Lonnie Johnson (1894–1970) was a virtuoso guitarist who influenced generations of musicians from Django Reinhardt to Eric Clapton to Bill Wyman and especially B. B. King. Born in New Orleans, he began playing violin and guitar in his father’s band at an early age. When most of his family was wiped out by the 1918 flu epidemic, he and his surviving brother moved to St. Louis, where he won a blues contest that included a recording contract. His career was launched. Johnson can be heard on many Duke Ellington and Louis Armstrong records, including the latter’s famous “Savoy Blues” with the Hot Five. He is perhaps best known for his 12-string guitar solos and his ground-breaking recordings with the white guitarist Eddie Lang in the late 1920s. After World War II he began playing rhythm and blues and continued to record and tour until his death. This is the first full-length work on Johnson. Dean Alger answers many biographical mysteries, including how many members of Johnson’s large family were left after the epidemic. He also places Johnson and his musical contemporaries in the context of American race relations and argues for the importance of music in the fight for civil …

A study through short stories of the emotional effects on close family relationships before and after a traumatic death.

Series of fictional stories and commentaries about sports in the United States and how they affect individuals and communities.

Historical account of musicians in Texas, grouped by region, describing "underappreciated" artists as well as some famous artists. Each chapter provides anecdotes and biographical information about an artist or musical group. Index starts on page 299.

Recording of Teodoro Pedro Cromberg's Gritos y Gritarras. This is a work for electronics that includes voice and guitar as well as sound samples from Jimi Hendrix, Led Zeppelin, and Deep Purple songs. The composer has attempted to make these songs and motifs recognizable without compromising the independence of the electroacoustic piece itself. The title is a play on words that is untranslatable; "Gritarras" is a made-up word that means something like the cry of the guitar.

The AEF in Print is an anthology that tells the story of U.S. involvement in World War I through newspaper and magazine articles—precisely how the American public experienced the Great War. From April 1917 to November 1918, Americans followed the war in their local newspapers and popular magazines. The book’s chapters are organized chronologically: Mobilization, Arrival in Europe, Learning to Fight, American Firsts, Battles, and the Armistice. Also included are topical chapters, such as At Sea, In the Air, In the Trenches, Wounded Warriors, and Heroes. “Some of these stories are real gems. Irving Cobb’s account of the sinking of the SS Tuscania, for example, is absolutely riveting, and the same can be said of William Shepherd’s description of life aboard US Navy destroyers in the Atlantic, Floyd Gibbons’s narration of his wounding at Belleau Wood, and George Pattullo’s roll-out of the Sergeant York legend.” —Steven Trout, author of On the Battlefield of Memory: The First World War and American Remembrance. “The well-written and evocative articles bring the war to life.” —Jennifer Keene, author of Doughboys, the Great War, and the Remaking of America.

489 Days is an animated documentary about the harrowing experiences of Egyptian-American Mohamed Soltan, who survived 16 months of hunger strike in an Egyptian prison. Caught up in the political turmoil which followed the Arab Spring uprisings, Soltan was unjustly incarcerated between August 2013 and May 2015, when the United States government intervened to release him weeks after an Egyptian court sentenced him to life in prison. The film is also the larger story of an estimated 60,000 political detainees currently held in Egypt without due process, and in violation of local and international human rights conventions.

In 1944 and 1945, Tom Faulkner was a B-24 pilot flying out of San Giovanni airfield in Italy as a member of the 15th Air Force of the U.S. Army Air Forces. Only 19 years old when he completed his 28th and last mission, Tom was one of the youngest bomber pilots to serve in the U.S. Army Air Forces during World War II. Between September 1944 and the end of February 1945, he flew against targets in Hungary, Germany, Italy, Austria, and Yugoslavia. On Tom’s last mission against the marshalling yards at Augsburg, Germany, his plane was severely damaged, and he had to fly to Switzerland where he and his crew were interned. The 15th Air Force generally has been overshadowed by works on the 8th Air Force based in England. Faulkner’s memoir helps fill an important void by providing a first-hand account of a pilot and his crew during the waning months of the war, as well as a description of his experiences before his military service. David L. Snead has edited the memoir and provided annotations and corroboration for the various missions.

