Faculty recital performed at the UNT College of Music Main Auditorium.

Faculty recital performed at the UNT College of Music Concert Hall.

Faculty recital performed at the UNT College of Music Recital Hall.

Faculty recital performed at the UNT College of Music Recital Hall.

Faculty recital performed at the UNT College of Music Recital Hall.

Faculty recital performed at the UNT College of Music Concert Hall.

Faculty recital performed at the UNT College of Music Concert Hall.

Guest artist recital performed at the UNT College of Music Merrill Ellis Intermedia Theater.

Faculty recital performed at the UNT College of Music Recital Hall.

Faculty recital performed at the UNT College of Music Recital Hall.

Jazz faculty recital performed at the UNT College of Music Recital Hall.

A faculty recital performed at the UNT College of Music Concert Hall.

A faculty and guest artists recital performed at the UNT College of Music Concert Hall.

A guest artist recital performed at the UNT College of Music Concert Hall.

A faculty recital performed at the UNT College of Music Concert Hall.

Recording of Florivaldo Menezes' La recherche panique d'écho. It is an electroacoustic reflection on the mythic world of Monteverdi and various Greek myths. It is built of three sections, each focused on a different Greek mythological character. The first section focuses on Echo, the second on Orpheus, and the third on Pan.

Recording of Jøran Rudi's Swallows of Freedom. This piece was composed as music for a dance performance by Hexakin Dance Company, and created from recorded natural sounds. The sounds were processed with software available at the time, and organized in time to fit the choreography.

The idea for this piece came to me on a beautiful spring day as I listened, amazed, the music produced by droplets falling melting icicles. I was fascinated by the sonic complexity, the beauty of such a banal natural phenomenon, which usually receives very little attention. A channel had been dug. Melting in the slush, she would probably end up joining the swollen stream at the bottom of the stream. Everything was there: the climate, the tracks of development, the formal idea. Just be attentive.

The view is of the bridge looking east across the old riverbed of the Turia river.

The view shows both the automobile and the pedestrian paths. The view is looking south.

The view is from underneath the bridge and looks eastward.

The view is of the northwest facade with attached pyramidal structures.

Recording of Robert Grassi's Amour énorme. Grassi was responsible for the samples used in the recording. He used an FM synthesizer, tms sampler, and a SPX-1000 effect processor.

Recording of Thomas Bjelkeborn's, Do it again. The compositional work uses breaking dried out tree branches, which are heavily processed with electronic techniques. This sound file has been transformed over and over and with sound mutation and has been split in various sounding directions. This piece uses transformations which are similar to partly human gestures controlling the changes. The resulting sound files were cut, spliced and mixed in a canonic form where the original sound file length has been kept as far as musically feasible.