Recording of Pedro Caryeyschi's Analogias paraboloides.

Recording of Gabriel Brnčić's Quodlibet VIII (version 2a)

Recording of Lucian Mețianu's Pythagoreis.

Recording of Jan W. Morthenson's Ultra.

Recording of Bülent Arel's Stereo electronic music n°2.

Recording of Juan Amenábar's Sueño de un niño.

Recording of Gustav Ciamaga's Two-part invention n°8 for tape.

Recording of Eduardo Kusnir's La Panaderia

Recording of Ariel Martínez's El gloton de pepperland.

Recording of Horacio Vaggione's L'ascension d'Euclide.

Recording of Debravko Detoni's Graphie III.

Recording of John Heineman's Air Piece. Air Piece is a theatrical piece made on magnetic tape. Essentially made up of aircraft sounds recorded at the airport, on the airstrip and inside the terminal itself, the various sound elements are only edited and mixed together as in cinematographic technique. The piece was created at the Electronic Laboratory of the Conservatory of Pesaro.

Recital presented at NTSU School of Music Recital Hall.

Recording of Alain Savouret's Didactic Party.

Faculty recital performed at the NTSU School of Music Recital Hall.

Recording of Francisco Kröpfl's Nocturno. The intention of this work is to produce a piece for work without great contrasts. Comprised of three sections: the first of slow evolution is the slow and constant in one harmonic patern. In the second section this material is re-elaborated obtaining irruptive sounds, similar to sleigh bells. Oriented movement is detained in the third section by a group of consonant related eight sounds of fixed pitch derived from the harmonic structure of the first section. Produced by means of a Buchla voltage controlled synthesizer.

Recording of Christian Clozier's Même. This is a work for electronics that includes distorted voices.

Recording of Christian Clozier's Disent-ils. This is a work for electronics.

Recording of Christian Clozier's USA. This is a work for electronics that includes an out of tune string instrument as well as an assortment of various distorted instrumentals.

The piece was made in 1970 with the ANS synthesizer from Murzin. The work begins with an introduction made with an instrument of the family of jew's harps, the "Temir-Komonz", Kyrgyz instrument whose sound is produced by the pinching of a small steel blade and whose resonator is the oral cavity . During the performance, there is a permanent drone, the basic sound of the harmonic scale. The melody is modulated by changing the opening of the mouth. In German, it is called "Monltrommel" (drum of mouth). 12 parts: first part: "The acoustic versions", second part: "The spectral line", third part: "The decomposition of the timbre", fourth part: "The harmony of the timbre", fifth part: "Variations of the movements and of rhythm ", sixth part" The inverted harmonic versions ", seventh part:" Horizontal-vertical polyphony ", eighth part:" The variation ", ninth part:" The symbolism ", tenth part:" The mounting of the stamp ", eleventh part: "Free play", twelfth part: "It's the same timbre in a free game of all its harmonic sounds that are reproduced in a free rhythm at an even dynamic level. To continue these variations could be interesting. The general line of the variations is the passage …

A recording of a rehearsal of Bill Berry's New York Band with trombonist Bill Watrous