Wind Orchestra concert performed at the UNT College of Music Winspear Hall.

ChoralFest 2021 performance at the UNT College of Music Winspear Hall.

The is an occasional traditional folk song used to address a girl who marries outside her village. It says, at the end of the day, our village is better.

This is a Liangmai traditional song by a legendary composer Hungennang. The current song was sang by Mr. Phenlakbou of Thalon village, Tamenglong district, Manipur.

This one of the most popular songs of Kaihuii. The song was sang by Mr. Thunphulakbou of Samziuram (originally of Ntu village). The first two minutes of the video introduced about the purpose and ethics of the data collection, and also how the data will be archived.

This folk song is about love by Giansang of Njeng village. The recording was done at Makhan village.

The is an occasional traditional folk song used in time of honoring someone. It says that in higher mansions, there is no lack of wealth and in a deep pond, there is no lack of fish.

This Liangmai folk song is composed by Kenchangyiyang of Taningjam village. The present song was sung by Kenchangyiyang of Taningjam village.

This Liangmai traditional folk song was composed by Namsongwi of Nallong village and sung by W. Mathiusongbou of Tudon. The song talks about the love of the composer for his girl.

Video recording featuring guest panelists, Bridget R. Cooks, Ph.D., Omari Souza, and Wesley Taylor, this fourth installment of the 2044 series frames Afrofuturism and futurist thinking as a means for exploring the practices of design and museum curation as well as implications for art/design pedagogy. The panelists explore and discuss how hegemony is perpetuated, sharing the ways in which they decolonize within their curricula and pedagogy, as well as practice anti-racism in their work to reimagine risk or resist classification. While design institutions perpetuate neoliberalist ideals and language and teach under the paradigm of design for consumption, art/design education has the capacity to make a great impact by embracing the power of art and design to imagine alternative futures. The speakers also discuss important issues of cultural ethics, including copyright and appropriation, protections, and speaking up for community.

This is a traditional Liangmai folk song composed by Pasongbou. The current song was sung by Chahotlokbou of Nzau village.

This is a traditional Liangmai folk song composed by legendary Mangaisang of Nsong village. The current song was sung by Rampi of Nzau village.

The Liangmai folk song is composed by Injinlinnang of Taningjam village and sung by Tekphutlakbou.

The song was composed by Lungthonbuibou. According to the singer, the village of the composer is not clearly known, but people say he belongs to either Maguilong or Nkou village. The song is about the composer praising the beauty of a girl. It was sung by W. Mathiusongbou of Tudon village and recorded at Tamei.

This is a Liangmai traditional song by the legendary composer Hungennang. The current song was sang by Mr. Wikendinnang, Makhen village, Kangpokpi District, Manipur.

This song is about a boy addressing his lover who follows her parents advice and married another, and also about the life achievement of the singer Hinglung of L. Pabram village. The singer is from Chiang village, Tamenglong district Manipur.

This folk song is about the life of the composer, Kaihui of Niamning. According to the singer, this is the first song Kaihuii composed. The singer is originally from Ntu village, then settled in Samjiuram, Peren district, Nagaland.

This folk song is about the difficult life of a man who was an orphan. The singer is from Ariang (Khunkhu Naga).

This traditional folk song is a lullaby usually sang when a kid is naughty. It says, you cry when you’re hold or placed on your cradle. Tomorrow I will not babysit you.

Symphony Orchestra concert performed at the UNT College of Music Winspear Hall.

Symphony Orchestra concert performed at the UNT College of Music Winspear Hall

Wind Ensemble concert performed at the UNT College of Music Winspear Hall.

Recital presented at Cullen Hall, University of St. Thomas in partial fulfillment of the Doctor of Musical Arts (DMA) degree.

2021 High School Invitational concert performed at the UNT College of Music Winspear Hall.