This investigation, covering the past two decades, attempts to determine what benefits the Soviets have sought to gain in their relationships with Middle Eastern oil-producing nations. Chapter I surveys the U.S.S.R.'s oil industry and its tentative prospects for the 1980's. Chapter II discusses Soviet involvement in the Middle East since 1950, including nationalization and oil embargoes. In Chapter III, developments less favorable to the U.S.S.R. are, analyzed: the growing influence of conservative, anti -Soviet oil-producing states and the deradicalization of other Middle Eastern nations. Chapter IV concludes that the Soviets have met with varying success in their Middle Eastern involvements. The future of their oil industry remains uncertain.

This paper discusses the pianist problems in the fifth sonata created by Alexander Nikolayevich Scriabin and provides historical background to the works of the composer before analyzing his work.

Just to what degree Dostoyevsky's thoughts paralleled those of the Slavophiles will be outlined in subsequent chapters in three major areas--Orthodoxy, Autocracy, and Nationality. Uvarov's old 1828 formula provides a simple outline in which to describe and compare the more complicated core of Dostoyevskyan and Slavophile philosophy.

The purposes of this study were (1) to identify the reasons for and the processes of underground communication in Russia since the seventeenth century and (2) to utilize the information to interpret the clandestine media's significance. The study concluded: (1) underground media have evolved because Russian governments have oppressed free speech; (2) dissidents have shared similarities in the methods of illicit communications; (3) whereas the earlier clandestine press tended to be either literary or political, today's samizdat is a synthesis of many varieties of dissent; (4) underground media have reflected the unique characteristics of Russian journalism; and (5) the Chronicle of Current Events is unparalleled as a news journal in the history of Russian dissent.

This paper analyzes the piano compositions of Sergei Prokofieff and identifies four elements evident in the literature: classicism, innovation, toccata, and lyricism. Elisabeth Euwer Roberts traces the history of his works and the evidence of these elements in them.

Thesis examines the life of prolific composer Sergei Prokofiev and his work for the motion picture Alexander Nevsky. Gary Langford analyzes Prokofiev's use of the brass section in his compositions for the film.