Recording of Nicolas Verin's Solo III. This recording is meant for 16-track tape and to be mixed live. The sound materials included were left fairly raw, to make for easier mixing and streaming. This work appears on Paysaginaire's CD PAYSA9810.

Recording of Stephan Dunkelman's Metharcana. This work was produced using material intended for a dance production. The composer used this work to explore the use of space within a time defined by the choreographic structure. He did this by presenting two seemingly ill-matched sonic worlds and making their relationship viable.

Recording of Marc Verhoeven's Only two ears.

Recording of Yee On Lo's The interrupted serenade - Fanfare and Story for installation.

Recording of Jonty Harrison's Abstracts. This work includes 2 recordings. One of which is simply the produced electroacoustic tape on its own. The other is a live performance of the tape along with the University of Birmingham Symphony Orchestra performing on top of it. The composer's goal was for the tape to create musical continuity while the live performers abstract upon it in varying ways.

Recording of Hubert Howe's Improvisation No. 4. This piece is the fourth in a series that explores the overtone structure of sounds in unique ways. The overall shape of this piece is a palindrome with a steadily increasing tempo until the climax and then steady decline.

Recording of Jacques Daney's Loa. This work represents the nature and wildlife of Africa.

Recording of Tom Williams' Interference. The composer wrote this work for the kayagum player, Inok Paek, and received funding from the Arts Council of England to help with the composition.

Recording of Ludger Brümmer's Thrill. This work was commissioned by the Centre of Art and Media Technology Karlsruhe. The sound material was directed into a 4 channel sound format to create complex space information. The composer describes this piece as the "king of Musique Concrete".

Recording of Wilfried Jentzsch's Paysages GO 818. This work is compromised of 2 movements titled: I and II. This work represents imaginary sound sculptures and was inspired by a voyage on a train. The unique sound source of the piece is an opera gong in Beijing.

Recording of Gabriel Prokofiev's Café perdu. This piece incorporates sounds from a coffee shop.

Recording of Jens Hedman's Currents. This work is compromised of 4 movements titled: Traffic, Water, Nature, and City. The work is a musical tribute to the city, Stockholm, and portrays the flows and streams in the city from four different sound perspectives. "Currents" premiered at "Hey Listen", the international sound conference for acoustic ecology arranged by the Swedish Royal Academy of Music.

Recording of Ioannis Kalantzis' Bay. b.. This work was composed for vibraphone and live electronics. The content of the work was inspired by the life of a baby in it's embryotic state. The composer dedicates this work to the percussion player, Catherine Herisse, as well as several babies that were born in 1998.

Recording of Bérangère Maximin's Le rituel des poupées cassées.

Recording of Magdalena Dlugosz's Ta Ba Ma. This composition was influenced by an earlier work TaBAr for double bass and tape and juxtaposes two forms of musical expression: the dynamic performance of classical music and the playback of a closed tape recording. The composer wrote the instrumental part for Tadeusz Wielecki, a Polish double bass player and composer.

Recording of Juan Manuel Marrero's Come la voce della coscienza.

Recording of Christian Calon's Fragemnts pour Ulysse. Work for electronics, voice, and pre-recorded sound. This work is also made up of six sections.

Recording of Ulrich Suesse's Musicians plus one. For acoustic instruments and electronics. This uses sound processing to alter the sound's such as: delay, reverb, feedback, and differing types of sound effects.

Recording of Yasuhiro Otani's Blue ego blue. For live electronics, and acoustic instruments. This work was composed for a dance company and explored the possibility of combine image control and Realtime music, performed by eye color or captured landscape, color of clothes, etc. This is possible with the help of image dissector algorithm.

Recording of Philippe Blanchard's Hopscotch. For electronics, pre-recorded sound, and voice. This work sonically navigates you through a story, accompanied with many sounds.

Recording of Mark Canfield-Taylor's Hello, It's your birthday. For electronics, manipulated voice and sound. This recording take repeated vocal fragments and expands the work's sonic environment with electronic sounds and differing timbres or rhythmic figures.

Recording of Eduardo Polonio's Devil's Dreams. This works uses synthesis technique to create sound and use electronic processing to explore the sonic possibilities.

Recording of David Keane's Signor Marconi, His Ayre. For radios, 2 signal processors, and digitally controlled mixer. This work was designed to be performed live, with the only sound sources being 4 radio channels live broadcasting. The result of the mixing (under MIDI) control by the program that serves as the score for the piece is broadcast live on yet a fifth radio channel. The object of the piece is the creation of a structure that promises a successful piece, regardless of the program content of the source radio channels.

Recording of Nicolae Teodoreanu's Das Wort (Le verbe). This is an electroacoustic piece that builds off of the sound of a word taken from a recited text. The composer wanted to extrapolate on the hidden sounds within a single word and by extension the layered meanings they hold.