Scales and their Use in the Piano Music of Debussy and Ravel (open access)

Scales and their Use in the Piano Music of Debussy and Ravel

The purpose of this study is to acquaint the reader with certain scales, not merely as they are used to provide the theoretical "building stones" of all music, but as they have been used as actual scale passages in the piano music of two twentieth century composers. This is a study of the use of various scales in the piano music of Debussy and Ravel. A list of the piano music of these composers which was available for the present investigation is given in the Bibliography. A careful analysis of the music has been necessary in order to determine: First, the types of scales the composer uses; second, the interpretation of the scale in its context; third, the ways in which some scale passages are employed to help project musical thought in the composition; and fourth, the frequency of occurrence of types of scale passages.
Date: January 1952
Creator: Christensen, Elizabeth Ann
Object Type: Thesis or Dissertation
System: The UNT Digital Library

[Stan Kenton at the Music Rack]

Photograph of Stan Kenton at the Music Rack, [Cincinnati, Ohio] Moonlight Gardens. Kenton and an unidentified man (who is only partially visible) are standing behind a chair and holding up several pages of sheet music.
Date: August 26, 1952
Creator: unknown
Object Type: Photograph
System: The UNT Digital Library
The Use of Music Activities with Retarded Latin-American Children (open access)

The Use of Music Activities with Retarded Latin-American Children

The purpose of this study is to demonstrate the use of certain music activities in meeting some of the needs peculiar to a group of older, retarded Latin-American children. It is an effort to determine whether certain music activities may or may not help to give Latin-American children a more satisfying school experience and better equip them to live in the Anglo-American society of which they have become a part.
Date: August 1952
Creator: Nelson, Gwendolyn
Object Type: Thesis or Dissertation
System: The UNT Digital Library
School of Music Program Book 1951-1952 (open access)

School of Music Program Book 1951-1952

Fall/Spring performances program book from the 1951-1952 school year at the North Texas State College School of Music.
Date: 1952
Creator: North Texas State College. School of Music.
Object Type: Book
System: The UNT Digital Library
The Use of Music as a Therapeutic Agent in Connection with and as an Aid to Hospitalized Mental Patients (open access)

The Use of Music as a Therapeutic Agent in Connection with and as an Aid to Hospitalized Mental Patients

The increasing importance of music as a therapeutic benefit in mental hospitals has prompted this study. Numerous unscientific reports and papers concerned with music therapy have been published; however, material based upon controlled experiments and results is available which has proven valuable in the study of this growing aid for mental patients. The reference material in the following chapters has been organized and limited to objective reports produced by those who have devoted their interest and time to the facts about the use of music as a therapeutic agent in mental hospitals.
Date: January 1952
Creator: McClung, Marjorie C. (Marjorie Catherine)
Object Type: Thesis or Dissertation
System: The UNT Digital Library
[Account Statement for Liberty Music Shops, January, 1952] (open access)

[Account Statement for Liberty Music Shops, January, 1952]

Account statement prepared by Liberty Music Shops, Inc. for charges listing previous balance, charges, and balance due.
Date: January 1952
Creator: Liberty Music Shops, Inc.
Object Type: Text
System: The Portal to Texas History

[Card from Liberty Music Shops, Inc. to D. W. Kempner, January 29, 1952]

Postal card from Liberty Music Shops, Inc. to D. W. Kempner thanking him for his order and letting him know that it has shipped.
Date: January 29, 1952, 10:00 p.m.
Creator: Liberty Music Shops, Incorporated
Object Type: Postcard
System: The Portal to Texas History
[Letter from Daniel W. Kempner to Liberty Music Shops, Inc., January 23, 1952] (open access)

[Letter from Daniel W. Kempner to Liberty Music Shops, Inc., January 23, 1952]

Letter from Daniel W. Kempner to Liberty Music Shops, Inc. enclosing a statement regarding the Famous Duets and Stars of the Golden Age records.
Date: January 23, 1952
Creator: Kempner, Daniel W. (Daniel Webster), 1877-1956
Object Type: Letter
System: The Portal to Texas History
[Letter from Liberty Music Shops, Inc. to D. W. Kempner, February 15, 1952] (open access)

[Letter from Liberty Music Shops, Inc. to D. W. Kempner, February 15, 1952]

Letter from Liberty Music Shops, Inc. to D. W. Kempner acknowledging his previous letter about the faulty "The King and I" recording and stating that they have sent him a replacement from a new shipment.
Date: February 15, 1952
Creator: Liberty Music Shops, Incorporated
Object Type: Letter
System: The Portal to Texas History
[Letter from D. W. Kempner to Liberty Music Shops, Inc., December 3, 1952] (open access)

