Volume of "a collection of essays by contemporary folklorists who are writing about the customs and traditions and the songs and the stories that are going on now" (inside the front cover). It includes information about the folklore of cowboys, rodeos, chain letters and marijuana, as well as information about country, swing and gospel music. Index begins on page 301.

Lonnie Johnson (1894–1970) was a virtuoso guitarist who influenced generations of musicians from Django Reinhardt to Eric Clapton to Bill Wyman and especially B. B. King. Born in New Orleans, he began playing violin and guitar in his father’s band at an early age. When most of his family was wiped out by the 1918 flu epidemic, he and his surviving brother moved to St. Louis, where he won a blues contest that included a recording contract. His career was launched. Johnson can be heard on many Duke Ellington and Louis Armstrong records, including the latter’s famous “Savoy Blues” with the Hot Five. He is perhaps best known for his 12-string guitar solos and his ground-breaking recordings with the white guitarist Eddie Lang in the late 1920s. After World War II he began playing rhythm and blues and continued to record and tour until his death. This is the first full-length work on Johnson. Dean Alger answers many biographical mysteries, including how many members of Johnson’s large family were left after the epidemic. He also places Johnson and his musical contemporaries in the context of American race relations and argues for the importance of music in the fight for civil …

Book describing the history of the U.S. Navy facility at Indian Head, Maryland, which researches, develops, tests, and evaluates chemical compounds used in gun and rocket propellants as well as cockpit ejection seats. "It is the story of how an institution adapted to changes in military technology, the individuals who shaped it, and the heritage they built" (front cover flap).

Series of fictional stories and commentaries about sports in the United States and how they affect individuals and communities.

Historical account of musicians in Texas, grouped by region, describing "underappreciated" artists as well as some famous artists. Each chapter provides anecdotes and biographical information about an artist or musical group. Index starts on page 299.

The AEF in Print is an anthology that tells the story of U.S. involvement in World War I through newspaper and magazine articles—precisely how the American public experienced the Great War. From April 1917 to November 1918, Americans followed the war in their local newspapers and popular magazines. The book’s chapters are organized chronologically: Mobilization, Arrival in Europe, Learning to Fight, American Firsts, Battles, and the Armistice. Also included are topical chapters, such as At Sea, In the Air, In the Trenches, Wounded Warriors, and Heroes. “Some of these stories are real gems. Irving Cobb’s account of the sinking of the SS Tuscania, for example, is absolutely riveting, and the same can be said of William Shepherd’s description of life aboard US Navy destroyers in the Atlantic, Floyd Gibbons’s narration of his wounding at Belleau Wood, and George Pattullo’s roll-out of the Sergeant York legend.” —Steven Trout, author of On the Battlefield of Memory: The First World War and American Remembrance. “The well-written and evocative articles bring the war to life.” —Jennifer Keene, author of Doughboys, the Great War, and the Remaking of America.

In 1944 and 1945, Tom Faulkner was a B-24 pilot flying out of San Giovanni airfield in Italy as a member of the 15th Air Force of the U.S. Army Air Forces. Only 19 years old when he completed his 28th and last mission, Tom was one of the youngest bomber pilots to serve in the U.S. Army Air Forces during World War II. Between September 1944 and the end of February 1945, he flew against targets in Hungary, Germany, Italy, Austria, and Yugoslavia. On Tom’s last mission against the marshalling yards at Augsburg, Germany, his plane was severely damaged, and he had to fly to Switzerland where he and his crew were interned. The 15th Air Force generally has been overshadowed by works on the 8th Air Force based in England. Faulkner’s memoir helps fill an important void by providing a first-hand account of a pilot and his crew during the waning months of the war, as well as a description of his experiences before his military service. David L. Snead has edited the memoir and provided annotations and corroboration for the various missions.

