The triumphs over daily conflicts correspond to monuments that commemorate specific events of my life as a woman. The monuments commemorating these events necessitated an intimate format because the events depicted deserve close personal attention. The intimate scale offers the option of being presented as a sculpture with a base that has a detachable, wearable part.

Using this conflict between death and dying versus hope and new life, I searched for an undogmatic way to convey a Christian antidote to the despair and ugliness of post modern art. The struggle was to find the imagery, format, and media combinations to express a vision, with realism and hope, for the late twentieth century, in a unique and interesting context.

Dualities of all kinds exist in the world today. Being a visual artist and sculptor I recognize these dualities every day of my life in the natural and man-made forms I see. These forms can be broken down into two categories: the geometric and the organic. The purpose of this problem in lieu of thesis was to explore how organic and geometric form could be combined to create a unified sculpture in stone and how the finished sculpture affected me as a viewer. The figure was the main organic form represented and addressed in this problem.

This study focused on the hotel front office management course and how this course and related topics were taught in hospitality management programs. The results of the study can guide faculty in developing and expanding the hotel front office management course, related textbooks and teaching resources to best prepare students to meet the future needs of the lodging industry.

The musicians in E. T. A. Hoffmann's tales and essays demonstrate traits remarkably similar to those of shamans. Hoffmann uses the same imagery to describe the journey of the composer into the "realm of dreams," where he receives inspiration, as the shaman uses to describe the spirit world to which he journeys via music. Hoffmann was a major force in changing the 18th-century view of music as an "innocent luxury" to the 19th-century idea of music as a higher art. As a German Romantic,author, he subscribed to the idea championed by the Schlegels that true poetry is based on myth. In this thesis, Hoffmann's writings are compared with shamanic mythology to demonstrate a similarity beyond mere coincidence, without drawing conclusions about influence.

A part of Charles Dickens's genius with character is his deftness at creating an appropriate idiolect for each character. Through their discourse, characters reveal not only themselves, but also Dickens's comment on social features that shape their communication style. Three specific idiolects are discussed in this study. First, Dickens demonstrates the pressures that an occupation exerts on Alfred Jingle from Pickwick Papers. Second, Mr. Gradgrind from Hard Times is robbed of his ability to communicate as Dickens highlights the errors of Utilitarianism. Finally, four characters from three novels demonstrate together the principle that social institutions can silence their defenseless constituents. Linguistic evaluation of speech habits illuminates Dickens's message that social structures can injure individuals. In addition, this study reveals the consistent and intuitive narrative art of Dickens.

This study examined public perception of the social relevance of Christian churches in the year the New Poor Law was passed. The first two chapters presented historiography concerning the Voluntary crisis which threatened the Anglican establishment, and the relationship of Christian churches to the New Poor Law. Chapters 4, 5, and 6 revealed the recurring image of "true" Christianity in its relation to the church crisis and the New Poor Law in the working men's, political, and religious periodical press. The study demonstrated a particular working class interest in Christianity and the effect of evangelicalism on religious renewal and social concerns. Orthodox Christians, embroiled in religious and political controversy, articulated practical concern for the poor less effectively than secularists.

Habitat Evaluation Procedure data gathered at Ray Roberts Lake in 1989 and 1990 were analysed for temporal variability, observer variability and relationships between Habitat Units (HUs) and species density/diversity. observer variability within a group was analysed by cluster analysis and bootstrapping. Five out of 36 sites showed significant differences in Habitat Suitability Index (HSI) values within the group. A nonparametric Mann-Whitney test was used to analyze temporal variability. One of 6 sites showed a significant difference in HSI values between years. Using Spearman's Rank Correlation Coefficient, a correlation was found between indicator species density and HUs. No significant correlation was indicated between species diversity and HUs.

The film is about a newly arrived Japanese student's initial period of adjustment at the University of North Texas. This observational documentary film follows the student and witnesses the student's first reactions to various social environments. The purpose of this creative thesis project was to depict the difficulties that international students encounter at the beginning of their stay in America. The initial goal of the video was to provide useful visual research material to people who are interested in the acculturation of foreign students. Because of its realistic character, the video can give its audiences a more immediate and vivid picture of foreign students than existing written literature. By giving an authentic portrait of the students' hardship and adjustments, the ultimate goal of this video was to increase the American people's appreciation of the difficulties encountered by foreign students who come to this country equipped with limited social assistance and resources. An accompanying production report describes the research process, the pre-production, production, and post-production stages.

This study investigates the effects of a participative-type management approach termed self-managed work teams (SMWTs) and work spillover into the family environment. The perspective of isomorphism by Aldous (1969), and Rapoport and Rapoport (1965), was used as a paradigm to examine both positive and negative effects of the work-family relationship. A total of 76 employees from the Department of Defense's Quality Division was used in the regression analysis, due to recent transitions into SMWTs. Results reported overwhelming support for the perspective of isomorphism: over 40% of the variation in positive work spillover was explained by SWMT characteristics. Communication with other teams was the single most important factor found to have a significant effect on positive work spillover.

A comprehensive investigation examines the decline and changes that have affected Dallas regional theatre development from the dream of Margo Jones in the 1940s to the proliferation of emerging theatres in 1993. Changing economic conditions, lack of audience support, and shortages of performance space have contributed to an exodus of Dallas actors and artists. Reviewed are measures to reverse this trend, including funding changes, awareness campaigns, improved inter-theatre cooperation, and guidelines for audience development. The study's conclusion notes that theatres do, indeed, have a natural life cycle, but with renewed emphasis on audience development and self-sufficiency, theatres in Dallas can endure and contribute to an enlarged sense of civic pride.

This analysis of Tan's first two novels reveals that her female characters suffer from the strains critics like Amy Ling say result from the double paradox of filling the roles of mother or daughter as minority women in a white, male society. Recognizing this double paradox offers Tan's characters, and her readers, the opportunity to resolve the conflicts between mothers and daughters in The Joy Luck Club. Using the theories of psychologist Kathie Carlson helps readers understand how the protagonist of The Kitchen God's Wife resolves similar conflicts with her daughter and her own mother by seeking support from a mythic mother-figure, a Goddess of her own making.