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Document and Information Experience in Virtual Zenanas: An Exploration of a Diaspora Small World
The word diaspora is currently understood as the large scale voluntary movement of people, along with capital and goods due to the mechanisms of globalization. Adopting a diaspora, gender and leisure perspective, this dissertation looked at the information and document experiences of a particular fan community of women belonging to the Indian diaspora and the online spaces created and occupied by them (fan fiction blogs which can be viewed as book clubs). The study also looked at memory making and documenting of the same as a part of document experience, resulting in what can be termed as "serendipitous memory archives." The blogs hosting fan fiction and the mediated practices they support were viewed as documents for the study. The online spaces were conceptualized as small worlds and the theoretical framework used for the study consisted of a preliminary model of a small world (based on literature review and my understanding of the world under study), information experience as a concept as well as document experience models. The results show that social ties play a big role in the information and document experience, while memory making and documenting of the same are also seen to happen as part of the document …
Date:
December 2020
Creator:
Kizhakkethil, Priya
Object Type:
Thesis or Dissertation
System:
The UNT Digital Library
Freshman Music Students' Identification With Expected Tasks in the Music Theory Class as a Relevant Part of Becoming a Musician
The purpose of the study was to investigate freshman music students' identification with expected tasks in music theory class including aural, written, and performance requirements. The second research problem compared students' descriptions with actions in class to determine the presence of role taking (the conscious adherence to a set of behaviors) or role playing (the unconscious assumption of a set of behaviors).
Date:
December 1996
Creator:
Kteily-O'Sullivan, Laila Rose
Object Type:
Thesis or Dissertation
System:
The UNT Digital Library
Mariachismo: Music, Machismo, and Mexicanidad
One of the most recognized icons of Mexico is the mariachi moderno tradition, which in the global popular imaginary, is associated with nostalgic, humorous, and emotional songs of love, heartache, death, drinking, and place. Inseparably fused to tequila and the historic charro figure, mariachi moderno completes a symbolic trinity of hetero-nationalist culture, conveyed within a popular imaginary of authentic mexicanidad (Mexican-ness). For mariachis and aficionados in Mexico, performative hypermasculine machismo acts as a perceptual baseline, structuring modes of feeling that signify an experience of authentic nationalist musicality This process is musically constructed in an incorporation of bodily movement, instruments, sound timbres, and symbolic clothing, simultaneously gestured with a heavy male-accent fusing an experience that feels genuinely Mexican. This reflexive signification is a consequence of the lived experience, shared dispositions, and competencies learned in the habitus, constituting real and imagined notions of hetero-nationalist culture. I refer to this musical semiosis as mariachismo, a neologism describing an intersubjective experience of machismo-infused mariachi subjectivity, ritualized through repeated gestures of sound, lyric, and corporeality. The semiotic power of mariachismo is most potent for subjects enculturated to Mexico's hetero-nationalist culture, shaped by popular imaginaries operationalizing gender and mexicanidad, connecting the two, making them feel unquestioned, …
Date:
December 2020
Creator:
Torres, José R.
