Photograph of a Margarita Becarra Cano standing in front of her artwork, Code X 187: The San Diego Wall, at the Mexic-Arte Museum in Austin, Texas. The exhibit ran from March 26th, 1999 to April 24th, 1999. Several dozen thin wooden figures hang from the ceiling. The figures appear to be men wearing hats and sad expressions; all are the same. Two white walls are visible and have writing on them in both Spanish and English, which is largely obscured by the hanging objects. Cano wears a gray shirt and blue pants.

Photograph of the title wall for Un Michoacano Unversal: A Retrospective by Adolfo Mexiac at the Mexic-Arte Museum in Austin, Texas. The leftmost wall is yellow; two paintings ton blue, yellow, and red tones hang from it. Text on the wall reads: "Major Exhibition Sponsors: Philip Morris and H.E.B. Education Programs: Chase Bank. Media Sponsor: Austin-American Statesman." A small display case sits in front of the wall. There is a red half wall on the right side of the photograph that reads : "Adolfo Mexiac, Un Michoacano Universal: A Retrospective." On this wall is a painting of a man with arms crossed at his chest.

Photograph of a wall at an art exhibition featuring Jose Guadalupe Posada, a master print maker. The wall itself has a design on it. There is a man in the middle with his hands raised in fear. There are seven dragon-like creatures coming towards him from the left and right. Each dragon has a word written on its side in Spanish and the piece is named "Scandalous Crimes." On top of that piece, there are several smaller framed artworks hanging up.

Photograph of three people and their arms around each other at the door of the "Museo Frida Kahlo" or the Frida Kahlo Museum. The building is brightly painted in blue, green and red. The name of the museum is in large red letters above green doors.

Photograph of a woman standing at a podium and speaking into a microphone. Behind her there are three women and two men accompanying her onstage. There is a man and woman holding a large check together. On the wall behind them, there is a large artwork or poster than features a flock of birds and a horse.

Photograph of a woman standing at a podium and speaking into a microphone. On the wall behind them, there is a large artwork or poster than features a flock of birds and horses.

Photograph of an older woman named Regina Vater behind a microphone. She is wearing a sparkly blue sweater. There is a bouquet of flowers in front of her. The wall behind her is dark but there are words in Spanish cut out so that light shines through them.

Photograph of a parade banner at the Mexic-Arte Museum's Día de los Muertos parade. Two individuals hold the banner between them. It reads: "Mexic-Arte Museum, Día de los Muertos, Presented by Dell. Printing sponsored by Kinko's." The photograph was taken at nighttime in downtown Austin.

Photograph of written material by Jose Clemente Orozco Farias. The Jose Clemente Orozco Farias exhibition was hosted by the Mexic-Arte Museum in Austin, Texas. The materials are arranged in a display case and include several books of poems.

Photograph of a title wall for the Dos Maestros exhibition hosted by the Mexic-Arte Museum in Austin, Texas. Text on the wall reads: "Dos Maestros: Two Legendary Mexican Masters." A selection of small photographs are hung on the leftmost wall.

Photograph of a stage filled with performers clothed in Day of the Dead costumes. In the background four performers (two male, two female) hold hands as if being pulled away from the action. Miscellaneous performers stand in the wings. In the foreground, two men in suits tussle with a figure costumed as a ram while a woman in white stands nearby. One man's hat has fallen to the ground; the woman wears a veil.

Photograph of Jaime Arredondo and an unnamed woman standing in front of a title wall at Flores Para Mi Mama, an exhibition housed at the Mexic-Arte Museum in 2000. Arredondo, left, wears a collared red shirt and black trousers. The unnamed woman, right, wears a pale pink dress and pink roses in her hair. On the left side of the wall is a large painting of a rose in yellow, pink, red, and orange colors. Text on the wall reads: "the diversity & emergence series, Jaime Arredondo, Flores para mi mama."

Photograph of Jaime Arredondo and an unnamed woman standing in front of a title wall at Flores Para Mi Mama, an exhibition housed at the Mexic-Arte Museum in 2000. Arredondo, left, wears a collared red shirt and black trousers. The unnamed woman, right, wears a sheer sleeveless blouse and white pants. On the left side of the wall is a large painting of a rose in yellow, pink, red, and orange colors.

Photograph of a parade presented by the Mexic-Arte Museum in Austin, Texas on the Day of the Dead. Individuals in costume hold up a large banner that reads: "Mexic-Arte Museum Presents Día de los Muertos Parade." Six individuals wear black clothing and black and white face paint. A man, left, wears a skeleton mask, lilac dress shirt, gray vest, and gray trousers. A woman, right, wears a red skirt with white ruffles, a blue blouse with floral embroidery, and a floppy white hat with lace trimming. Farthest to the right walks a man who wears black and white horizontal stripes. Black and white horns are attached to his head. His face is painted in the same style.

