The internal necessity to rediscover myself constantly drives me back to the country where I spent most of my life, Mexico. I was born and raised in the heart of the world's largest metropolis, Mexico City and through the years I have photographed in locations with important significance for Mexican culture as well as for my personal history. I reorganize and reinvent these places, and by staging models there, I construct my personal interpretation of the Mexican way of life involving the world of “manana” (tomorrow) with its “dictadura perfecta” (perfect dictatorship), where opposite and contradictory situations exist side by side. I am particularly interested in the relationship between people and their environ-ment and I use this theme as a means to explore my own identity as a Mexican. One strategy involves juxtaposing cultural signifiers of Mexican culture. My images are an examination and a projection of my ideals, fears, and dreams about my country and myself.

With this work, I investigate the mental and physical toll of the past and the dissonance that often occurs as we age through the use of experimental cameraless techniques. By placing photographic materials directly against my skin during performative acts of self-care, I document my body as I reflect on the damage it suffered as a result of my childhood as a competitive gymnast, which is being exacerbated by the effects of age and time. The resulting photographs are a poetic self-reflection on my physical form that embodies my struggle to understand and accept my deteriorating body.