Paper on the factors that affected of alternative popular music in Recife, Brazil. The contrasts between the discourses of bands, producers, and patrons reflect larger tensions in the Recife alternative music scene, which in turn point towards ruptures in the relationship between mainstream and alternative cultural production in Brazil.

This paper explains how alternative music communicates a contemporary regional identity in Northeast Brazil, is affected by cultural politics, and circulates within the musical market, in order to show how the perceived demands of globalization, such as the need to consume the products of the global entertainment industry, intersect with the dynamics of a regional music community. It was presented at the 46th Annual Meeting of the Society for Ethnomusicology held in Detroit, Michigan on October 25-28, 2001.

The career of Osvaldo Lacerda (1927-2011) spanned a critical time in the development of Brazilian nationalist music. Though he was an outspoken nationalist composer, he was also influenced by European trends and training. Even within his nationalist compositions, evidence of a shift in style that mirrors the European movements of Modernism and Postmodernism is found in his works. Among his thirty-six chamber works, three are wind quintets, written between 1962 and 1997. Although all three works warrant extended discussion, Variações e Fuga para quinteto de sopros is particularly valuable for studying Lacerda's musical language. It was originally written in 1962. However, Lacerda made significant revisions in 1994, completely rewriting and expanding it. Through comparing the 1962 and 1994 versions of Variações e Fuga and analyzing the significant differences between the two, this document aims show that even with his strong stance as a Brazilian nationalist composer, Lacerda was clearly influenced by the movements of the broader music world. Examples from his other two woodwind quintets, Quinteto de sopro and Suíte pra cinco, written in 1988 and 1997 respectively, help to support the idea that this change in his musical language was not an anomaly, but rather a true evolution of …

Video recording of interview with John Murphy, UNT professor of jazz studies. Murphy discusses his youth in Baltimore, Maryland, during the 1960s and 1970s including his music education at Baltimore County Public Schools, and the musical influence of the Left Bank Jazz Society; His experience as a UNT student in the jazz studies and music theory programs (1981-1986); playing saxophone in the One O’clock Lab Band and at venues around Denton; His research as an ethnomusicologist studying Cuban and Brazilian music and work as a professor at Western Illinois University (1992-2001) then the University of North Texas (2001-2020) where he served in faculty and administrative roles to further develop the jazz studies program and help preserve the program’s history.

This paper focuses on music trends in Recife, Brazil in 2000-01. It explores how alternative music communicates a contemporary regional identity in Northeast Brazil, is affected by cultural politics, and circulates within the musical market, in order to show how the perceived demands of globalization, such as the need to consume the products of the global entertainment industry, intersect with the dynamics of a regional music community. It was presented at the first Associação Brasileira de Etnomusicologia conference held in Recife in November 2002.

This essay explores the author's perspective of Mangue Beat and popular culture. The discussion of popular culture focuses on the musical aspects of popular culture, especially those he experienced during his time living in Recife, Brazil from 1990-91. It includes a translation into Brazilian Portuguese by André Curiati de Paula Bueno.

Second page of schedule for the Primeiro Festival Internacional de Jazz de São Paulo, for September 13, 1978.

Schedule for the Primeiro Festival Internacional de Jazz de São Paulo, for September 12, 1978.

Schedule for the Primeiro Festival Internacional de Jazz de São Paulo, for September 15, 1978.

Schedule for the Primeiro Festival Internacional de Jazz de São Paulo, for September 16, 1978.

Maps and logistical information for the Primeiro Festival Internacional de Jazz de São Paulo in September of 1978.

Official program for the Primeiro Festival Internacional de Jazz de São Paulo, for September 9-15, 1978.

Program for the Primeiro Festival Internacional de Jazz de São Paulo, for September 16-18, 1978.

Schedule for the Primeiro Festival Internacional de Jazz de São Paulo, for September 9, 1978.

Schedule for the Primeiro Festival Internacional de Jazz de São Paulo, for September 11, 1978.

Schedule for the Primeiro Festival Internacional de Jazz de São Paulo, for September 14, 1978.

Schedule for the Primeiro Festival Internacional de Jazz de São Paulo, for September 17, 1978.

Alberto Nepomuceno (1864-1920) is considered to be the father of the Brazilian art song. With a total of seventy songs, Nepomuceno revolutionized and established a new path to the Brazilian art song. His songs were innovative because they: (1) incorporated folk elements in his songs, (2) introduced Portuguese as a language acceptable in bel canto style and (3) established Brazilian songs in the tradition of the European vanguard. His approach influenced several composers including his young student Heitor Villa-Lobos (1887-1959), one of the most significant Latin American composers. The purpose of this research is to inform singers and teachers about one of Brazil's most significant art song composers, and to provide the necessary tools--Brazilian Portuguese diction guide, IPA and poem translations of the selected songs--for effective and accurate performances and interpretations.

Video footage promoting the Dance Africa Chicago yearly dance performance event. The video shows footage of cultural dancing, clothing, and individuals speaking about the event and its role in the community. The tape shows footage from past years' themes and educational materials provided by the organization. The tape was provided by The Black Academy of Arts and Letters.

Elizabeth Bishop (1911–1979), one of the foremost modern American poets, lived in Brasil during seventeen-odd years beginning in 1951. During this time she composed the poetry collection Questions of Travel, stand-alone poems, and fragments as well as prose pieces and translations. This study builds on the work of critics such as Brett Millier and Lorrie Goldensohn who have covered Bishop’s poetry during her Brasil years. However, most American critics have lacked expertise in both Brasilian culture and the Portuguese language that influenced Bishop’s poetry. Since 2000, in contrast, Brasilian critic Paulo Henriques Britto has explored issues of translating Bishop’s poetry into Portuguese, while Maria Lúcia Martins and Regina Przybycien have examined Bishop’s Brasil poems from a Brasilian perspective. However, American and Brasilian scholars have yet to recognize Bishop’s journey of acculturation as displayed through her poetry chronologically or the importance of her belated reception by Brasilian literary and popular culture. This study argues that Bishop’s Brasil poetry reveals her gradual transformation from a tourist outsider to a cultural insider through her encounters with Brasilian history, culture, language, and politics. It encompasses Bishop’s published and unpublished Brasil poetry, including drafts from the Elizabeth Bishop Papers at Vassar College. On a secondary …

Monthly publication of the Continental Air Command containing articles of interest to intelligence officers in the Air Force Reserve. This issue includes articles on Rumania, China, Brazil, Asian Economies, The Colombo Plan, and the Soviet army.

Paper discusses the relationship between racism and social trust in Brazil.

Magazine of the United Nations Environment Programme discussing worldwide environmental policies and other concerns. This issue is devoted to forestry, deforestation, and the sustainable use of forest products.

Script from the WBAP-TV/NBC station in Fort Worth, Texas, relating a news story.