Letter to Guadalupe Garcia from Pedro J. Gonzalez. A long, curving title is printed above small lines of text that are positioned above and beside a bird icon, below which is a printed date. Below the date is a wide column of text positioned to the right of a smaller text column and a stamped seal. The wider column of text continues onto the back side of the page, ending above a signature and a second seal. Two additional blocks of text and a smaller signature occupy the rest of the page.

Letter to Guadalupe Garcia from Pedro J. Gonzalez. A long, curving title is printed above small lines of text that are positioned above and beside a bird icon, below which is a printed date. Below the date is a wide column of text positioned to the right of a smaller text column. The wider column of text continues onto the back side of the page, which has a stamped seal near its bottom edge.

Letter to Jesus Lopez Gastellum from Pedro J. Gonzalez and other members of the confederacion de veteranos revolucionarios de la division del norte. A long, curving title is printed above small lines of text that sit above and beside a bird icon, below which is a printed date. Beneath the date is a stamped seal and a wide column of text positioned to the right of a narrower text column. On the page's back are nine signatures and two stamped seals.

"Tijuana B,C. Sept 20 de 1973"; Pedro J. Gonzalez's family military history. A wide column of paragraphed text is printed across the fronts and backs of two pages and the front of a third page.

Letter to Guadalupe Garcia from Pedro J. Gonzalez. A long, curving title is printed above small lines of text that are positioned above and beside a bird icon, below which is a printed date. Below the date is a single wide column of text positioned to the right of a smaller text column. The wide column of text continues onto the back of the letter and ends above a signature. A few lines of text further down the page include multiple names.

Letter to Guadalupe Garcia from Pedro J. Gonzalez. A long, curving title is printed above small lines of text that are positioned above and beside a bird icon, below which is a printed date. Below the date is a single wide column of text positioned to the right of a smaller text column, which has a stamped seal below it. The wide column of text continues onto the back of the letter and ends above a signature that has a second stamped seal to its right. An additional paragraph is printed further down the page and has a shorter signature marked below it.

Letter to Pedro J. Gonzalez from Juan Vega Herdez. Two icons are printed in the page's top corners, on either side of two lines of text and above a date. Below the left icon is a narrow column of text printed to the left of a wider text column that extends to the bottom of the page where a signature has been marked.

Pedro J. Gonzalez family military history. A wide column of text extends across two pages, filling the space of both. Handwritten words have been marked to the left of the printed text while some words within the text have been underlined, in blue or red ink.

"Mi Vida Revolucionaria" by Pedro J. Gonzalez. A single wide column of paragraphed text extends across two pages, ending above a stamped seal and a signature. Handwritten words appear to the left of and within the printed text column.

Photograph of the Santamaría Bullring (Plaza de Toros de Santamaría) in Bogotá, Colombia. Some individuals are standing nearby the building on the opposite side of the street. Other city buildings can be seen in the background.

Photograph of the Coin and bill Production Museum (Museo Casa de Moneda) courtyard area in Bogotá, Colombia. A small water fountain, flowering bushes, trees and more can be seen in the courtyard.

Photograph of people walking down the street in Bogotá, Colombia. Many of the individuals are dressed in business-casual attire. Buildings line both sides of the street with most containing businesses on the lower level. A few soldiers are standing on the corner of the opposite side of the street.

Photograph of a street in Bogotá, Colombia. A large number of people can be seen walking down the sidewalk on both sides of the street. City buildings line both sides of the street.

Photograph of the Zipaquirá Cathedral in Zipaquirá, Colombia. The cathedral is also known as the "Cathedral of the Most Holy Trinity, St. Anthony of Padua and Our Lady of Assumption of Zipaquirá (Catedral de la Santísima Trinidad, San Antonio de Padua y Nuestra Señora de la Asunción)." The church is located on the north side of the Comuneros Square. Flowering bushes are visible in the foreground as well as an individual walking past the camera, while the church can be seen in the background.

Photograph of the Zipaquirá Cathedral in Zipaquirá, Colombia. The cathedral is also known as the "Cathedral of the Most Holy Trinity, St. Anthony of Padua and Our Lady of Assumption of Zipaquirá (Catedral de la Santísima Trinidad, San Antonio de Padua y Nuestra Señora de la Asunción)." The church is located on the north side of the Comuneros Square. Flowering bushes are visible in the foreground as well as three individuals sitting on a bench together.

Photograph of a market in the town of San Agustín, Colombia. The market is filled with vendors and shoppers that are gathered next to a building. Some of the market vendors appear to be selling produce.

Photograph of Ruben climbing a fence in San Agustín, Colombia. Ruben is using the wooden posts of a barbed wire fence to climb over while he looks at the camera. Another individuals can be seen walking away from the camera. Two cows are standing on the other side of the fence.

Photograph of burial sites at the San Agustín Archaeological Park (Parque Arqueológico de San Agustín) in Colombia. Two slab tombs can be seen which includes a dolmen-like structure of large vertical stone slabs supporting horizontal slabs above to form a corridor which contains the sarcophagus. In the background, a landscape of numerous hills and green land is visible.

Photograph of a statue at the San Agustín Archaeological Park (Parque Arqueológico de San Agustín) in Colombia. The statue is located near a burial site and a fence. The statue appears to be holding something in one hand and wearing a neckpiece.

Photograph of Ruben sitting next to a statue at the San Agustín Archaeological Park (Parque Arqueológico de San Agustín) in Colombia. The statue appears to represent a mask. Ruben is wearing jeans, a blue button-up shirt and brown shoes. Other statues can be seen in the background.

Photograph of the Lavapatas Fountain (Fuente De Lavapatas) located in the Alto de Lavapatas site at the San Agustín Archaeological Park in Colombia.

Photograph of a market in the town of San Agustín, Colombia. The market is filled with vendors and shoppers that are gathered. A group of large brown sacks is present on the left. A colorful bus can be seen passing by on the left, in the background.

Photograph of the Humilladero Bridge (Puente del Humilladero) in Popayán, Colombia. The Humilladero Bridge is visible on the right while another smaller bridge is present to the left. People can be seen walking across the bridge. On the opposite side of the bridge, are a large number of buildings.

Photograph of the Las Lajas Sanctuary (Santuario de Las Lajas) in Ipiales, Colombia. The neo-gothic style, basilica church is located in the canyon where the Guitara River flows which can be seen below the church. A bridge is connected to the church and stretches across the canyon. The church is also known as the National Shrine Basilica of Our Lady of Las Lajas (Basílica Santuario Nacional de Nuestra Señora de las Lajas).