This paper provides a biographical tribute and analysis of the life and music of tenor saxophonist Sonny Rollins, who is known as one of the greatest jazz musicians. John Gunnar Mossblad explores the man's past, travels, and contributions.

Thesis studies the music and content of the opera La Traviata, focuses on the evolution of its heroine, Violetta Valéry. Carolyn Sue Finley traces the history behind the story and its reflection in the music.

This paper discusses the song cycle Despite and Still by Samuel Barber, created with three poems by Robert Graves, one poem by Theodore Roethke, and part of Jame Joyce's novel Ulysses. Phyllis Bush Thomas describes the feeling created by the song cycle and the compositional style of Samuel Barber.

This paper compares various editions of Carl Maria Von Weber's Grand Duo Concertant, Op. 48, with the composer's original autograph score. Catherine E. Wood discusses how well these editions retained the composer's intentions, and which edition is the most accurate.

This paper explores the lesser known songs Wolfgang Mozart composed for voice and keyboard and examines developments in harmony, melody, and style. Timothy G. Seelig traces the history of these songs, their structure and interpretation, and promotes study of the pieces.

This paper highlight the history of the German folk-song and its influence on the work of composer Johannes Brahms. Barbara Gilbert Williams discusses the rise, fall, and rival of the folk-song as an art form and how it and poetry is incorporated into Brahms's compositions.

This paper explores nine German art songs composed by Robert Alexander Schumann, songs that were solo settings of the poems of Robert Burns. Paula Shaneyfelt Spencer provides historical background to this detailed analysis of the songs.

This paper evaluates the style of four candezas written for the Beethoven Fourth Piano Concerto, Opus 58. Dennis W. Hay introduces the history of the cadenza before focusing on the works by the individual composers: Beethoven, Brahms, Medtner, and Casadesus.

This paper is addressed to the inner city and some suburban congregations seeking to express their faith through practical initiatives to revitalize their distressed communities. The paper seeks to inspire and instruct the reader with motivational stories containing illustrations of the valuable role that African-American congregations have played in stimulating economic development in their communities. The paper also shows the importance of African-Americans having some control over the flow of economic funds throughout the community. African-American churches in the inner city should undertake significant ventures in community economic development to minister to the temporal as well as the spiritual needs of their communities. This paper will demonstrate how the African-American church, with assistance from federal, state, local programs, and private concerns, can be effective in the urban revitalization.

This paper discusses the concept of "orchestral pianism" as a quality of composition that utilizes the piano's capability of imitating orchestral and vocal sounds. Patrick Widhalm explores the history of the concept, its roots, and the major composers whose writing employed this capability.

This project in lieu of thesis identifies successful methods of fundraising utilized by a sampling of three secondary theater arts programs from North Texas. Programs were evaluated on their ability to fund their programs and provide a quality arts education for their students. Guidelines for fundraising were developed that allow secondary theater programs to flourish without placing an additional burden on already overextended tax system. Findings were framed in a Marxist socio-economic context, seeking to find some relation between supply-side economics and the failure of certain communities to offer quality arts programs. Marxist philosophy, emphasizing the values of community and shared wealth, served to frame findings in the context of arts programs serving and enhancing their own communities.

The author's primary goal is to begin research leading ot the attainment of a low cost computer/music system which will allow the composer to write polyphonic music of up to eight voices into a computer through a terminal, and have the music played back by means of computer synthesized sound or by means of a conventional synthesizer controlled by a computer via digital-to-analog converters. The goal system will allow the composer to retreat and hear his product objectively as the painter steps back to review his canvas.