Photograph of the title page of the book Mary Barton: A Tale of Manchester Life by Elizabeth Gaskell. The page reads "Collections of British Authors Vol. CLXXXII/Mary Barton A Tale of Manchester Life/in one volume." Anne Thackeray's signature is at the top and there is a blue stamp underneath. It is propped up with a clear book stand and is against a white background.

Photograph of the illustration on the title page of the book "Sunday Under Three Heads: As It Is, As Sabbath Bills Would Make It, As It Might Be Made". Three faces are spaced between each statement in the title and the publisher is listed at the bottom as "London : Chapman and Hall, 186, Strand. 1836." The gold-stamped border details are visible around the pages and the book is resting on a clear book cradle.

Photograph of an illustration on the front pages of the book Sunday Under Three Heads: As It Is, As Sabbath Bills Would Make It, As It Might Be. It depicts officials and the lower classes in the streets of the city. There is a large crowd building up in the background. The gold-stamped border details are visible around the pages. The book is resting on a clear book cradle and there is a clear band over the illustrated page to hold it down.

Photograph of Volume I of the compiled version of Charles Dickens' magazine All the Year Round. The book is propped up on a cradle and is open to the title page. The page reads "'The Story of our Lives from Year to Year.' - Shakespeare/All the Year Round. A Weekly Journal/Conducted by Charles Dickens. With which is incorporated household words./Volume I. From April 30, 1859, to October 22, 1859. Being from No. 1 to No. 26./London:No. 11, Wellington Street North. 1859." There is also a stamp visible on the bottom of the book that reads "NTSU Library".

Photograph of the title page of the book Mary Barton: A Tale of Manchester Life by Elizabeth Gaskell. The page reads "Collections of British Authors Vol. CLXXXII/Mary Barton A Tale of Manchester Life/in one volume." Anne Thackeray's signature is at the top and there is a blue stamp underneath. It is propped up with a clear book stand with a clear band over the pages to keep them down, and it is set against a white background.

Photograph of the first page of Hard Times in Household Words Volume IX. At the top is a quote from Shakespeare that reads "Familiar in their Mouths as Household Words."

Photograph of an illustration titled "The Happy Pair", from the series Our Mutual Friend by Charles Dickens. It depicts a woman and a man walking along the shore with the ocean past them. There is a sailboat on the water. The woman is wearing a hat and a coat over a large dress and is also carrying a parasol umbrella. The man is carrying a walking cane and is wearing a hat, a jacket, and pants.

Photograph of the title page of Volume I of the compiled version of Charles Dickens' magazine All the Year Round. The page reads "'The Story of our Lives from Year to Year.' - Shakespeare/All the Year Round. A Weekly Journal/Conducted by Charles Dickens. With which is incorporated household words./Volume I. From April 30, 1859, to October 22, 1859. Being from No. 1 to No. 26./London:No. 11, Wellington Street North. 1859."

Photograph of the spine and cover of the book The Life of Charles Dickens. The spine is black with gold lettering that reads "Oxford India Paper Dickens" and "Life of Charles Dickens Forster". The cover is made with a blue leather and is stamped with a tree and figures. It is propped up with a clear book stand and is against a white background. The book was written by John Forster with the approval of Dickens and was originally printed from 1872-1874 as a series of volumes.

Recording of the December 2016 graduation ceremony, in the Winspear Performance Hall at the Murchison Performing Arts Center, for the UNT College of Music. It includes the processional, an introduction from Dr. John Richmond, a message from President Neal Smatresk, a keynote speech from guest speaker Dr. Tayloe Harding about expectations, hopes, and music careers, a performance by UNT's ensemble 'Harp Beats', the candidates for degrees in music walking the stage, and the closing of the ceremony accompanied by jazz music.

Recording of the 2016 UNT Honors Day event held at Winspear Hall to honor accomplished and distinguished students, faculty, and staff. Included are musical performances, speeches and introductions from Provost and Vice President Dr. Finley Graves and Dr. Elizabeth With, a keynote speech from Wisteria Wells and Ke'Yonna Hall, as well as the recognition and presentation of awards and honors to students and teachers alike.

Recording of the UNT College of Music's May 2016 graduation ceremony inside of the Winspear Performance Hall at the Murchison Performing Arts Center. The ceremony includes an introduction from Dr. Warren Henry, a speech, from distinguished graduate Deborah Brooks, about graduates' futures and goals, and the recognition of graduates receiving their Bachelors in music related studies. Shots of decorated caps are included in the video along with the full performance of Pomp and Circumstance by Jazz Studies students.

Recording of the UNT College of Information's May 2016 graduation ceremony in the Winspear Performance Hall at UNT's Murchison Performing Arts Center. It includes the procession into the building, a message from Outstanding Alumni of the year Virginia Rey, and the graduates from the Department of Learning Technology, Department of Library and Informational Sciences, and Linguistics program.

