This study focuses on the development of water resources in the Trinity River basin for navigation, flood control, water supply, recreation, and allied purposes. Special emphasis is given to the development of the upper Trinity River basin through the influence of community leaders in Dallas and Fort Worth. A desire harbored for generations by upper basin residents for creating a navigable waterway on the Trinity River coalesced in the twentieth century into a well organized movement for all facets of water resources development. Sources include correspondence, speeches, and promotional materials of civic leaders, politicians, and other citizens, as well as works by the United States Army Corps of Engineers.

Jane Maria Eliza McManus, born near Troy, New York, educated at Emma Willard's Troy Female Seminary, promoted the American maritime frontier and wrote on Mexican, Central American, and Caribbean affairs. Called a "terror with her pen," under the pen name of Cora Montgomery, she published 100 columns in 6 newspapers, 20 journal articles and book reviews, 15 books and pamphlets, and edited 5 newspapers and journals between 1839 and 1878.

The Western settlement era is only one part of United States national history, but for many Americans it remains the most significant cultural influence. Conversely, the settlement of Canada's western territory is generally treated as a significant phase of national development, but not the defining phase. Because both nations view the frontier experience differently, they also have distinct perceptions of the role violence played in the settlement process, distinctions reflected in the historical record, literature, and films of each country. This study will look at the historical evidence and works of the imagination for both the American and Canadian frontier experience, focusing on the years between 1870 and 1930, and will examine the part that violence played in the development of each national character. The discussion will also illustrate the difference between the historical reality and the mythic version portrayed in popular literature and films by demonstrating the effects of the depiction of violence on the perception of American and Canadian history.