When an unwed pregnant woman is pressured to get married by her boyfriend, parents, and the entire culture around her, she sees a feverish intensity emanating from the path to domesticity, a “paved path shaded by thick-trunked trees, lined with trim grass and manicured mansions, where miniature houses play mailboxes and animals play lawn ornaments and people play happiness.” Jessica Hollander’s debut collection exposes a culture that glorifies and disparages traditional domesticity, where people’s confusion, apathy, and anxiety about the institutions of marriage and family often drive them to self-destruction. The world in Hollander’s nineteen stories appears at once familiar and vividly unsettling, with undercurrents of anger and violence attached to everyday objects and spaces: a pink room is “a woman exploded,” home smells “of laundered clothes and gas from the grill,” and the sun “is so bright the sky fills with over-exposure, wilting the corners to orange, to red, to black.” Here people adopt extreme and erratic behavior: hack at furniture, have affairs with high school students, fantasize about sex with “monsters,” laden flower bouquets with messages of hate; but these self-destructive acts and fantasies feel strangely like a form of growth or enlightenment, or at least the only …

Although in 2000 he became the first sideman inducted into the Rock & Roll Hall of Fame, “King Curtis” Ousley never lived to accept his award. Tragically, he was murdered outside his New York City home in 1971. At that moment, thirty-seven-year-old King Curtis was widely regarded as the greatest R & B saxophone player of all time. He also may have been the most prolific, having recorded with well over two hundred artists during an eighteen-year span. Soul Serenade is the definitive biography of one of the most influential musicians of the 50s, 60s, and early 70s. Timothy R. Hoover chronicles King Curtis’s meteoric rise from a humble Texas farm to the recording studios of Memphis, Muscle Shoals, and New York City as well as to some of the world’s greatest music stages, including the Apollo Theatre, Fillmore West, and Montreux Jazz Festival. Curtis’s “chicken-scratch” solos on the Coasters’ Yakety Yak changed the role of the saxophone in rock & roll forever. His band opened for the Beatles at their famous Shea Stadium concert in 1965. He also backed his “little sister” and close friend Aretha Franklin on nearly all of her tours and Atlantic Records productions from 1967 …

Over twenty years ago, in a small Israeli town, a desperate mother told a remarkable lie. She told her friends and family that her newborn child had died. That lie became the catalyst for the unfolding truth of the adoption of that same baby—Michael —who is, in fact, very much alive and now twenty-two years old. He also has Down syndrome. When Kathryn Hulings adopted Michael as an infant, she could not have known that he would save her life when she became gravely ill and was left forever physically compromised. Her story delights in how Michael’s life and hers, while both marked by difference and challenge, are forever intertwined in celebration and laughter. With candor and a sense of humor, Life With a Superhero wraps itself around the raucous joy of Michael’s existence with his four older siblings who play hard and love big; how Kathryn and her husband, Jim, utilize unconventional techniques in raising kids; the romance between Michael and his fiancée, Casey; the power of dance in Michael's life as an equalizing and enthralling force; the staggering potential and creativity of those who are differently-abled; and the mind-blowing politics of how Kathryn navigated school systems and societal …

Classic Keys is a beautifully photographed and illustrated book focusing on the signature rock keyboard sounds of the 1950s to the early 1980s. It celebrates the Hammond B-3 organ, Rhodes and Wurlitzer electric pianos, the Vox Continental and Farfisa combo organs, the Hohner Clavinet, the Mellotron, the Minimoog and other famous and collectable instruments. From the earliest days of rock music, the role of keyboards has grown dramatically. Advancements in electronics created a crescendo of musical invention. In the thirty short years between 1950 and 1980, the rock keyboard went from being whatever down-on-its-luck piano awaited a band in a bar or concert hall to a portable digital orchestra. It made keyboards a centerpiece of the sound of many top rock bands, and a handful of them became icons of both sound and design. Their sounds live on: Digitally, in the memory chips of modern keyboards, and in their original form thanks to a growing group of musicians and collectors of many ages and nationalities. Classic Keys explores the sound, lore, and technology of these iconic instruments, including their place in the historical development of keyboard instruments, music, and the international keyboard instrument industry. Twelve significant instruments are presented as …