Object Type:
Thesis or Dissertation
System:
The UNT Digital Library
A Quantitative Approach to the History of Music Binder's Volumes (1820–1900)
Music binder's volumes, or collections of sheet music typically bound by women in the nineteenth century, constitute an informative and underutilized set of historical artifacts. Each binder's volume can be viewed as a Spotify playlist frozen in time. An individual volume contains more than just the volume's individual pieces; it also holds the marginalia, the choices women made on what to include in a binder, and information on where and how music was produced. This dissertation examines music binder's volumes quantitatively, processing information found in binder's volumes by using the MARC and other cataloguing data to construct a relational database. I engage with broad questions of music publishing and consumption and provide a method to contextualize qualitative results on a larger scale. In doing so, I make two distinct contributions to music research and the digital humanities. First, this project offers a clear path for engaging with music binder's volumes and material history of nineteenth-century America in ways that scholars have rarely engaged in prior to this point. I highlight how data analysis provides new framings for binder's volumes and for sheet music consumption both at the song-level and at larger levels of the data. Second, and more broadly, this …
Date:
December 2022
Creator:
Anderson, Brian K
Object Type:
Thesis or Dissertation
System:
The UNT Digital Library
Technology Standards for the Improvement of Teaching and Learning in Community College Music Programs
Providing standards for music technology use in community college music programs presents both challenges and opportunities for educators in American higher education. A need exists to assess the current use of technology at the community college level for the purpose of improving instruction. Although limited research has been done on the use of technology to support music education K- 12 and in four-year universities, little research on the problem in the community college setting was found. This research employed a Delphi study, a method for the systematic solicitation and collection of professional judgments on a particular subject, to examine existing criteria, “best practices”, and standards, in an effort to develop a set of standards specifically for the community college level. All aspects of a complete music program were considered including: curriculum, staffing, equipment, materials/software, facilities and workforce competencies. The panel of experts, comprised of community college educators from throughout the nation, reached consensus on 50 of the 57 standards. Forty-one or 82%, were identified as minimal standards for the application of music technology in music education. Community college music educators, planning to successfully utilize music technology to improve teaching and learning should implement the 41 standards determined as minimal by …
Date:
December 2001
Creator:
Crawford, Michael
Object Type:
Thesis or Dissertation
System:
The UNT Digital Library
Singing Songs of Social Significance: Children's Music and Leftist Pedagogy in 1930s America
In their shared goal of communicating left-wing principles to children through music, Marc Blitzstein's Worker's Kids of the World (1935), Aaron Copland's The Second Hurricane (1937), and Alex North's The Hither and Thither of Danny Dither (1941) exhibit a fundamental unity of purpose that binds them both to each other and to the extensive leftist pedagogical efforts of their time. By observing the parallel relationship among these three children's works and contemporary youth organizations, summer camps, and children's literature, their cultural objectives and stylistic idiosyncrasies emerge as expressions of a continuously evolving educational tradition. Whereas Worker's Kids comes out of the revolutionary Communist aesthetics of the Composers' Collective and the militant activism of The Young Pioneers, The Second Hurricane and Danny Dither reflect the increasingly accommodating educational efforts of the American Popular Front.
Date:
December 2008
Creator:
Haas, Benjamin D.
Object Type:
Thesis or Dissertation
System:
The UNT Digital Library
Hearing History: Musical Borrowing in the Percussion Ensemble Works, Duo Chopinesque and Chameleon Music
Duo Chopinesque by Michael Hennagin and Chameleon Music by Dan Welcher represent two of the most significant percussion ensemble compositions written in the last twenty years. Both works are written for the mostly mallet type of percussion ensemble wherein the keyboard instruments predominate. However, the most unique aspect of these two pieces is their use of musical quotation. Duo Chopinesque borrows Chopin's Prelude in E minor in its entirety, while Chameleon Music borrows portions from four Mozart Sonatas. This paper places each work within the history of the percussion ensemble, and in the larger history of musical quotation in the twentieth century. In addition, the compositional characteristics of both works are examined with particular emphasis on each composer's use of borrowed material from the music of Mozart and Chopin. Particular attention is paid to the relationship between quoted material and newly composed rhythmic motives.
Date:
December 1999
Creator:
Fulton, Stephen L.
Object Type:
Thesis or Dissertation
System:
The UNT Digital Library
A French music aesthetic of the eighteenth century: a translation and commentary on Michel Paul Gui de Chabanon's Musique considérée en elle-même et dans ses rapports avec la parole, les langues, la poésie, et le théâtre
This annotated translation of Chabanon's Musique considérée with accompanying analysis seeks to establish the aesthetic principles expressed in his book as a significant and independentdeparture from the musical doctrines which prevailed in eighteenth-century France.
