Recording of Christos Zachos' Five miniatures. This work consists of 5 miniatures made of metal sounds and percussion instruments. Each sound represents a specific psychological state.

Recording of Nikos Stavropoulos' Imago Die. According to the composer, this work is meant to represent the visual and sonic image of a form that exhibits the kinetic and morphoplastic properties of a self-defined conscious organism. The work evokes a never-ending journey; a constant universal oscillation that even when it appears to have stopped, keeps vibrating with the finest and most indiscernible movement. The imagery in this video includes that of an eye transforming into a small, circular organism and then back again.

Recording of Yee On Lo's Pensée sur le devenir et l'aube. This is a work for electronics that includes piano.

Recording of Eduardo Polonio's Improvisations avec formes froides. This is a work for electronics.

Recording of Natasha Barrett's Agora. This work is an installation and a performance involving electroacoustic music, theatre, and the structural use of space. The theatre version of "Agora" is an event where spatial-music is the structural and theatrical driving force. There is one soprano performer but no "acting out". The work extends the aesthetic of the music theatre of Kagel and the consideration of delineated space defined in Oscar Schlemmer's theory of performance.

Recording of José Lopez Montes' Sin Tesis. This is an electroacoustic work for tape only and was created from the challenge of organizing sound material that the composer has accumulated during the course of his learning with Csound and create a new piece. The materials that were combined were the residue of many hours of experimentation with Csound; it is therefore a work "without thesis".

Recording of Peng Guan's Seeking. This is a work for electronics.

Recording of Sijun Liu's Fall in the engendar. This is a work for electronics that includes voice and guqin.

Recording of Agnieszka Waligórska and Pekka Siren's Stilleben in Cracow. This composition was inspired by the city of Cracow which has been badly polluted by Nove Huta steel, however the inhabitants are dreaming of wind and birdsong. This work contains the sounds of birds, water, and the flute.

Recording of Elsa Justel's Un regard sur la ville. This is a video that includes an accompanying electroacoustic composition that was created by Justel as well. This work is based on photographs of shop windows in the city of Paris and its suburbs. The visuals are distorted in nature and are meant to represent a transformed reality into a fantastical world.

Recording of Silvia Matheus' Cloy. This work was inspired by the sounds people make that can create judgement from others. The foreground of the composition is the sound of laughter from a woman to bring forward the issues of desire, irony, and female agency to the attention of the listener. The composer took inspiration from the philosophers Aristotle and George Lewis.

Recording of Diana Pérez Custodio's No todo el mundo puede ser adorable. This work explores the idea that "life smiles down on us if we are adorable". This piece premiered during a concert that was part of the "XI International Electroacoustic Music Festival Punto de Encuentro".

Recording of José Iges' Leccion de retorica. This work revolves around the composer's interest in the problem of rhetoric which includes the works of musical Romanticism and those of the piano. To explore this idea, the composer used samples from a recording of Brahms' “Variations on a Theme of R. Schumann, Op.23”. The composer followed the example of the works Amici della Musica di Cagliari and Ricercare.

Recording of Juan Antonio Lleo's Pulsar 32b. This work was composed as part of the 2002 Midiverso Installation at the XVIII Contemporary Music Festival, wherein the composer acts as a luthier of an impossible instrument, a hemisphere with 32 one-button-instruments. The Midiverso players are the ones who decide to interact with the system, playing different buttons and sounds. Therefore, they are the composer, player, and audience at the same time.

Recording of Luigi Morleo's Fanes for Aenea. This work is a composition for solo tape, however it is possible to be used in a performance with any instrument. The composer describes this work as a composition that distinguishes two runs that meet and realize they cohabitate but don't create an acoustic fusion.

Recording of Ana Gabriela Yaya Aguilar's Mi Sol Menor. This work was inspired and dedicated to the composer's sister, Soledad, who plays harp. This piece is a sound portrait about the relationship between her and her instrument throughout her life. The work as a whole aims to recreate the relationship between a musician and his instrument.

Recording of Rubén Hinojosa Chapel's Desde el Jardín del Tiempo. This work was created as an homage to John Lennon and the mark that his music has left on more than a generation of young people. It was created from samples of piano by digital sound editing and processing. It premiered at the "VIII Festival Internacional de Música Electroacústica Primavera en La Habana".

Recording of Sten Hanson's Valse Chosande. This is a work for electronics.

Recording of Andrés Lewin-Richter's Essay on trombone. This work was created using material based on samples of trombone that were used in other compositions by the composer. This essay shows the possibilities of a virtual sound recording of a piece for instrument and electronic sound.

Recording of Eduardo Montilla's Paisaje ondualar. This work is based on virtual wind instruments and DSP as well as both synthetic and concrete sounds. This piece represents the silence before the sunrise and an imaginary landscape in dreams.

Recording of Rodrigo Restrepo's A punta de coccion. This work was inspired by the washing of dishes and was elaborated using the sounds generated by the manipulation of kitchen tools. This is the first electroacoustic piece created by the composer.

Recording of Jos Janssen's Saluang. This piece was created on the basis of the saluang flute playing of the people of North Sumatra in Indonesia. Saluang playing is a very meditative way of playing with the technique of circular breathing. This work was originally made for Teresa Birks, a human rights watcher in Indonesia.

Recording of Bernard Donzel-Gargand's Chemin d'émois. This work explores the sounds of a journey made by a musician from the forests to plains. It includes the sounds of nature as well as electroacoustic sounds.

Recording of Alain Basso's Meca mecanica. This work was created as part of the Bourges 2004 Synthèse Festival. This work combines two types of sounds: themes of Western music which include the flute, orchestra, violin, and barrel organ, as well as oriental themes. The title was derived by the idea that instruments themselves can be defined as a type of mechanism which is used to create sound.