This dissertation examines the political career of Scottish-born John Buchan (1875-1940) who, through the avenue of the British Empire, formed political alliances that enabled him to enter into the power circles of the British government. Buchan's involvement in governmental service is illustrative of the political and financial advantages Scots sought in Imperial service. Sources include Buchan's published works, collections of correspondence, personal papers, and diaries in the holdings of the National Library of Scotland, Edinburgh. Letters and other documents pertaining to Buchan's life and career are also available in the Beaverbrook papers, Lloyd George papers, and Strachey papers at the House of Lords Record Office, London, and in the Liddle Hart Collection at King's College, London. Documents concerning Buchan's association with the War Cabinet, the Foreign Office, and the Department of Information are among those preserved at the Public Record Office, London. References to Buchan's association with the British Expeditionary Force in France are included in the holdings of the Intelligence Corps Museum, Ashford, Kent. The study is arranged chronologically, and discusses Buchan's Scottish heritage, his education, his assignment on Lord Alfred Milner's staff in South Africa, and his appointment as Director of the Department of Information during World War …

Christopher Rouse (b. 1949), winner of the Pulitzer Prize for his Trombone Concerto (1993) and a Grammy award for his Concerto de Gaudi (1999), has come to the forefront as one of America's most prominent orchestral composers. Several of Rouse's works feature quotations of and strong allusions to other composers' works that are used both rhetorically and structurally. These borrowings range from a variety of different genres and styles of works, from Claudio Monteverdi's L'incoronazione di Poppea to Jay Ferguson's "Thunder Island." Due to the more accessible filtering and funneling methods of musical borrowings (proliferation of mass media), the weighty discourses attached to them, and their variety of functions (critiquing canons, engaging in an allusive tradition, etc.), quotation has become elevated to the most prominent of musical actors that trigger narrative listening strategies, which in turn have a stronger role in the formation of narratives about music as well as narratives of music. The primary aim of this study is to adapt and apply more recent methodological narrativity frameworks to selected instrumental compositions by Rouse containing quotations, suggesting that their manner of insertion, their method of disclosure, and their referential potential can benefit from being examined through various narrative lenses …

This study was designed to determine how institutions accredited by the Council for the Accreditation of Counseling and Related Educational Programs (CACREP) meet the practicum requirements set forth in CACREP's 2001 standards. Practicum is a vital part of the matriculation process of counselors in training. This clinical based course allows students to practice the skills they have learned in previous, more didactic based courses. Trainees can stretch skills, all under the watch of a counselor supervisor with greater experience. Although CACREP instructs all accredited counseling programs to have such a course in place, the standards are not specific. Schools are often interpreting the standards in a multitude of ways, presumably to successfully meet the standards while still serving the student as well as the clientele who seek out mental health assistance (Pitts, 1992a). The purpose of this study was to determine what measures CACREP accredited institutions enact to meet the clinical practicum standards. The difference between this study and prior research that has addressed the practicum requirement is that the instrument used in this study specifically addressed every CACREP practicum standard, including technology, diversity, and concerns with supervision and meeting the direct client contact hour requirement. The results of the …

Jazz Lecture Series presentation by Adam Nussbaum on February 28, 1989 at 2:00PM at the UNT College of Music. It includes a lecture and performance by Adam Nussbaum, drums, interspersed with questions from the audience.

Jazz Lecture Series presentation by Adam Nussbaum on February 28, 1989 at 9:30AM at the UNT College of Music. It includes a lecture and performance by Adam Nussbaum, drums, interspersed with questions from the audience.

North Texas State University and the surrounding Denton community enjoyed a quiet college atmosphere throughout most of the 1960s. With the retirement of President J. C. Matthews in 1968, however, North Texas began witnessing the issues most commonly associated with the turbulent decade, such as the struggle for civil rights, the anti-Vietnam War movement, the fight for student rights on campus, and the emergence of the Counterculture. Over the last two years of the decade, North Texas State University and the surrounding community dealt directly with the 1960s and, under the astute leadership of President John J. Kamerick, successfully endured trying times.

