of Fernando Condon-Garcia's Suiana Wanka for tape. This work collects and develops independently the materials of a music scene for Peter Shafer work "The Royal Hunt of the Sun". It is based exclusively on sound recordings of various Latin American instruments such as the Indian flute, pincuyos, sicus, tarkas, mohecenos, various kinds of percussion, etc., to which are added, during some passages, instruments from European culture (organ, flute, bass). The original sound was made in a professional studio, and the final realization was made in ELAC, a small Montevideo studio, with the technical assistance of Carlos Da Silveira.
Date: 1981
Creator: Condon, Fernando, 1955-
System: The UNT Digital Library

Le mythe de la machine

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Recording of Wilfried Jentzsch's "Le mythe de la machine" for piano and tape. The design is based on various calculations of chance. The tape was made in collaboration between the electroacoustic studio of the Hochschule für Musik Köln and the Center for Studies of Mathematics and Musical Automatics (C E M A M u) in Paris.
Date: 1975/1978
Creator: Jentzsch, Wilfried
System: The UNT Digital Library

Troisième doxologie Saint Sébastien

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Recording of Frank Royon Le Mée's "Troisième doxologie Saint Sébastien" ("Third Doxology Saint Sebastian"). The piece is an electronic postlude in three stanzas.
Date: 1981
Creator: Royon Le Mée, Frank, 1953-1993
System: The UNT Digital Library

Poliritmica

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Recording of Peter Kolman's Poliritmica. The framework of the work - the beginning and the end - form multi-layered rhythmic structures that complement each other to produce a regular pulsating movement. The whole composition represents a correlation between rhythmically regular, rhythmically irregular and rhythmically not articulated (thus continuously fluid) structures.
Date: 1974
Creator: Kolman, Peter
System: The UNT Digital Library

Humanofonia

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Recording of Joaquin Orellana's Humanofonia
Date: 1971
Creator: Orellana, Joaquín, 1937-
System: The UNT Digital Library

Sch No. 2

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Recording of György Kurtág's Sch No. 2. The title applies to a series of works written for the electronic guitar. Second in the series, this piece uses very simple technical means: fuzz, wah-wah, feedback on the bass guitar. Kurtag's intention is to exploit the acoustic possibilities of the bass guitar. Recording made in the electronic studios of Radio Hungarian (1977).
Date: 1977
Creator: Kurtág, György
System: The UNT Digital Library

Austera

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Recording of Oscar Bazán's Austera.
Date: 1973
Creator: Bazán, Oscar, 1936-2005
System: The UNT Digital Library

Dialogue

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Recording of James Tenney's Dialogue
Date: unknown
Creator: Tenney, James
System: The UNT Digital Library

Response II

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Recording of John Celona's Response II.
Date: unknown
Creator: Celona, John, 1947-
System: The UNT Digital Library

The pulses of time

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Recording of Denis Smalley's The pulses of time. The piece reflects the varied behavior of pulses: the regular pulses of meter, the much slower pulses which pace sections of music, and pulses which form the interior character of sounds - the accelerating pulses of a bouncing sound, and the fast pulses creating the "grain" in sound textures. The different atmospheres in the work are generated by the major sound sources: the electronic bounced family of sounds, metallic harmonies which expand the resonances of dramatic gong-like attacks, noise contours, drums and percussion both real and synthetic, and the clavichord which provides a rich reservoir of sounds - deep clusters, sighing pitches, resonances truck on the soundboard, strings plucked and stroked. The clavichord sounds remain raw and untreated.
Date: 1979/1980
Creator: Smalley, Denis, 1946-
System: The UNT Digital Library

Parier sur huit chevaux n°1

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Recording of Karel Goeyvaerts's Parier sur huit chevaux n°1.
Date: 1973
Creator: Goeyvaerts, Karel
System: The UNT Digital Library

Diastasis

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Recording of Claude Colon's Diastasis. Diastasis means separation. Separation between an instrumental play and a set of sounds obtained with a generator. Dialogue. Osmosis. Separation.
Date: 1973
Creator: Colon, Claude
System: The UNT Digital Library

Ekphonesis IV

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Recording of Alcides Lanza's Ekphonesis IV.
Date: 1971
Creator: Lanza, Alcides
System: The UNT Digital Library

Rapid eye movement

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Recording of Roger Doyle's Rapid eye movement. The title refers to the type of sleep called "Rapid Eye Movement" or REM, which is dream sleep. During REM sleep, the muscles of the eyes move as though the dreamer were watching something. Structurally, the work is conceived in the same way as Déjà vu occurs in life. There are 30 or 40 instances of mysterious familiarities of the same sounds placed in totally different contexts. Like the human cell, any extract from the composition will reveal the main elements comprising it - the part reflects the whole.
Date: 1978/1980
Creator: Doyle, Roger
System: The UNT Digital Library

Pashanti (Les 9 Milliards de Noms de Dieu)

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Recording of David Evan Jones's "Pashanti (Les 9 Milliards de Noms de Dieu)." "Pashanti" is a Sanskrit word that refers to the level of thought that immediately predicts the recognition of speech as sound. This composition uses a hybrid computer musical system to filter vowel sound sources and vowel-like sounds. The text consists of the vowels i / a / u / e / i in sequence with particular transition velocities form the word "Yaweh" (the name of the Hebrew god). This series of vowels is continuously permuted to form the text of Pashanti through the composition.
Date: 1979
Creator: Jones, David Evan
System: The UNT Digital Library

Tanz-Trypticon

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Recording of Jürgen Bräuninger's Tans-Trypticon.
Date: 1979
Creator: Bräuninger, Jürgen
System: The UNT Digital Library

Générique (Σ)

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Recording of Denis Lorrain's Générique (Σ)
Date: 1974
Creator: Lorrain, Denis
System: The UNT Digital Library

Un-X-2

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Recording of José Maria Neves's Un-X-2. This piece proposes formal breaks and shows rich expressive possibilities in a non-Eurocentric posture through the use of all natural sounds.
Date: 1971
Creator: Neves, José Maria
System: The UNT Digital Library

Juego de magos y gonilas

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Recording of David de Gandarias's "Juego de magos y gonilas" ("Game of Magicians and Gorillas"). Uses percussion instruments as sources of sound.
Date: 1979
Creator: Gandarias, David de, 1951-
System: The UNT Digital Library

Christmas musik

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Recording of John Cousins's Christmas musik.
Date: 1973
Creator: Cousins, John
System: The UNT Digital Library

Setting for spirituals

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Recording of Joel Chadabe's Setting for spirituals.
Date: 1977
Creator: Chadabe, Joel
System: The UNT Digital Library