Photograph of a parade presented by the Mexic-Arte Museum in Austin, Texas on the Day of the Dead. Individuals in costume hold up a large banner that reads: "Mexic-Arte Museum Presents Día de los Muertos Parade." The most visible individual, right, wears a colorful striped poncho and devil mask.

Photograph of a title wall at Nuestras Tradiciones, or Our Traditions, an exhibition held at the Mexic-Arte Museum in Austin, Texas. The exhibition was held from December 8th, 2000 to December 30th, 2000. All walls are painted red; the text is white. The centermost wall reads "nuestras tradiciones," while the leftmost wall lists a number of sponsors. A silver star is attached underneath the text on the centermost wall. Poinsettias surround a three tiered display. Tinsel and moss cover each tier. Gold nativity statuettes are arranged on the display. Figurines include individuals, camels, various farm animals, angels. In the next room, on the right, a Christmas tree is set up.

Photograph of an Art Demonstration Table at Nuestras Tradiciones, or Our Traditions, an exhibition held at the Mexic-Arte Museum in Austin, Texas. The exhibition ran from December 8th, 2000 to December 30th, 2000. An unnamed man stands behind a table. The man wears a tan shirt and white apron. A blue tablecloth with a fruit pattern is spread on the table. Rubber stamps, ink pads, wooden utensils, and paper towels sit on the table. Stamped pieces of paper hang from clothespins behind the table. A small altar stands on the left, featuring candles and photographs. Multicolored streamers are hung from the ceiling. Posters advertising a Día de los Muertos celebration to be held in November of 2001 are hung from the wall behind the table.

Photograph of two individuals at Quemando los Santos, an exhibition of work by Marco Antonio Santos housed at the Mexic-Arte Museum in Austin, Texas. The exhibition ran from March 8th, 2001 to April 18th, 2001. Herlinda Zamora, left, wears a pale blue dress. Marco Antonio Santos, right, wears a dark suit. They stand in front of a title wall. The text reads: "The diversity & emergence series presents Quemando de los Santos, Marco Antonio Santos." A painting of a man hangs from the wall behind them.

Photograph of a title wall for Quemando los Santos, an exhibition of work by Marco Antonio Santos housed at the Mexic-Arte Museum in Austin, Texas. The exhibition ran from March 8th, 2001 to April 18th, 2001. Text on the wall reads: "the diversity & emergence series presents Quemando los Santos, Marco Antonio Santos. Sponsored by The National Endowment for the Arts." A painting of a man hangs on the title wall. The back wall, left, features more paintings.

Photograph of a nine individuals at the opening reception for Santo Nino de Atocha: Faith, Art, and Culture, an exhibition held at the Mexic-Arte Museum in Austin, Texas. The exhibition ran from May 3rd, 2001 to July 7th, 2001. Sylvia Orozco, left, wears a black dress. Nilda de la Llata, center, wears a floral blouse. The group stands in front of a title wall. Text on the wall reads "Santo Nino de Atocha."

Photograph of the opening reception for Grandeza Mexicana: Siglos XVI-XIX (The Greatness of Mexico: 16th-19th Centuries), an exhibition of artwork hosted by the Mexic-Arte Museum in Austin, Texas. Sylvia Orozco, Lulu Flores, and Consul General of Mexico Jorge Guajardo stand near a podium. Sylvia Orozco stands behind the podium and speaks into a microphone. The title wall behind them reads: "Encuentro de Civilizaciones. Siglo XVI. Encounter of Civilizations. The 16th century."

Photograph of Consul General of Mexico Jorge Guajardo at the opening reception for Grandeza Mexicana: Siglos XVI-XIX (The Greatness of Mexico: 16th-19th Centuries), an exhibition of artwork hosted by the Mexic-Arte Museum in Austin, Texas. Guajardo speaks to a group of schoolchildren. The children stand on the right. Patrons mill around in the background.

Photograph of a group of schoolchildren at Grandeza Mexicana: Siglos XVI-XIX (The Greatness of Mexico: 16th-19th Centuries), an exhibition of artwork hosted by the Mexic-Arte Museum in Austin, Texas. The group stands in front of a title wall. Text on the wall reads: "Grandeza Mexicana. Siglos XVI-XIX. The Greatness of Mexico."

Photograph of Sylvia Orozco standing next to a title banner for Los Rostros del Son Jarocho, or The Faces of Son Jarocho, an exhibition of artwork by Alec Dempster. The exhibition was hosted by the Mexic-Arte Museum in Austin, Texas and ran from September 15th, 2006 to October 1st, 2006. Text on the banner reads: "Los Rostros de Son Jarocho: The Faces of Son Jarocho." A black and white illustration of a man with a guitar appears underneath the text.