Recording of Yves Daoust's Ouverture. This is a work for electronics.

Recording of Marcelle Deschenes' Nous. Electroacoustic composition utilizing various voices (including human and robotic variations of deeper- and higher-pitched voices) in both English and French alongside percussion, electronic noises, and ambient environmental sounds.

A guest artist recital performed at the UNT College of Music Recital Hall.

Orchestra concert performed at the UNT School of Music Concert Hall.

This work was created from a story entitled "The Confession" that I wrote in 1989. In Spanish originally, it was translated into Hebrew, French, English and German. Some of these texts in different languages have been integrated into the work. "Confession" records the psychological oscillations - from mental stability to madness or vice versa - that the protagonist goes through. "The Confession" of the human voice, the electronic instruments (synclaiver), the acoustic instruments (harp, trombone, cello, flute, percussion) and the concrete sounds create a semantic interaction with the syntax of the musical language.