Recording of Frank Niehusmann's Untertagemusik Nr.1. The sounds used in this work were recorded in an underground mine, which was inspired by the composers birthplace: the Ruhr area in Germany. Along with the underground sounds, there are also fragments of synthesized sounds programmed by the composer.

Guest composer recital performed at the UNT College of Music Recital Hall.

Recording of René Uijlenhoet's Vorst aan de Grond. This is a work for two carillons, ringing bells, and two audio tracks. It was commissioned by the Utrechtse Klokkenspel Vereniging and dedicated to carilloneurs Arie Abbenes and Geert d'Hollander. This composition represents the history and significance of the connection between carillons/bells and Charles V, however the composer notes that it is not the monarch that is being honored but the eternal beauty of church bells.

Ensemble performance at the UNT College of Music.

Faculty recital performed at the UNT College of Music.

Concert presented at the UNT College of Music.

Ensemble performance at the UNT College of Music.

Ensemble performance at the UNT College of Music.

Concert presented at the UNT College of Music.

Recording of Michele Biasutti's Deep Sea. The work is a sound trip in the sea’s depths. The aim is transforming the sea sound events, proposing other ways of listening. Starting with the sea sound events, the piece would stimulate human abilities to discover imaginary sea soundscapes, with tracks that people can find in collective memory. The water sounds have a great symbolic value, since all humankind experienced living in the amniotic liquid. The water elements were used to enter in the collective memory’s dimension, transforming the timbres from sound to noise. All the sound material used in the piece was derived from sea sounds. The sea sounds were signal-processed by computer with elaboration such as pitch shift, stretching, filtering and distortion. In this way, the sea sounds became hardly recognizable. The formal development of Deep Sea follows psychological principles, considering the perceptive thresholds for stretching. Elaborations in the low register and polyrhythmic crescendos were used. The composition proposes a new semantic dimension of the water sounds, utilizing a perceptive game between the new framework and the memory’s abilities evoking the original sounds. The premiere performance of Deep Sea was given at ACMC 2000, Interfaces, at Queensland University of Technology in …

Concert presented at the Lyric Theater at the Murchison Performing Arts Center.

Ensemble concert performed at UNT College of Music Recital Hall.

Ensemble concert performed at the UNT College of Music.

Concert presented at the UNT College of Music Kenton Hall.

Ensemble performance at the UNT College of Music.

Concert presented at the UNT College of Music Kenton Hall.

Concert presented at Winspear Hall at the Murchison Performing Arts Center.

Concert presented at the UNT College of Music.

Recording of Manuel Rocha Iturbide's Rebicycling. The idea for this work was inspired by the observance of the thousands of bicycles that are used and abandoned within cities, specifically Tokyo, Japan. The composer makes a statement regarding first-world countries and their habit of consuming in excess and throwing things away that would be reused or fixed in less developed countries. This work was originally developed as a sound installation in SURGE gallery but has been converted to something that can be played in a concert setting with a 4-channel system.

Recording of Edgardo Hugo Martinez's Ciudades desiertas. The title of this work translates to "Deserted cities" and is a sonic image that reflects the solitude of what could be habitants of a future city.

Recording of Agnés Poisson's Peut-être. This is a work for electronics. The composer describes this work in an interpretive way and speaks on the space between doubt and possibility.

Recording of Adolfo Núñez's Musica desde la Imagen. This piece was composed by translating the gestures of paintings by Eduardo Bonati. These gestures were applied to a rough sound material and to several fragments of the composers work "Jurel".

Recording of Pavel Kopecký's Fix Focus. This work is a suite for electroacoustic sound and includes three short musical movements: fugato, dance, and final. The composer also separates the work into two sections: 1. Misterioso con affetto and 2. Presto inkalzando, Ben ritmico, Poco agitato.

Recording of Daniel Schachter's Lineas y puntos de otro tiempo. This work was inspired by the idea of a new millennium and everything that comes with that. The title refers to basic elements that are always present at the beginning of a new era without any human intervention. The final mixing of this piece was done with Digidesign Session8 system, an 882 I/O audio interface and Session8 software.