Date:
December 1975
Creator:
Lyall, Harry Robert
Object Type:
Thesis or Dissertation
System:
The UNT Digital Library
Trained Musical Performers' and Musically Untrained College Students' Ability to Discriminate Music Instrument Timbre as a Function of Duration
The purpose of this study was to investigate the ability of trained musicians and musically untrained college students to discriminate music instrument timbre as a function of duration. Specific factors investigated were the thresholds for timbre discrimination as a function of duration, musical ensemble participation as training, and the relative discrimination abilities of vocalists and instrumentalists. Under the conditions of this study, it can be concluded that the threshold for timbre discrimination as a function of duration is at or below 20 ms. Even though trained musicians tended to discriminate timbre better than musically untrained college students, musicians cannot discriminate timbre significantly better then those subjects who have not participated in musical ensembles. Additionally, instrumentalists tended to discriminate timbre better than vocalists, but the discrimination is not significantly different. Recommendations for further research include suggestions for a timbre discrimination measurement tool that takes into consideration the multidimensionality of timbre and the relationship of timbre discrimination to timbre source, duration, pitch, and loudness.
Date:
December 1994
Creator:
Johnston, Dennis A. (Dennis Alan)
Object Type:
Thesis or Dissertation
System:
The UNT Digital Library
Keyboard Tablatures of the Mid-Seventeenth Century in the Royal Library, Copenhagen: Edition and Commentary
In the history of seventeenth-century European music the court of Christian IV (r. 1588-1648) occupies a position of prominence. Christian, eager for fame as a patron of the arts, drew to Denmark many of the musical giants of the age, among them the lutenist John Dowland and the composer Heinrich Schltz. Sadly, except for financial records and occasional letters still in the archives, few traces remain of these brilliant years in Denmark. The music composed and played during this half century has largely disappeared, most of it probably in the tragic fire of 1794 that destroyed the old Christiansborg Castle in Copenhagen and with it the court music archives. Except for the recently-discovered Clausholm Fragments, only three specimens of keyboard music from the period remain: Ny kgl. Saml. 1997 fol. (Obmaus Tablature), Gl. kgl. Saonl. 376 fol. (Copenhagen Tablature), and mu 6703.2131/6 (VoigtlaJnder Tablature). It has generally been assumed that the manuscripts were of German origin. The present study, however, demonstrates a probable Danish origin for the third, possible Danish connections for the second, and establishes that the first is of Austrian provenance. The Obmaus Tablature is an amateur's preservation of a German keyboard style already outdated. This slender manuscript, …
Date:
December 1973
Creator:
Dickinson, Alis
Object Type:
Thesis or Dissertation
System:
The UNT Digital Library
Singing the Republic: Polychoral Culture at San Marco in Venice (1550-1615)
During the late sixteenth and early seventeenth centuries, Venetian society and politics could be considered as a "polychoral culture." The imagination of the republic rested upon a shared set of social attitudes and beliefs. The political structure included several social groups that functioned as identifiable entities; republican ideologies construed them together as parts of a single harmonious whole. Venice furthermore employed notions of the republic to bolster political and religious independence, in particular from Rome. As is well known, music often contributes to the production and transmission of ideology, and polychoral music in Venice was no exception. Multi-choir music often accompanied religious and civic celebrations in the basilica of San Marco and elsewhere that emphasized the so-called "myth of Venice," the city's complex of religious beliefs and historical heritage. These myths were shared among Venetians and transformed through annual rituals into communal knowledge of the republic. Andrea and Giovanni Gabrieli and other Venetian composers wrote polychoral pieces that were structurally homologous with the imagination of the republic. Through its internal structures, polychoral music projected the local ideology of group harmony. Pieces used interaction among hierarchical choirs - their alternation in dialogue and repetition - as rhetorical means, first to create …
Date:
December 2010
Creator:
Yoshioka, Masataka
Object Type:
Thesis or Dissertation
System:
The UNT Digital Library
Playing with Expectations: Marianna Martines (1744-1812), Brilliance, and the Harpsichord Sonata in G