An audio recording Annette Lawrence created of an interview with her conducted by Jerome Weeks of KERA radio at the Greater Denton Arts Council's (GDAC) Patterson-Appleton Arts Center on November 15, 2019. The interview was conducted as part of KERA's State of the Arts series and was open to a public audience. Lawrence and Weeks are introduced by GDAC executive director Georgina Ngozi and questions are taken from the audience following the interview. During the interview, Weeks and Lawrence discuss Lawrence's work, particularly her show More Time which was on view at the Patterson-Appleton Arts Center at the time of the interview and installation work she has done for other venues including Coin Toss, a permanent installation at the Dallas Cowboys Stadium. Other topics discussed include the influence of the Brooklyn Bridge on Lawrences work, the everyday materials like string she uses in her sculptural work, journalling and recording time, the use of data in her work, representations and erasures of African-American experiences in art and literature. Audience questions addressed topics of plans to digitize Lawrence's work, her process in creating her work, and the influence of the lunar calendar and menstrual cycles, erasure as a concept, and music on …

Photograph of the title page of The History of Pendennis. It reads "The History of Pendennis. His Fortunes and Misfortunes, His Friends and His Greatest Enemy. / By William Makepeace Thackeray. / With illustrations on steel and wood by the author. / Vol. I. / London. Bradbury & Evans. Bouverie Street. 1850." The book is propped open with a clear band over the left-hand pages to hold them down, and part of the cover marbling is visible.

Photograph of a frontispiece illustration and the title page of The History of Pendennis. The image on the left details two men interacting outside on the street and a woman watching from a window. The note under it reads "Colonel Altamont refuses to move on." The image under the title on the right depicts a man and a woman with two cherubs and a semi-undressed woman holding onto them. The title page reads "The History of Pendennis Vol. 1 / By W. M. Thackeray / London. Bradbury & Evans. Bouverie Street. 1850." The book is propped open with a clear band over the left-hand pages to hold them down; part of the cover marbling is visible.

Photograph of a frontispiece illustration and the title page of The History of Pendennis. The image on the left details two men interacting outside on the street and a woman watching from a window. The note under it reads "Colonel Altamont refuses to move on." The image under the title on the right depicts a man and a woman with two cherubs and a semi-undressed woman holding onto them. The title page reads "The History of Pendennis Vol. 1 / By W. M. Thackeray / London. Bradbury & Evans. Bouverie Street. 1850." The book is propped open and a clear band is over the left-hand pages to hold them down and part of the cover marbling is visible.

Photograph of a frontispiece illustration and the title page of The History of Pendennis. The image on the left details two men interacting outside on the street and a woman watching from a window. The note under it reads "Colonel Altamont refuses to move on." The image under the title on the right depicts a man and a woman with two cherubs and a semi-undressed woman holding onto them. The title page reads "The History of Pendennis Vol. 1 / By W. M. Thackeray / London. Bradbury & Evans. Bouverie Street. 1850." The book is propped open and a clear band is over the left-hand pages to hold them down.

Photograph of an illustration and part of The History of Pendennis. The illustration depicts a woman and what appears to be a young boy standing and looking out on a river. There is a bucket on a ledge in front of them and underneath the image is a note that reads "Calm Summer Evenings". The book is propped open with a clear band over the left-hand pages to hold them down, and part of the cover marbling is visible.

Photograph of the spine and cover of The History of Pendennis. The spine is divided into six equal compartments with spacing between each and at the bottom. In the second the title is printed in gold-stamping and in the third is the roman numeral "II". The others are filled with detailed gold-stamped floral designs. The cover has colorful marbling and green corners and a green edge where it connects to the spine. The book is in a clear book stand against a white background.

Photograph of an illustration on the inner cover of The History of Pendennis. The image details a man seated at a desk with a book open in front of him and other books piled on the floor and on a shelf around him. There are pages and open books scattered across the ground as well. At the bottom is a message that reads "Ex Libris John Carver". The marbled cover and green corners are also visible around the edges of the page.

Photograph of the title page of The History of Pendennis. It reads "The History of Pendennis. His Fortunes and Misfortunes, His Friends and His Greatest Enemy. / By William Makepeace Thackeray. / With illustrations on steel and wood by the author. / Vol. I. / London. Bradbury & Evans. Bouverie Street. 1850." The book is propped open with a clear band over the left-hand pages to hold them down, and part of the cover marbling is visible.

Photograph of the title page of The History of Pendennis. It reads "The History of Pendennis. His Fortunes and Misfortunes, His Friends and His Greatest Enemy. / By William Makepeace Thackeray. / With illustrations on steel and wood by the author. / Vol. I. / London. Bradbury & Evans. Bouverie Street. 1850." The book is propped open with a clear band over the left-hand pages to hold them down, and part of the cover marbling is visible.

Photograph of an illustration and part of The History of Pendennis. The illustration depicts a woman and what appears to be a young boy standing and looking out on a river. There is a bucket on a ledge in front of them and underneath the image is a note that reads "Calm Summer Evenings". The book is propped open with a clear band over the left-hand pages to hold them down, and part of the cover marbling is visible.