[Letter from D. W. Kempner to Liberty Music Shops, Inc., December 3, 1952]

Letter from D. W. Kempner to Liberty Music Shops, Inc. providing remittance for a recent order with the understanding that he will be able to return any duplicate records he discovers when he opens the package on Christmas.
Date: December 3, 1952
Creator: Kempner, Daniel W. (Daniel Webster), 1877-1956
Object Type: Letter
System: The Portal to Texas History
[Letter from D. W. Kempner to Liberty Music Shops, Inc., February 6, 1952] (open access)

[Letter from D. W. Kempner to Liberty Music Shops, Inc., February 6, 1952]

Letter from D. W. Kempner to Liberty Music Shops, Inc. returning the replacement record of "The King and I" because it was also defective. He requests one that is not defective and, if one isn't found, to refund him for the record.
Date: February 6, 1952
Creator: Kempner, Daniel W. (Daniel Webster), 1877-1956
Object Type: Letter
System: The Portal to Texas History
The Melodic Use of the Augmented Second in the Eighteenth Century (open access)

The Melodic Use of the Augmented Second in the Eighteenth Century

When a particular phase of music theory is omitted from the contents of a treatise or textbook on that subject, the omission can usually be ascribed to one of two causes. Either the omitted phase is of little importance or it is not used in the music of the period on which the treatise or textbook is based. It is the purpose of this research study to discuss a particular phase of music theory that has been omitted or avoided by numerous counterpoint and theory textbook authors. The material in the contents of this work is based on a discussion of the melodic use of the augmented second in the music of the eighteenth century.
Date: January 1952
Creator: Shipp, Clifford M. (Clifford Marion)
Object Type: Thesis or Dissertation
System: The UNT Digital Library
The History of the Trombone from the Renaissance to the Early Romantic Period (open access)

The History of the Trombone from the Renaissance to the Early Romantic Period

The purpose of this thesis is to show the development of the trombone, in form and music, and its use in the orchestra through the times of Beethoven and Schubert. Since very little material has been presented concerning the history of the trombone, it is hoped that the illustrations and explanations contained herein will be a contribution toward a representation of music from different composers and periods. The music covered gives a picture of the use of the trombone from the Renaissance through to the beginning of the Romantic Period. The results of this study are presented in three main sections: (1) The history of the trombone in the Renaissance; (2) The history of the trombone in the Baroque; (3) The history of the trombone in the Classical Period, and up to the time of Schubert.
Date: August 1952
Creator: Highfill, Richard
Object Type: Thesis or Dissertation
System: The UNT Digital Library
A Study of the Fugal Writing of Paul Hindemith (open access)

A Study of the Fugal Writing of Paul Hindemith

Paul Hindemith's compositions are, for the most part, contrapuntal; and since the construction of such a traditionally contrapuntal medium as the fugue was brought to such a high degree of musical expression in the fugal writing of J. S. Bach, it is the purpose of this thesis to compare Hindemith's fugal style with the standard set by J. S. Bach.
Date: August 1952
Creator: Cody, Robert O. (Robert Oswald), 1928-
Object Type: Thesis or Dissertation
System: The UNT Digital Library
Graphite development pile graphite technical activities report June 1952 (open access)

Graphite development pile graphite technical activities report June 1952

Graphite burnout and chemical studies include: carbon dioxide - graphite reaction, controlled gas atmospheres, cyclotron irradiation, graphite - carbon dioxide - helium reaction kinetics. Physical properties studies include: hot test hole irradiation, surface studies, stored energy, physical expansion annealing. The experimental graphite program is discussed to include thermal conductivity and thermal expansion measurements. Also reported are: pile sampling, thermal conductivity of gases, irradiations in the MTR at Arco, in-pile controlled atmosphere program, heat generation in graphite, induction heater, mechanical properties programs and damage mechanism studies.
Date: July 10, 1952
Creator: Music, J. F. & Zuhr, H. F.
Object Type: Report
System: The UNT Digital Library
Technical activities report - July 1952 graphite development - pile graphite (open access)