Marianna Martines (1744-1812) was a highly celebrated composer, singer, and keyboardist during her lifetime in Vienna, praised by such dignitaries as Dr. Charles Burney, and achieving the honor of being the first woman composer to be admitted to the Accademia Filarmonica di Bologna in 1773. She composed both large-scale and smaller works, including masses, oratorios, keyboard sonatas and concerti, cantatas, and arias. Yet today, despite a revival of interest in this important composer, she remains largely unknown and her nearly 70 surviving works remain all too underperformed. The purpose of this dissertation is to add to the existing scholarship by exploring the first movement of her Harpsichord Sonata in G Major, the last of her three extant sonatas, which is marked Allegro brillante, and is indeed a work of technical brilliance and difficulty, through various theoretical frameworks. This study demonstrates the extraordinary nature of this work by invoking classical formal theory, topic theory, with particular emphasis on the "brilliant" and "singing" styles, and the more recent feminist studies illuminating gender-coding in music. This theoretical analysis is considered against the backdrop of sociological studies examining the gender politics of Vienna and other parts of Europe during this time period. This study …
Date:
December 2022
Creator:
Soree, Nadia Bohachewsky
Object Type:
Thesis or Dissertation
System:
The UNT Digital Library
The Harmonic Interval of the Seventh in the Works of Representative Composers of Italian Madrigals, 1542-1614
This study is an attempt to shed some light on the treatment of one dissonance—the seventh—in the works of the following composers: Cipriano de Rore (1516-1565); Philippe de Monte (1521-1603); Giaches de Wert (1535-1596); Luca Marenzio (1553-1599); Carlo Gesualdo (ca. 1560-1613); and Claudio Monteverdi (1567-1643). The purpose of this thesis is to discover (1) the frequency of occurrence of primary (relatively accented) sevenths and their inversions (^ chords, etc.) in a selection of each composer's madrigals; and (2) the methods of handling sevenths employed by each composer, with particular emphasis on the relationship between these methods and sixteenth century theory.
Date:
December 1976
Creator:
Dowden, Ralph D.
Object Type:
Thesis or Dissertation
System:
The UNT Digital Library
Les Hotteterre et les Chédeville: Three Biographical Sketches in Translation
This paper traces the genealogy of the Hotteterre and the Chédeville families through a translation of three works by Jules Carlez, Ernest Thoinan, Nicolas Mauger. Carol Padgham Albrecht annotates these translations with biographical information and highlights the contributions of the instrument makers.
Date:
December 1980
Creator:
Albrecht, Carol Padgham
Object Type:
Thesis or Dissertation
System:
The UNT Digital Library
A Sensory Tour of Cape Cod: Thoreau's Transcendental Journey to Spiritual Renewal
Access:
Use of this item is restricted to the UNT Community
Predominantly darker than his other works, Cape Cod depicts Henry David Thoreau's interpretation of life as a struggle for survival and a search for salvation in a stark New England setting. Representing Thoreau's greatest test of the goodness of God and nature, the book illustrates the centrality of the subject of death to Thoreau's philosophy of life. Contending that Thoreau's journey to the Cape originated from an intensely personal transcendental impulse connected with his brother's death, this study provides the first in-depth examination of Thoreau's use of the five senses in Cape Cod to reveal both the eccentricities inherent in his relationship with nature and his method of resolving his fears of mortality. Some of the sense impressions in Cape Cod--particularly those that center around human death and those that involve tactile sensations--suggest that Thoreau sometimes tried to master his fears by subconsciously altering painful historical facts or by avoiding the type of sensual contact that aggravated the repressed guilt he suffered from his brother's death. Despite his personal idiosyncrasies, however, Thoreau persisted in his search for truth, and the written record of his journey in Cape Cod documents how his dedication to the transcendental process enabled him to surmount …
Date:
December 1999
Creator:
Talley, Sharon
Object Type:
Thesis or Dissertation
System:
The UNT Digital Library
Anabiosis: The Journal for Near-Death Studies, Volume 2, Number 2, December 1982
Semi-annual journal publishing papers related to near-death experiences, including research reports; theoretical or conceptual statements; expressions of a scientific, philosophic, religious, or historical perspective on the study of near-death experiences; cross-cultural studies; individual case histories; and personal accounts of experiences or related phenomena.
