Photograph of a performance by the One O'Clock Lab Band during the Next Generation Jazz Festival in Monterey, California. This photo shows the College of Music Jazz Studies booth including a table and two standing banners to promote the university's program. The rectangular table in the center of the image shows a green UNT tablecloth with the College of Music logo in white letters. Fliers, pamphlets, a laptop, and a sign are shown on top of the table. The two standing banners on both sides of the table are about 6 feet tall and contain the same title on the top portion that reads "University of North Texas College of Music Jazz Studies." Both banners also have large images, including one of Alan Baylock with the One O'Clock Lab Band, and descriptions of the jazz program.

Photograph of a performance by the One O'Clock Jazz Band outside at the Stanton Center in Monterey, California. The performance took place during the museum's Dali17 exhibit, and signage for the exhibit can be seen on the building in some photographs.

Photograph of a performance by the One O'Clock Jazz Band outside at the Stanton Center in Monterey, California. The performance took place during the museum's Dali17 exhibit, and signage for the exhibit can be seen on the building in some photographs.

Photograph of a performance by the One O'Clock Lab Band during the Next Generation Jazz Festival at the Golden State Theatre in Monterey, California.

Photograph of a performance by the One O'Clock Lab Band during the Next Generation Jazz Festival in Monterey, California. This photo shows a pianist and a percussionist seated and practicing. The piano and pianist are behind the percussionist. The large drum on the set shows a black and white outlined picture of a saxophone resting on a a Victorian style chair and has texts that reads "Yamaha...Monterey Jazz Festival."

Photograph of a performance by the One O'Clock Jazz Band outside at the Stanton Center in Monterey, California. The performance took place during the museum's Dali17 exhibit, and signage for the exhibit can be seen on the building in some photographs.

Photograph of a performance by the One O'Clock Jazz Band outside at the Stanton Center in Monterey, California. The performance took place during the museum's Dali17 exhibit, and signage for the exhibit can be seen on the building in some photographs.

Photograph of a performance by the One O'Clock Jazz Band outside at the Stanton Center in Monterey, California. The performance took place during the museum's Dali17 exhibit, and signage for the exhibit can be seen on the building in some photographs.

Photograph of a performance by the One O'Clock Lab Band during the Next Generation Jazz Festival at the Golden State Theatre in Monterey, California.

Photograph of a performance by the One O'Clock Lab Band during the Next Generation Jazz Festival in Monterey, California. This photo shows One O'Clock Lab Band Director Alan Bayloc on the left side and middle ground of the image speaking to the band. The band members are all seated in a circle with additional rows from the first row. Some band members are recognizable int he background of the image, but the band members in the foreground of the image have their backs turned to the camera.

The National Museum of the Pacific War presents an oral interview with Cornelius D. Wiens. Wiens grew up in Montana and Kansas and was drafted into the Army in 1944. After completing training, he departed about the Sea Snipe for the Philippines. His first landing was at Leyte, where he remained fighting for three months. He describes coming to land on the small landing craft. From Leyte he went to Negros, then Masbate, and finally Mindanao. He describes the Japanese soldiers who were unwilling to surrender. After Japan's surrender he also spent time in Korea as a radio operator.

Interview with Elsie Mona Guthrie Kullenberg, a Texan Hill Country native from Kerrville, Texas. Mrs. Kullenberg's daughter, Lois Kullenberg Hulse. Mrs. Kullenberg discusses her upbringing, her marriage to Upton Kullenberg, coming to Kerrville, the various businesses she and her husband ran, and driving a Model T.

Sound recording of T. Harry Williams speaking at Plenary Session 5 at the 1970 Oral History Colloquium at the Asilomar Conference center in Pacific Grove, California.