When an unwed pregnant woman is pressured to get married by her boyfriend, parents, and the entire culture around her, she sees a feverish intensity emanating from the path to domesticity, a “paved path shaded by thick-trunked trees, lined with trim grass and manicured mansions, where miniature houses play mailboxes and animals play lawn ornaments and people play happiness.” Jessica Hollander’s debut collection exposes a culture that glorifies and disparages traditional domesticity, where people’s confusion, apathy, and anxiety about the institutions of marriage and family often drive them to self-destruction. The world in Hollander’s nineteen stories appears at once familiar and vividly unsettling, with undercurrents of anger and violence attached to everyday objects and spaces: a pink room is “a woman exploded,” home smells “of laundered clothes and gas from the grill,” and the sun “is so bright the sky fills with over-exposure, wilting the corners to orange, to red, to black.” Here people adopt extreme and erratic behavior: hack at furniture, have affairs with high school students, fantasize about sex with “monsters,” laden flower bouquets with messages of hate; but these self-destructive acts and fantasies feel strangely like a form of growth or enlightenment, or at least the only …

Over twenty years ago, in a small Israeli town, a desperate mother told a remarkable lie. She told her friends and family that her newborn child had died. That lie became the catalyst for the unfolding truth of the adoption of that same baby—Michael —who is, in fact, very much alive and now twenty-two years old. He also has Down syndrome. When Kathryn Hulings adopted Michael as an infant, she could not have known that he would save her life when she became gravely ill and was left forever physically compromised. Her story delights in how Michael’s life and hers, while both marked by difference and challenge, are forever intertwined in celebration and laughter. With candor and a sense of humor, Life With a Superhero wraps itself around the raucous joy of Michael’s existence with his four older siblings who play hard and love big; how Kathryn and her husband, Jim, utilize unconventional techniques in raising kids; the romance between Michael and his fiancée, Casey; the power of dance in Michael's life as an equalizing and enthralling force; the staggering potential and creativity of those who are differently-abled; and the mind-blowing politics of how Kathryn navigated school systems and societal …

Classic Keys is a beautifully photographed and illustrated book focusing on the signature rock keyboard sounds of the 1950s to the early 1980s. It celebrates the Hammond B-3 organ, Rhodes and Wurlitzer electric pianos, the Vox Continental and Farfisa combo organs, the Hohner Clavinet, the Mellotron, the Minimoog and other famous and collectable instruments. From the earliest days of rock music, the role of keyboards has grown dramatically. Advancements in electronics created a crescendo of musical invention. In the thirty short years between 1950 and 1980, the rock keyboard went from being whatever down-on-its-luck piano awaited a band in a bar or concert hall to a portable digital orchestra. It made keyboards a centerpiece of the sound of many top rock bands, and a handful of them became icons of both sound and design. Their sounds live on: Digitally, in the memory chips of modern keyboards, and in their original form thanks to a growing group of musicians and collectors of many ages and nationalities. Classic Keys explores the sound, lore, and technology of these iconic instruments, including their place in the historical development of keyboard instruments, music, and the international keyboard instrument industry. Twelve significant instruments are presented as …

Anthology of writing by the ten winners of the 2016 Best American Newspaper Narrative Writing Contest at the Mayborn Literary Nonfiction Conference. The pieces are published in order of places awarded: McCoy, “It Was an Accident, Baby” (1st place); Dreier, “A Child’s Scraped Knee” (2nd place); Baker, “The Power of Will” (3rd place), and runners up, Cox, “A Marine’s Conviction”; Goffard, “Framed”; Thompson, “The Long Way Home”; Kleinfield, “Fraying at the Edges”; Kuchment and Thompson, “Seismic Denial”; Caruba, “55 Minutes”; and Wangsness, “In Search of Sanctuary.”

Donald Vogel arrived in Dallas at the beginning of World War II after a sojourn at the Art Institute of Chicago. “The feeling of space, its clear clean atmosphere, the calm courtesy of the people and promises of growth all gave hope to a young, would-be painter. What I could not have anticipated was that there would be no gentle growth: it exploded in every direction and the money followed.” Along with the wealth came East Coast art dealers who followed the oil field trails throughout Oklahoma and Texas. They brought dubious art and fake old masters, but the same growth that attracted disreputable dealers also made it possible for Vogel to be part of bringing fine works of art to Dallas, first at the Betty McLean Gallery and later at his own Valley House Gallery. In the words of Dechard Turner, “The Gallery opened the doors to the highest levels of sophistication in art. Not all entered, but the triumph of the Vogel story is that many did!” Already established as a painter, Vogel soon became the outlet in Dallas of art dealers in the United States and Europe. He has been an important part of the Dallas art …