Recording of Charles Dodge's "Any resemblance is purely coincidental" for tape. The piece aspires to represent the voice of Enrico Caruso in much the same way that Andy Warhol represented the figures of contemporary popular culture in his silk screen portraits: the voice is unmistakably that of Caruso, but with a difference. In "Any resemblance is purely coincidental," an operatic voice searches for an accompaniment: with the original orchestra, with copies of itself, with the piano, and with other computer sounds. The initial attempts are humorous; subsequently, other emotions are evoked until the loneliness of the "great performer" emerges. The voice is made with computer synthesis based on a 1907 recording of the aria "Vesti la giubba" from Ruggiero Leoncavallo's I Pagliacci sung by Enrico Caruso.

Recording of Roberto Doati, Gianantonio Patella, and Daniele Torresan's "La materia è sorda" performed by Lorenzo Rizzato (speaker) and electronically realized by Granziano Tisato.

Recording of Zoltán Pongrácz's Madrigal for tape. The aim of the composer was to create a madrigal, one of the most aristocratic of the choral genres of the Renaissance, through electronic means. He uses the characteristics of the Italian madrigal as an element of the musical color to create effects of the Gothic choral music. The raw material is based only on the recitation of the sonnet, as well as on sounds sung at various frequencies by the choir. Pongrácz also calls this work a concerto, but not in the traditional understanding of the genre, particularly in the case of the conception and the formal structure; he calls it such because of the contrast between the cymbalum and the spectra of the oscillators. Madrigal was realized at the Studio for Electronic Music of the Hungarian Radio in Budapest.

Article discussing the Levi problem on mixed manifolds. This article gives a new proof that the problem of Levi, to mixed varieties have a solution in the sense that every pseudoconvex closely mixed variety, with enough real global morphisms, is a variety of Cartan.

A faculty and guest artist recital performed at the UNT College of Music Recital Hall.

A faculty recital performed at the UNT College of Music Concert Hall.

Faculty Recital performance at UNT's College of Music Concert Hall

Spoof of Latin and Spanish text in ornate calligraphy. The text is not in correct Latin or Spanish, but intended to "look" like it.

Orchestra concert performed at the UNT College of Music Concert Hall.

Guest artist recital presented at UNT School of Music Organ Recital Hall.

Faculty voice recital performed at UNT's College of Music Recital Hall.

A guest artist recital performed at the UNT College of Music Recital Hall.

A guest artist recital performed at the UNT College of Music Recital Hall.

Faculty performance in memory of Philip Montalbo M.D. given at the UNT School of Music Concert Hall.

Video recording of an amateur production about the Italian American experience in Texas that appears to have been created for the fourth Italian Symposium of Texas held in Bryan, Texas in September 1984. North Texas State University (now UNT) professor Dr. Samuel J. Marino introduces the production and references Texas Woman's University professor of Government, Cavaliere Valentine J. Belfiglio's 1983 book, The Italian Experience in Texas, which this production was based on. Dr. Marino traveled to Texas towns that historically had Italian communities and filmed interviews with residents, as well as scenery and exteriors of local Italian owned businesses. Dr. Marino narrates the video from a script he wrote with Alfonso Nicosia. The visuals are of a poor quality and are often overexposed and blurry.

Faculty recital performed at the NTSU School of Music Recital Hall

Choir concert performed at the UNT College of Music Recital Hall.

Orchestra concert performed at the NTSU School of Music Concert Hall.

Ensemble concert performed at the UNT College of Music Concert Hall.

Orchestra concert performed at the UNT School of Music Concert Hall.

Video recording of a slideshow presentation by Samuel J. Marino that was directed and included photographs from Silas S. Stamper. It includes visuals of portraits, monuments, statues, busts, and books that depict Christopher Columbus. It was overlaid with music from the Italian Symposium of Texas and narration explaining who the artists, and writers were along with a history of Columbus.

Ensemble concert performed at the UNT School of Music Concert Hall.

Choral and Chamber Wind concert performed at the UNT College of Music Recital Hall.

Ensemble performance at the UNT College of Music.