Date:
December 1982
Creator:
Greyson, Bruce
Object Type:
Journal/Magazine/Newsletter
System:
The UNT Digital Library
Mapping the Feminist Movement in Pakistani Literature: Towards a Feminist Future
In this work, I examine and analyze women representation and themes in Pakistani literature in order to explore the emergence and development of feminist thought as reflected within it, from pre-independence to present day Pakistan. One of my central arguments is that the theorization of a workable feminism in the conflictual Pakistani state depends on understanding and accounting for the socio-political, religious, and economic milieu of the country under which women live. In the following chapters, I delineate the challenges feminism in Pakistan faces in conjunction with the analysis of selected literary works to highlight the way the figure of the woman emerges in public discourse. It is through this engagement, that I demonstrate, the complexity of Pakistani feminism and its negotiations with nationalism, religion, and patriarchy to create the basis for theorizing a workable Pakistani feminist politics. Following Dipesh Chakraborty's theorization of historicism in his book, Provincializing Europe, the basic premise of this dissertation is to explore the emergence of feminist thought in Pakistani literature while keeping the changing religio-political and socio-economic realities of the country at the forefront to establish an analysis grounded in worldliness of these texts. The goal of this exploration is to theorize a feminism …
Date:
December 2022
Creator:
Aziz, Anum
Object Type:
Thesis or Dissertation
System:
The UNT Digital Library
Selected Songs for Chamber Winds and Soprano: Rediscovering a Forgotten Repertoire of John Philip Sousa
Access:
Use of this item is restricted to the UNT Community
For over one hundred years, the music-going public has reflected on the life and influence of America's “March King,” John Philip Sousa. His popularity as a bandleader was unprecedented, and his reputation as an entertainer captivated the imagination and intrigue of a nation. Sousa's fame was attained through the high standards showcased by his unparalleled concert organization, the Sousa Band. He is interminably linked to the march, and for his seventy-seven years he proved to be its prolific and outspoken champion. Sousa's songs, however, were among his favorite works, and their presence on concert programs reinforced a variety of programming that was the hallmark of his success. The Sousa Band served as a cultural and musical ambassador, and annual transcontinental tours brought music to people where they lived. Sousa's songs were highly anticipated concert features, and were presented by soprano soloists known as the “Ladies in White.” A chamber winds instrumentation, rather than employment of the full-forces of the Sousa Band, allowed for an appropriate musical balance between instruments and voice. The “Forgotten Songs of John Philip Sousa Project” involved the research, editing, and performance of songs housed in the Sousa Archives for Band Research at the University of Illinois. …
Date:
December 2001
Creator:
Hemberger, Glen J.
Object Type:
Thesis or Dissertation
System:
The UNT Digital Library
When "The Lie Becomes Truth": Four Historiographic Novels of the Twentieth Century
Access:
Use of this item is restricted to the UNT Community
This dissertation is an exploration of relationships between fiction and history as illuminated by historiographic fiction in general and the historiographic novel in particular. Here the term historiography is employed particularly in several of its many meanings: as the study of the materials and techniques of history, the study of what it means to be a historian, and the study of the philosophy of history. All of these are comprehended in the larger definition of issues pertaining to the writing of history. Four twentieth-century novels are presented and analyzed as historiographic novels. The common element in analysis of all the novels is the examination of historiographic material encoded in narrative, plot, characters, theme, structure or style. Each analysis focuses on one historiographic assumption or problem and brings in perspectives of historians or theorists of history as well as non-novelistic, critical perspectives of the authors themselves. E. M. Forster's Howards End (1910) is analyzed as an imaginative exposé of causality in historical thinking. All the King's Men by Robert Penn Warren (1946) is presented as a gloss on Isaiah Berlin's critique of Leo Tolstoy's second epilogue to War and Peace. Several essays by philosopher Eric Voegelin provide the theoretical framework for …
Date:
December 1999
Creator:
Detels, Polly Elizabeth
Object Type:
Thesis or Dissertation
System:
The UNT Digital Library
Inferring Social and Internal Context Using a Mobile Phone
