This thesis is the first comprehensive description and analysis of the inflectional morphology of Mankiyali — an endangered Indo-Aryan language spoken by under 500 people in rural Mansehra District, in Khyber Pakhtunkhwa Province, Pakistan. The study primarily focuses on the morphological patterns involved in inflecting nouns, pronouns, adjectives, and verbs, and discusses the inflectional requirements in forming postpositional and adverbial phrases. With documentary efforts still in early stages and prior research focusing primarily on the phonological characteristics of the language, the study contributes to addressing the absence of linguistic materials available on this language and provides ground for further investigations.

Over the last sixty years, overtly intertextual poems with titles such as “Poem Beginning with a Line by John Ashbery” and “Poem Ending with a Line by George W. Bush” have been appearing at an increasing rate in magazines and collections. These poems wed themselves to other texts and authors in distinct ways, inviting readers to engage with poems which are, themselves, in conversation with lines from elsewhere. These poems, which I refer to as “apprompted” poems, explicitly challenge readers to investigate the intertextual conversation, and in doing so, they adopt inherent risks. My thesis will chart the various effects these poems can have for readers and the consequences they may hold for the texts from which they borrow. Literary critics such as Harold Bloom and J. H. Miller have described the act of borrowing as competitive and parasitic—“agon” is Bloom’s term for what he sees as the oedipal anxiety of poets and poets’ texts to their antecedents, but an investigation of this emerging genre in terms of linguistic pragmatics shows that apprompted poems are performing a wider range of acts in relation to their predecessors. Unlike Bloom’s theory, which interprets the impulse of poetic creation through psychoanalysis, I employ …