Recording of Teodoro Pedro Cromberg's Gritos y Gritarras. This is a work for electronics that includes voice and guitar as well as sound samples from Jimi Hendrix, Led Zeppelin, and Deep Purple songs. The composer has attempted to make these songs and motifs recognizable without compromising the independence of the electroacoustic piece itself. The title is a play on words that is untranslatable; "Gritarras" is a made-up word that means something like the cry of the guitar.

UNT Harp Beats concert performed at the UNT College of Music Recital Hall.

Recording of John Gilliland interviewing writer and producer Jerry Wexler in Pasadena for the Pop Chronicles radio program series.

A doctoral lecture presented at the UNT College of Music Music Building Room 288 in partial fulfillment of the Doctor of Musical Arts (DMA) degree.

Lecture given Tuesday, September 19, 2006, 9:45 AM at Abilene Christian University: "Living God's way in the world requires God's active presence. The good news for us is that God's reign is always accompanied by God's empowering Spirit."

Conceptualized in 1967 after attending the Monterey International Pop Music Festival, John Gilliland’s “The Pop Chronicles” traces the history of popular music from the 1950’s through the 1960’s. Mr. Gilliland wrote, narrated and produced these 55 hours of broadcasting first airing at KRLA Pasadena, CA. in February 1969. The pop music history is told by an interleaving of Mr. Gilliland’s narration, music, and comments from the interviews of the people directly involved in the music scene of the day. The guests are: Eric Clapton & Cream, Jimi Hendrix & his Experience.

Conceptualized in 1967 after attending the Monterey International Pop Music Festival, John Gilliland’s “The Pop Chronicles” traces the history of popular music from the 1950’s through the 1960’s. Mr. Gilliland wrote, narrated and produced these 55 hours of broadcasting first airing at KRLA Pasadena, CA. in February 1969. The pop music history is told by an interleaving of Mr. Gilliland’s narration, music, and comments from the interviews of the people directly involved in the music scene of the day. The guests are: the Beatles, the Rolling Stones, the Animals and others.

Lecture given Monday, June 27, 2005 at Abilene Christian University: "Colossians 1:15-20 is important for understanding Jesus as God's agent of creation and as the agent of salvation. The passage, an early hymn, reshapes philosophical and Biblical ideas to provide a description of God's Son that reassures us about salvation and transforms our religion."

Jazz Lecture Series presentation by Adam Nussbaum on February 28, 1989 at 2:00PM at the UNT College of Music. It includes a lecture and performance by Adam Nussbaum, drums, interspersed with questions from the audience.

The National Museum of the Pacific War presents an oral interview with E R Jackson. Jackson went through the Civilian Conservation Corps in 1939. He enlisted in the Army Air Corps in 1940 at Peoria, Illinois, and completed basic training at Shepherd Field, Michigan. Jackson became an airplane mechanic. He joined the 13th Pursuit Squadron, and went to Melbourne, Australia on the SS President Coolidge (1931). He joined the 490th Bomb Squadron in Kunming, China. While in China, Jackson met Madame Chiang, wife of Chiang Kai-shek. Jackson worked as a P-40 mechanic.

The National Museum of the Pacific War presents an oral interview with Robert Brecount. Brecount joined the Navy in June 1943 just after beginning his studies at the University of Washington. After attending boot camp at Farragut, he was sent for basic radio training. He advanced to aviation radio technician training and was selected for a top-secret mission to introduce radar-jamming equipment to aircraft aboard the USS Enterprise (CV-6). In addition to installing and maintaining the equipment, Brecount flew on a half-dozen combat missions with Night Torpedo Squadron 90, during which time he located the frequency of enemy radar-detection devices and scrambled their readings by emitting noise along those bands. After the war, Brecount returned home and enjoyed a lengthy career as a radio and computer technician.

The National Museum of the Pacific War presents an interview with Robert Woolson. Woolson joined the Army Air Forces in February of 1942. He provides details of his flight training. Beginning in August of 1943 he served as a B-24 co-pilot. He went overseas in October of 1943. He traveled to Iceland, Scotland, Morocco, Italy, France and Austria. He joined the 513th Squadron, 376th Bomb Group, 12th Air Force. Woolson completed 35 combat missions during World War II, including 2 missions on D-Day. After the war Woolson continued his service as a photomapping officer in the Philippines, a tactical teaching officer at Randolph Air Force Base in San Antonio, and as a T-33 flight instructor and base civil engineer at Foster Field in Victoria, Texas. He retired from the Air Force in 1962 with the rank of Lieutenant Colonel.

Jazz Lecture Series presentation by Adam Nussbaum on February 28, 1989 at 9:30AM at the UNT College of Music. It includes a lecture and performance by Adam Nussbaum, drums, interspersed with questions from the audience.