Color poster depicts a battle scene with the British, American, French and Italian forces on one side of the river and the enemy on the other side. In the background there is a view of the buildings of Venice. A female figure wearing a crown and draped in a red skirt hovers over the scene holding an Italian flag and a sword. A large yellow star shines behind her and over the city. At her feet are the words, "Da qui non si passa" ("They shall not pass"). At the upper left hand corner are small portraits of "Generale Diaz" (Armando Vittorio Diaz of Italy), "Presidente Poincare" [sic] (Raymond Poincaré, President of France), "Vict. Emm. III." (Victor Emmanuel III, King of Italy), "Re Giorgio" (King George V of England), and "Pres. W. Wilson" (Woodrow Wilson, President of U.S.A.). Beneath Wilson's portrait flies a bird bearing a banner, "Per la libertà dei popoli" ("For freedom of the peoples").

Photograph of five uniformed American soldiers standing and crouching to the right of a sign that reads "Passo del Brennero, m 1372." The men are crowded against a short pillar topped a horseshoe-shaped curve that bears the image of a flower. A hill rises from directly behind the men and into the background.

Photograph of a uniformed soldier crouching against a pillar that as the words "Duetsches Reich" and a swastika carved into it. To the left of the man is a sign that says "A. A. S. S. Passo Del Brennero m 1372."

Postcard of the Infantry Replacement Band, a large group of soldiers holding instruments, at Camp MacArthur in Waco, Texas. A handwritten note in Italian on the back of the postcard is addressed to "Al caro amico E. Marino" in Kansas City, Missouri and says, "Questa è la band dove appartengo. Sí puo trovarmi? C'ha un punto. Su una spalla." In this note the author identifies himself as the band member with a mark on his shoulder. Fifth sitting man from the left.

Bill worth five Italian lire from 1943. The front has a decorative green border with the words "Allied Military Currency;" text in the center of the bill says "Issued in Italy, cinque (five 5 five) lire" and "series of 1943 A." The back of the bill has a complex design in blue with the words "Allied Military Currency" at the center. In the corners of the design are the phrases "freedom of speech," "freedom of religion," "freedom from want," and "freedom from fear."

Bill worth five Italian lire from 1943. The front has a decorative green border with the words "Allied Military Currency;" text in the center of the bill says "Issued in Italy, cinque (five 5 five) lire" and "series of 1943 A." The back of the bill has a complex design in blue with the words "Allied Military Currency" at the center. In the corners of the design are the phrases "freedom of speech," "freedom of religion," "freedom from want," and "freedom from fear."

Handwritten letter from Donna Sofia Serafini to Lt. Comdr. E. E. Roberts, Jr. writing about the death of her son Tullo Serafini.

Detailed color illustration of a battle scene. Italian soldiers in blue cross a river and charge against Austrian soldiers in green. Several Austrian soldiers and a horse are falling or dead. A toppled weapon is seen in the foreground. Several explosions can be seen on the river, its banks, the mountains, and a town in the distance. Airplanes are flying, cannons are firing, and multitudes of Italian troops are marching in the far distance.

Map shows roads, settlements, villages, military forts, notable physical features, vegetation, and asphalt deposits. Includes color key to European possessions. Relief shown by hachures. Relief shown by hachures. Scale not given.

Recital presented at the UNT College of Music Voertman Hall in partial fulfillment of the Doctor of Musical Arts (DMA) degree.

Recital presented at the UNT College of Music Recital Hall in partial fulfillment of the Master of Music (MM) degree.

Choral concert presented at the UNT College of Music Winspear Performance Hall.

Choir concert performed at the UNT College of Music Winspear Hall.

Choir concert performed at the UNT College of Music Winspear Hall.

Faculty voice recital performed at UNT's College of Music Recital Hall.

A faculty and guest artist recital performed at the UNT College of Music Voertman Hall.

Senior recital presented at the UNT College of Music Voertman Hall in partial fulfillment of the Bachelor of Music (BM) in Performance degree

This is a ca. 1763 copy of the libretto of "Catone in Utica," by Metastasio. Gian Francesco de Majo set this libretto to music for the 1763 carnival season in Turin. In this story, Caesar and Fulvio meet Cato, Utica's ruler, and offer him a peace truce, but Emilia, Pompey's widow, suspects treachery and plots to murder Caesar. Cato rejects a Senate's order for a reconciliation with Caesar and demands that Caesar surrender his dictatorial powers. Marzia, Cato's daughter, promised in marriage to Arbace, is in love with Caesar and pleas to her father to deter him from waging war. Arbace, who feels that his love for Marcia was betrayed, is lured by Emilia into an assassination attempt on Caesar. Fulvio is led to believe that Emilia will attempt on Caesar's life as he leaves by the gate of the city and advises him to take a secret path only to discover that Emilia used him to deliver Caesar into the hands of her followers. As Fulvio announces the victory of Caesar's armies in Utica, Cato stabs himself and before dying grants forgiveness to Marcia on condition that she swear loyalty to Arbaces and hatred towards Caesar. The library's copy …

Recital presented at the UNT College of Music Voertman Hall in partial fulfillment of the Master of Music (MM) degree.

Weekly Italian-language newspaper from Galveston, Texas that includes local, state, and national news along with advertising.

Weekly Italian-language newspaper from Galveston, Texas that includes local, state, and national news along with advertising.

Weekly Italian-language newspaper from Galveston, Texas that includes local, state, and national news along with advertising.

Weekly Italian-language newspaper from Galveston, Texas that includes local, state, and national news along with advertising.

By the time of Mozart and Da Ponte’s collaboration on Don Giovanni, the Don Juan legend had been represented in musical entertainments and on the popular stage a number of times. Although it was an unusual topic for Viennese court opera, the retelling of the Don Juan story was immensely appealing for the Italian troupe in Prague. Don Giovanni did eventually make its way to Vienna, but the opera did not meet the same success it had received in Prague.