This dissertation is composed of research studies that contribute to three research areas including social context-aware computing, internal context-aware computing, and human behavioral data mining. In social context-aware computing, four studies are conducted. First, mobile phone user calling behavioral patterns are characterized in forms of randomness level where relationships among them are then identified. Next, a study is conducted to investigate the relationship between the calling behavior and organizational groups. Third, a method is presented to quantitatively define mobile social closeness and social groups, which are then used to identify social group sizes and scaling ratio. Last, based on the mobile social grouping framework, the significant role of social ties in communication patterns is revealed. In internal context-aware computing, two studies are conducted where the notions of internal context are intention and situation. For intentional context, the goal is to sense the intention of the user in placing calls. A model is thus presented for predicting future calls envisaged as a call predicted list (CPL), which makes use of call history to build a probabilistic model of calling behavior. As an incoming call predictor, CPL is a list of numbers/contacts that are the most likely to be the callers within …
Date:
December 2009
Creator:
Phithakkitnukoon, Santi
Object Type:
Thesis or Dissertation
System:
The UNT Digital Library
Ontology of Avulsion: Posthuman Freedom and Accidental Becoming
Riverine avulsion is a radical divergence of a riverbed. In this dissertation, I take this movement as a paradigm for understanding the features of radical change. I develop a model for understanding the essential features of radical change. I argue that the main features involved in avulsion are tension, abandonment, and material freedom. In my analysis, tension provides the catalyst for change, such that it pressurizes complex systems of organization to the point of collapse. I use Catherine Malabou's work on denegation to understand the collapse of a system as an accident; the rupture of a system entails that it is no longer affirmed nor negated, it is abandoned by the process of becoming. Utilizing the work of Deleuze, I present the moment of rupture itself as the moment where materiality breaks free from the restrictions of an organizing system to becoming consolidated into countless new forms of organization. In my analysis of the ontology of avulsion, I employ a new materialist process of becoming to capture the complex networks of relations involved in the moment of creation. I challenge these Deleuzean and new materialist fields of philosophy over their affinity for affirmation by integrating accidental abandonment. Finally, I propose …
Date:
December 2021
Creator:
Grossman, Jacob Wayne
Object Type:
Thesis or Dissertation
System:
The UNT Digital Library
The Opened Letter: Rereading Hawthorne
The recent publication of the bulk of Hawthorne's letters has precipitated this study, which deals with Hawthorne's creative and subversive narration and his synchronic appeal to a variety of readers possessing different tastes. The author initially investigates Hawthorne's religion and demonstrate how he disguised his personal religious convictions, ambiguously using the intellectual categories of Calvinism, Unitarianism, and spiritualism to promote his own humanistic "religion." Hawthorne's appropriation of the jeremiad further illustrates his emphasis on religion and narration. Although his religion remained humanistic, he readily used the old Puritan political sermon to describe and defend his own financial hardships. That jeremiad outlook has significant implications for his art.
Date:
December 1998
Creator:
Smith, Grace Elizabeth
Object Type:
Thesis or Dissertation
System:
The UNT Digital Library
Enhanced learning performance in the middle school classroom through increased student motivation, by the use of educational software and question-based gaming technology.
The purpose of this research was to determine if the introduction of a competitive and collaborative computer-based gaming software system into middle school classrooms would result in improved attendance and grades, and motivate students to have a greater interest in their studies. This study was conducted over a 6 week period, with attendance and performance data being collected from 284 students. Two quantitative surveys were used to measure course interest and motivation: (a) the Course Interest Survey (CIS), and (b) the Instructional Materials Motivation Survey (IMMS). Participation in these surveys consisted of 84 students taking the CIS and 40 students taking the IMMS. The results indicated that the experimental group showed statistically better scores than the comparison group in attendance and performance. Students participating in the experimental group had significantly lower mean ranks of absenteeism compared to students in the comparison group. Results also revealed significant differences on grades. Students that were in the experimental group had significantly higher grades compared to students that were in the comparison group. Results of the CIS suggest that a statistically significant difference does not exist on Attention, Relevance, Confidence, and Satisfaction between the experimental and comparison groups. Results of the means and standard …
Date:
December 2006
Creator:
Dorr, David L.
Object Type:
Thesis or Dissertation
System:
The UNT Digital Library
The Literary Criticism of H. L. Mencken
The thesis of this paper is that Mencken was a better critic than he is credited with being, that he was unusually discerning in his judgment of the fiction of his time, and that his criteria are clearly stated in various of his writings. It is conceded, however, that his taste in poetry was limited and that his contribution to dramatic criticism was not? greatly significant.
Date:
December 1970
Creator:
Sellers, Stephen W.
Object Type:
Thesis or Dissertation
System:
The UNT Digital Library