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The San Antonio Register (San Antonio, Tex.), Vol. 63, No. 16, Ed. 1 Thursday, August 18, 1994 (open access)

The San Antonio Register (San Antonio, Tex.), Vol. 63, No. 16, Ed. 1 Thursday, August 18, 1994

Weekly newspaper from San Antonio, Texas that includes local, state, and national news along with advertising.
Date: August 18, 1994
Creator: unknown
Object Type: Newspaper
System: The Portal to Texas History
The San Antonio Register (San Antonio, Tex.), Vol. 63, No. 15, Ed. 1 Thursday, August 11, 1994 (open access)

The San Antonio Register (San Antonio, Tex.), Vol. 63, No. 15, Ed. 1 Thursday, August 11, 1994

Weekly newspaper from San Antonio, Texas that includes local, state, and national news along with advertising.
Date: August 11, 1994
Creator: unknown
Object Type: Newspaper
System: The Portal to Texas History
Melodic Organization in Four Solos by Ornette Coleman (open access)

Melodic Organization in Four Solos by Ornette Coleman

The thesis presents annotated transcriptions and detailed analyses of four improvised solos by jazz saxophonist Ornette Coleman, a leading figure within the free jazz movement. The four solos, all of which were recorded in 1959, are: "Ramblin', " "Lonely Woman," "Congeniality," and "Free." -The focus of the analyses is upon Coleman's techniques for creating melodic continuity and development. Introductory chapters survey Coleman's career and examine his original theoretical system, "Harmolodics. " The thesis concludes with an annotated bibliography and discography.
Date: August 1989
Creator: Cogswell, Michael
Object Type: Thesis or Dissertation
System: The UNT Digital Library
An Analysis of Joe Lovano's Tenor Saxophone Improvisation on "Misterioso" by Thelonius Monk: An Exercise in Multi-Dimensional Thematicism (open access)

An Analysis of Joe Lovano's Tenor Saxophone Improvisation on "Misterioso" by Thelonius Monk: An Exercise in Multi-Dimensional Thematicism

The dissertation focuses on Joe Lovano's utilization of thematic material in relation to "Misterioso" by Thelonius Monk. Thematicism is defined more broadly in this study to include reference to the form, phrase structure, and harmony of "Misterioso". Methodological models provided by Gary Potter, Henry Martin, and Paul Hindemith serve as points of departure for this study which focuses on four areas: 1) phrasing, 2) step progression, 3) motives and formulas, and 4) harmonic implications. Thematic relationships are discovered through the analysis of the transcription of Lovano's improvisation; the four levels of the analysis work together and also independent of one another to produce a kind of thematic counterpoint. This study also examines how Lovano creates an effective solo. The study will be of benefit to students, professional musicians, pedagogues, theorists, musicologists, and jazz aficionados.
Date: August 2003
Creator: Dahlke, Andrew Richard
Object Type: Thesis or Dissertation
System: The UNT Digital Library