Technical activities report - July 1952 graphite development - pile graphite

Physical data are presented for transverse CSF samples with capsule exposures of 568, 1049, and 1617 MD/CT. The higher exposures indicate a sharper damage gradient toward the front of the pile. Additional casings of various types of graphite were loaded into test holes during this month. Average values of the thermal conductivity and electrical resistivity for several types of virgin graphites are presented. Data of this nature will be a regular portion of this report henceforth. Process tube channel 2677-H was mined and traversed for bore diameter. Although several of the tube block junctions were obscured, the channel was quite uniform. Examination of all previously mined graphite powder samples for aluminum oxide corrosion product has been completed and the results are reported.
Date: August 11, 1952
Creator: Music, J. F. & Zuhr, H. F.
Object Type: Report
System: The UNT Digital Library
The Piano Style of Maurice Ravel (open access)

The Piano Style of Maurice Ravel

The purpose of this thesis is to discuss the piano style of Maurice Ravel, including his musical style and influences of other composers on his piano works.
Date: May 1952
Creator: Roberts, Jack Lundy, 1931-
Object Type: Thesis or Dissertation
System: The UNT Digital Library

[Photograph of Laboratory Dance Band Performing on Stage]

Photograph of the 1952-1953 North Texas State College Laboratory Dance Band performing on a stage. On the left side of the photo, three rows of tuxedo-clad young men sit behind music desks and play their (primarily brass) instruments. The statue of an eagle can be seen above them, and sparkling letters that spell "rolic" can be seen above the statue. Downstage, three men huddle by two microphones singing together as the man in the middle plays a guitar.
Date: 1952
Creator: unknown
Object Type: Photograph
System: The UNT Digital Library

[Photograph of Laboratory Dance Band Performing at "Jazz Frolic"]

Photograph of the North Texas State College Laboratory Dance Band performing on stage. Three rows of male performers are arranged on stage, with many of the men sitting and playing their brass instruments. Four trombonists stand in the back, and Gene Hall stands while playing saxophone on the lower left. Behind the men stands a metallic eagle statue, as well as a curtain that has been festooned with glittering letters that spell out "Jazz Frolic." In front of them are two microphone stands.
Date: 1952
Creator: unknown
Object Type: Photograph
System: The UNT Digital Library
The Treatment of the Harp in Orchestral Literature from the Eighteenth Century to the Present (open access)

The Treatment of the Harp in Orchestral Literature from the Eighteenth Century to the Present

When one realizes how little the harp of the 1700's had advanced from its Biblical predecessors, its neglect by such masters as Bach, Haydn, and Beethoven does not seem remarkable. Why should a serious composer waste his time in writing for an instrument with no facilities for modulating, an instrument the weak tones of which would be lost in an orchestra?
Date: January 1952
Creator: Harvey, Anita Tsianina
Object Type: Thesis or Dissertation
System: The UNT Digital Library
A Comparative Study of the Harmonic Equipment and Formal Features in the String Quartets by Claude Debussy and Maurice Ravel (open access)

A Comparative Study of the Harmonic Equipment and Formal Features in the String Quartets by Claude Debussy and Maurice Ravel

This thesis proposes to determine the construction of the two string quartets and to reveal through the study of the quartets the similarities and contrasts of the creative musical characteristics of Debussy and Ravel.
Date: August 1952
Creator: Jenkins, Robert E. (Robert Eugene),1929-
Object Type: Thesis or Dissertation
System: The UNT Digital Library
The French Ballet De Cour and Its Predecessors, 1400-1650 (open access)

The French Ballet De Cour and Its Predecessors, 1400-1650

A study of the historical development of the origins of ballet in Italy and France during the fifteenth and sixteenth centuries. Specifically focuses on the ballet-comique de la reine and the ballet de cour.
Date: January 1952
Creator: Bice, John Arch
Object Type: Thesis or Dissertation
System: The UNT Digital Library

[Photograph of Gene Hall and the Laboratory Dance Band Performing on Stage]

Photograph of Gene Hall and the Laboratory Dance Band performing on a stage. The band is playing a variety of instruments on an inclined platform. Behind them rises a metallic statue of an eagle and a curtain bearing sparkly letters. The one clearly visible word on the curtain is "frolic."
Date: 1952
Creator: unknown
Object Type: Photograph
System: The UNT Digital Library
[Letter from John J. Herrera to Jesse Gonzalez - 1952-11-06] (open access)

[Letter from John J. Herrera to Jesse Gonzalez - 1952-11-06]

Onionskin paper carbon copy of letter from John J. Herrera, LULAC National President, to Jesse Gonzalez of San Antonio, Texas dated November 6, 1952. Inquiry regarding hiring Gonzalez's band to play for a LULAC benefit dance in Houston during December 1952.
Date: November 6, 1952
Creator: Herrera, John J.
Object Type: Letter
System: The Portal to Texas History