Faculty recital presented at the UNT College of Music Voertman Hall.

Recital presented at the UNT College of Music Voertman Hall in partial fulfillment of the Master of Music (MM) degree.

Senior Recital presented at the UNT College of Music Kenton Hall.

A senior recital performed at the UNT College of Music Kenton Hall.

A senior recital performed at the UNT College of Music Voertman Hall.

William Vacchiano (1912–2005) was principal trumpet with the New York Philharmonic from 1942 to 1973, and taught at Juilliard, the Manhattan School of Music, the Mannes College of Music, Queens College, and Columbia Teachers College. While at the Philharmonic, Vacchiano performed under the batons of Arturo Toscanini, Bruno Walter, Dimitri Mitropoulos, and Leonard Bernstein and played in the world premieres of almost 200 pieces by such composers as Vaughan Williams, Copland, and Barber. Vacchiano was important not only for his performances, but also for his teaching. His students have held the principal chairs of many major orchestras and are prominent teachers themselves, and they have enriched non-classical music as well. Two of his better known students are Miles Davis and Wynton Marsalis. Last Stop, Carnegie Hall features an overview of the life of this very private artist, based on several personal interviews conducted by Brian A. Shook and Vacchiano’s notes for his own unpublished memoir. Shook also interviewed many of his students and colleagues and includes a chapter containing their recollections. Other important topics include analyses of Vacchiano’s pedagogical methods and his interpretations of important trumpet pieces, his “rules of orchestral performance,” and his equipment. A discography, a bibliography of …

A senior recital presented at the UNT College of Music Voertman Hall.

A senior recital presented at the UNT College of Music Voertman Hall.

A senior recital presented at the UNT College of Music Voertman Hall.

A junior recital presented at the UNT College of Music Voertman Hall.

Recital presented at the UNT College of Music Voertman Hall in partial fulfillment of the Master of Music (MM) degree.

A senior recital presented at the UNT College of Music Kenton Hall.

Recital presented at the UNT College of Music Voertman Hall in partial fulfillment of the Master of Music (MM) degree.

A selection of letters written to the Cincinnati Commercial newspaper from 1870-1871 about steamboat travel on the Red River in 1838-1841. W. W. Withenbury was a famous river boat captain during the mid-1800s. In retirement, he wrote a series of letters for the Cincinnati Commercial, under the title "Red River Reminiscences." Jacques Bagur has selected and annotated 39 letters describing three steamboat voyages on the upper Red River from 1838 to 1842. Withenbury was a master of character and incident, and his profiles of persons, including three signers of the Texas Declaration of Independence, reflect years of acquaintance. The beauty of his writing ranks this among the best of the reminiscences that were written as the steamboat era was declining. “Bagur is an expert on the Red River in the nineteenth century, and it shows in this work. Informative and entertaining.” —Randolph B. "Mike" Campbell, author of Gone to Texas: A History of the Lone Star State “This will rank as a great assistance to researchers if anyone wants to attack history of the Red River again. Some of his in-depth research was fabulous.”—Skipper Steely, author of Red River Pioneers

Recital presented at the UNT College of Music Voertman Hall in partial fulfillment of the Doctor of Musical Arts (DMA) degree.

Master's recital presented for the UNT College of Music Voertman Hall.

Master's recital presented at the UNT College of Music Voertman Hall.

Senior recital presented at the UNT College of Music Voertman Hall in partial fulfillment of the Bachelor of Music (BM) in Performance degree.

Bernard A. Booker, wry old Maine codger and unofficial mayor of Ell Pond, is the subject of Booker’s Point, an oral history-inspired portrait-in-verse. Weaving storytelling, natural history, and the poetry of place, the collection evokes the sensibility of rural New England and the pleasures of a good story.

Captain Frank Jones, a famed nineteenth-century Texas Ranger, said of his company’s top sergeant, Baz Outlaw (1854-1894), “A man of unusual courage and coolness and in a close place is worth two or three ordinary men.” Another old-time Texas Ranger declared that Baz Outlaw “was one of the worst and most dangerous” because “he never knew what fear was.” But not all thought so highly of him. In Whiskey River Ranger, Bob Alexander tells for the first time the full story of this troubled Texas Ranger and his losing battle with alcoholism. In his career Baz Outlaw wore a badge as a Texas Ranger and also as a Deputy U.S. Marshal. He could be a fearless and crackerjack lawman, as well as an unmanageable manic. Although Baz Outlaw’s badge-wearing career was sometimes heroically creditable, at other times his self-induced nightmarish imbroglios teased and tested Texas Ranger management’s resoluteness. Baz Outlaw’s true-life story is jam-packed with fellows owning well-known names, including Texas Rangers, city marshals, sheriffs, and steely-eyed mean-spirited miscreants. Baz Outlaw’s tale is complete with horseback chases, explosive train robberies, vigilante justice (or injustice), nighttime ambushes and bushwhacking, and episodes of scorching six-shooter finality. Baz met his end in a …

Interview with Effie McQueen from Marshall, Texas. McQueen discusses her childhood and education, attending North Texas State University, participation in civil rights activism, getting the streets of south Denton paved, Quakertown, employment and discrimination, her church involvement, the Denton County Courthouse, and reflections on the town. In appendix is a photo of the Denton County Courthouse and one of the Den County Confederate Memorial.

Interview with Rob Shivers, a Dallas-area LGBT activist from Birmingham, Alabama. Shivers discusses discovering her sexuality, her relationships, nursing school, church involvement, closeting and her marriage, jobs worked, moving to Dallas, the LGBT community, joining the Metropolitan Community Church and establishing a parish in Dallas, organizing the first Pride parades in the area, political activism and police interference, death threats, and the Kennedy Assassination.

Interview with Eva McMillan, a civil rights activist from Tennessee. McMillan discusses growing up in the segregated South, her family, early involvement in civil rights, experiences of racism and discrimination, her son Ernie's establishing a chapter of the SNCC at UT Arlington, Ernie's arrests and imprisonment, founding various advocacy and activism groups in Dallas, milestones and tragedies of the Civil Rights Movement, conflict with the police and the decline of the SNCC, and reflections on her work. In appendix are photos of McMillan and Dallas-area civil rights activists, a flier, and newspaper clippings.

In this debut collection, Anna Lena Phillips Bell explores the foothills of the Eastern U.S., and the old-time Appalachian tunes and Piedmont blues she was raised to love. With formal dexterity—in ballads and sonnets, Sapphics and amphibrachs—the poems in Ornament traverse the permeable boundary between the body and the natural world. The contents include: Midafternoon -- Qualifications for one to be climbed by a vine -- Trillium -- Ornament -- Piedmont -- Pears -- Fall swim -- Trifoliate orange -- Unhomemaking -- Mapping -- Girl at the state line -- I'm going back to North Carolina -- Unfinished story -- Limax maximus -- Knot -- The waxweed girl -- Wand -- Proem -- Strapless -- Dishwashing -- Shade -- Crosses -- Bonaparte crossing the Rhine -- Strike -- Green man -- And not look back -- Girl at the state line -- Stitch -- To do in the new year -- The royal typewriter company delivers by parachute, 1927 -- Sunday -- Nesting -- When the fire comes down from heaven -- Honeysuckle -- Early blackberries -- Roustabout -- Overture -- June swim -- Sprout wings and fly -- Hush.