This paper discusses research on Francisco de Goya's series Los Caprichos. A semiotic analysis of Francisco de Goya's prints 'Todos Caeran' and 'Devota Profesion' examines how Goya modifies the medieval iconography of the siren, the owl, and the ass to embody immoral aspects of contemporary Spanish society.

Presentation for the 2011 University Scholars Day at the University of North Texas discussing research on Francisco de Goya and his artistically recorded evolving definitions of madness that preoccupied the eighteenth-century.

Text component of a doctoral dissertation, which references the full dissertation content in a multi-media web-based format. It includes a background statement, acknowledgements section, printed navigation guide and site map for the website, and a full list of references.

This paper discusses Francisco de Goya. Employing Foucault's discourse to specific works reveals Goya's ability to represent visually the fundamental tension between Romantic and Classical ideas, especially the ambiguous line between reason and madness.

Paper discusses the 1937 National Socialist exhibition “Entartete Kunst,” (Degenerate Art) and the ways it influenced the German public’s perceptions of the art displayed, as well as the cultural memory of modern art in general.

Paper explores refugee representations in the 1950s of non-western/World War II in American media, specifically “smaller circulation” media - local newspapers, academic studies, and governmental documents.