Anthology of writing by the ten winners of the 2016 Best American Newspaper Narrative Writing Contest at the Mayborn Literary Nonfiction Conference. The pieces are published in order of places awarded: McCoy, “It Was an Accident, Baby” (1st place); Dreier, “A Child’s Scraped Knee” (2nd place); Baker, “The Power of Will” (3rd place), and runners up, Cox, “A Marine’s Conviction”; Goffard, “Framed”; Thompson, “The Long Way Home”; Kleinfield, “Fraying at the Edges”; Kuchment and Thompson, “Seismic Denial”; Caruba, “55 Minutes”; and Wangsness, “In Search of Sanctuary.”

his anthology collects the ten winners of the 2020 Best American Newspaper Narrative Writing Contest at UNT’s Mayborn Literary Nonfiction Conference. First place winner: Christopher Goffard, “Detective Trapp” (Los Angeles Times) is about a complicated murder investigation and its human impact. Second place: Annie Gowen, “Left Behind: American Farm Families in Crisis during Trump’s Trade War” (The Washington Post) tells about a despairing farmer’s suicide and aftermath. Third place: Jennifer Berry Hawes and Stephen Hobbs, “It’s Time for You to Die” (Post & Courier) presents a gut-wrenching drama of America’s deadliest episode of prison violence. Runners-up include Peter Jamison, “The Confession” (The Washington Post); Mark Johnson, “House Calls and Rarest of Diseases” (Milwaukee Journal Sentinel); Nestor Ramos, “At the Edge of a Warming World” (Boston Globe); Noelle Crombie, Kale Williams, and Beth Nakamura, “No Mercy” (The Oregonian); Tara Duggan and Jason Fagone, “The Fisherman’s Tale” (San Francisco Chronicle); Jenna Russell, “Brilliant, Faithful, Undaunted” (Boston Globe); and Charles Scudder, “Guardians: When Evil Came Through the Door” (Dallas Morning News).

Interview with salesperson Marla Bullard. The interview includes Bullard's personal experiences about the Texas International Pop Festival. Bullard talks about her Mexican-American family values, her use of drugs and alcohol in high school, her attitudes toward the Vietnam War, hippie activities at Allen's Landing in Houston, Texas, conflicts between rednecks and hippies, her attraction to the musical groups of the Sixties, the importance of lyrics in Sixties music, her decision to attend the festival, drug use at the festival, Janis Joplin's performance, and the influence of the festival on her life.

Interview with photojournalist and artist Joe Cole. The interview includes Cole's personal experiences about the Texas International Pop Festival. Cole talks about his parents' reaction to changes in the Sixties, his introduction to marijuana, his attraction to the music of the Beatles, his initial introduction to the Fort Worth hippie culture, his views towards the Vietnam war, obtaining an agricultural exemption from his local draft board, Sixties music and its message, his comments about the Chicago Transit Authority, Canned Heat, and Led Zeppelin, activities of the Hog Farm, drug usage at the festival, festival security personnel, "bad trip" tents, skinny-dipping in Lake Dallas, and the lasting influence of the festival on his life.

Interview with businessman Harold Corey. The interview includes Corey's personal experiences about the Texas International Pop Festival. Corey talks about his parents' reaction to the social, political, and cultural changes of the Sixties, his early interest in popular music, protests against the Vietnam War, conflicts with the redneck culture, the influence of the Beatles on the music of the Sixties, the influence of the "British Invasion," meeting the Grand Funk Railroad at the festival, Hog Farm, Janis Joplin, Led Zeppelin, the sale and use of drugs, the trip tent, festival security, activities at the campgrounds, comments about Ten Years After, and the lasting effects of the festival on his life. The interview includes an appendix with a campground map and festival advertisement.

Interview with printer Johnny Cox. The interview includes Cox's personal experiences about attending the Texas International Pop Festival in Lewisville, Texas, enrolling in Texas Tech University, and playing in bands while at Texas Tech. Cox talks about generational conflicts with his parents, taking guitar lessons as a teenager, the appeal of the Beatles and their music, his high school friends and activities, changing clothing styles in the Sixties, meeting his first wife, his opposition to the Vietnam War, his decision to attend the Texas International Pop Festival, drug use at the festival, his first personal use of LSD, how LSD put the music in a different perspective for him, the "free stage," and the Texas International Pop Festival as a turning point in his life. He also comments on Janis Joplin's performance, Canned Heat and B.B. King, the performances of Led Zeppelin and Spirit, and crowd behavior at the festival.