Frank Reaugh (1860–1945; pronounced “Ray”) was called “the Dean of Texas artists” for good reason. His pastels documented the wide-open spaces of the West as they were vanishing in the late nineteenth century, and his plein air techniques influenced generations of artists. His students include a “Who’s Who” of twentieth-century Texas painters: Alexandre Hogue, Reveau Bassett, and Lucretia Coke, among others. He was an advocate of painting by observation, and encouraged his students to do the same by organizing legendary sketch trips to West Texas. Reaugh also earned the title of Renaissance man by inventing a portable easel that allowed him to paint in high winds, and developing a formula for pastels, which he marketed. A founder of the Dallas Art Society, which became the Dallas Museum of Art, Reaugh was central to Dallas and Oak Cliff artistic circles for many years until infighting and politics drove him out of fashion. He died isolated and poor in 1945. The last decade has seen a resurgence of interest in Reaugh, through gallery shows, exhibitions, and a recent documentary. Despite his importance and this growing public profile, however, Rounded Up in Glory is the first full-length biography. Michael Grauer argues for Reaugh’s …

Bernard A. Booker, wry old Maine codger and unofficial mayor of Ell Pond, is the subject of Booker’s Point, an oral history-inspired portrait-in-verse. Weaving storytelling, natural history, and the poetry of place, the collection evokes the sensibility of rural New England and the pleasures of a good story.

Texan Identities rests on the assumption that Texas has distinctive identities that define “what it means to be Texan,” and that these identities flow from myth and memory. What constitutes a Texas identity and how may such change over time? What myths, memories, and fallacies contribute to making a Texas identity? Are all the myths and memories that define Texas identity true or are some of them fallacious? Is there more than one Texas identity? The discussion begins with the idealized narrative and icons revolving around the Texas Revolution, most especially the Alamo. The Texas Rangers in myth and memory are also explored. Other essays expand on traditional and increasingly outdated interpretations of the Anglo-American myth of Texas by considering little known roles played by women, racial minorities, and specific stereotypes such as the cattleman. The contents include: Texan identities / Light Townsend Cummins and Mary L. Scheer -- Line in the sand, lines on the soul / Stephen L. Hardin -- Unequal citizens / Mary L. Scheer -- The Texas Rangers in myth and memory / Jody Edward Ginn -- On becoming Texans / Kay Goldman -- Ethel Tunstall Drought / Light Townsend Cummins -- W. W. Jones of …

Captain Frank Jones, a famed nineteenth-century Texas Ranger, said of his company’s top sergeant, Baz Outlaw (1854-1894), “A man of unusual courage and coolness and in a close place is worth two or three ordinary men.” Another old-time Texas Ranger declared that Baz Outlaw “was one of the worst and most dangerous” because “he never knew what fear was.” But not all thought so highly of him. In Whiskey River Ranger, Bob Alexander tells for the first time the full story of this troubled Texas Ranger and his losing battle with alcoholism. In his career Baz Outlaw wore a badge as a Texas Ranger and also as a Deputy U.S. Marshal. He could be a fearless and crackerjack lawman, as well as an unmanageable manic. Although Baz Outlaw’s badge-wearing career was sometimes heroically creditable, at other times his self-induced nightmarish imbroglios teased and tested Texas Ranger management’s resoluteness. Baz Outlaw’s true-life story is jam-packed with fellows owning well-known names, including Texas Rangers, city marshals, sheriffs, and steely-eyed mean-spirited miscreants. Baz Outlaw’s tale is complete with horseback chases, explosive train robberies, vigilante justice (or injustice), nighttime ambushes and bushwhacking, and episodes of scorching six-shooter finality. Baz met his end in a …

WASP of the Ferry Command is the story of the women ferry pilots who flew more than nine million miles in 72 different aircraft—115,000 pilot hours—for the Ferrying Division, Air Transport Command, during World War II. In the spring of 1942, Col. William H. Tunner lacked sufficient male pilots to move vital trainer aircraft from the factory to the training fields. Nancy Love found 28 experienced women pilots who could do the job. They, along with graduates of the Army’s flight training school for women—established by Jacqueline Cochran—performed this duty until fall 1943, when manufacture of trainers ceased. In December 1943 the women ferry pilots went back to school to learn to fly high-performance WWII fighters, known as pursuits. By January 1944 they began delivering high performance P-51s, 47s, and 39s. Prior to D-Day and beyond, P-51s were crucial to the air war over Germany. They had the range to escort B-17s and B-24s from England to Berlin and back on bombing raids that ultimately brought down the German Reich. Getting those pursuits to the docks in New Jersey for shipment abroad became these women’s primary job. Ultimately, more than one hundred WASP pursuit pilots were engaged in this vital …

Historical description of military operations organized into eight chapters covering frontier Texas: [1] Tribal Warfare of Colonial Tejas, 1822-1835, [2] The War for Texian Independence, 1835-1836, [3] Conflicts of the Early Texas Republic, 1836-1838, [4] Conflicts of the Middle Texas Republic, 1838-1840, [5] Conflicts of the Late Texas Republic, 1841-1845, [6] The Mexican-American War, 1846-1848, [7] Conflicts of Antebellum Texas, 1846-1861, and [8] The War for Confederate Independence, 1861-1865. Index starts on page 393.

Convict Cowboys is the first book on the nation’s first prison rodeo, which ran from 1931 to 1986. At its apogee the Texas Prison Rodeo drew 30,000 spectators on October Sundays. Mitchel P. Roth portrays the Texas Prison Rodeo against a backdrop of Texas history, covering the history of rodeo, the prison system, and convict leasing, as well as important figures in Texas penology including Marshall Lee Simmons, O.B. Ellis, and George J. Beto, and the changing prison demimonde. Over the years the rodeo arena not only boasted death-defying entertainment that would make professional cowboys think twice, but featured a virtual who’s who of American popular culture. Readers will be treated to stories about numerous American and Texas folk heroes, including Western film stars ranging from Tom Mix to John Wayne, and music legends such as Johnny Cash and Willie Nelson. Through extensive archival research Roth introduces readers to the convict cowboys in both the rodeo arena and behind prison walls, giving voice to a legion of previously forgotten inmate cowboys who risked life and limb for a few dollars and the applause of free-world crowds. The contents include: Texas prisons: a pattern of neglect -- A cowboy's a man …