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UNT Honors College
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Reviewing American Quilts: A Record of Women's Political Engagement
Hubert Howe Bancroft: Behind the Façade of Professional Historian
Honey, Ain’t You Glad We’re Texan: The Mythic Narrative of Texas in the Texas Centennial
Goya's Los Caprichos: An Enlightened Bestiary
Photography in Colonial and Postcolonial India as an Agent of Cultural Dominance
Man Ray's 'Noire et Blanche': Avant-garde, fashion, and Other(s)
Francisco de Goya and the Mirror's Reflection
The Other Mary: The Absence of Mary Magdalene in the Santa Maria Trastevere
Making the Man: 'Suiting' Masculinity in Performance Art
Enlightening Industry: Goya, Allegory and Women at Work
The Eighteenth Century Worker: Goya's Tapestry Cartoons and the Influence of the Enlightenment
'Third World Artist': The Performance Art of Alexander Brener
A King's Decapitation
The Government's Girls: How the United States Government Used War Poster Art to Recruit Women to the Workforce During World War Two
Goya's Fantastic Vision of Madness
The Image of Mexico in Letters from Mexico: Hegemonic Relations between the U.S. and Mexico in the Late Nineteenth Century
Refugee Representations: 1950s Non-Western/WWII Refugees in American Media with Smaller Circulation
Introducing Change of Early Implementation of Learning Spanish as a Foreign Language in the Texas Education System
Compromise and Example: Continued Issues of Art Restitution and Holocaust-Era Looted Art
Illustrating American Power and Privilege: Images of Mexico as the Other in Albert S. Evans’s Our Sister Republic: A Gala Trip Through Tropical Mexico in 1869-70
Dallas Museum of Art Biombo: Elite Spanish Identity and Hybridity in 18th Century Colonial Latin America
An Analysis of Images in Mexican-American War Literature
Erasing Mexico. Notes on the Upper Rio Grande: Documentation for the Sake of Future Exploitation
The Other Side: Fifteen Mexicans and an American
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