Recital presented at the UNT College of Music Voertman Hall in partial fulfillment of the Doctor of Musical Arts (DMA) degree.

Recital presented at the UNT College of Music Voertman Hall in partial fulfillment of the Doctor of Musical Arts (DMA) degree.

In this report, we provide an overview of scientific/technical literature on information visualization and VA. Topics discussed include an update and overview of the extensive literature search conducted for this study, the nature and purpose of the field, major research thrusts, and scientific foundations. We review methodologies for evaluating and measuring the impact of VA technologies as well as taxonomies that have been proposed for various purposes to support the VA community. A cognitive science perspective underlies each of these discussions.

Recital presented at the UNT College of Music Voertman Hall in partial fulfillment of the Master of Music (MM) degree.

Daily newspaper from Baytown, Texas that includes local, state, and national news along with advertising.

Recital presented at the UNT College of Music Voertman Hall in partial fulfillment of the Doctor of Musical Arts (DMA) degree.

Recital presented at the UNT College of Music Recital Hall in partial fulfillment of the Doctor of Musical Arts (DMA) degree.

Geonyong Lee, the composer of Mass for AILM, is a well-known composer in Asia whose main interest lies in choral music. He has composed numerous choral works which are highly diverse in their nature. This study introduces the choral composer Geonyong Lee to the West. The significance of Geonyong Lee's Mass for AILM is the display of Asian inflection in a traditional setting of the mass ordinary. Lee's Mass for AILM employs melodic and rhythmic aspects of traditional Philippine folk songs, a Japanese mode, traditional Korean music, and various Asian percussion instruments. This study explicates these Asian influences and how Lee utilized them in his Mass for AILM.

The Phytochemical Society of North America will have its 50th anniversary meeting from December 10 through 15th, 2011, on the big island of Hawaii. The society has a long tradition in the study of plant biochemistry, chemistry, natural products (whether for commodity chemicals, food and fiber sources, renewable energy, pharmaceuticals, nutraceuticals and other bioactive substances). The meeting, being a very special celebration, is anticipated to attract a very broad range of researchers drawn from worldwide locations. This is also reflected in the international composition of our organizing and scientific program committees. We are now finalizing speakers for the PSNA 50 conference which has a variety of scientific themes, including biofuels/bioengineering, transcriptome profiling, metabolism and metabolomics, and new characterization technologies/methodologies. A most important part of our PSNA 50 conference is to provide opportunities for graduate students and postdoctoral fellows to present their research findings and exchange ideas with scientific colleagues. In this regard, the bulk of the funding in support of this conference is anticipated to come from sponsorships (industry, foundations, and so forth) and registrations which are currently underway. It is essential, however, that we strongly encourage the participation of both young graduate students and postdoctoral fellows at our historic …

Recital presented at the UNT Recital Hall in partial fulfillment of the Doctor of Musical Arts (DMA) degree.

Recital presented at the UNT College of Music Voertman Hall in partial fulfillment of the Master of Music (MM) degree.

An effort is underway at Pacific Northwest National Laboratory (PNNL) to develop a fundamental and general framework to foster the science and technology needed to support real-time monitoring of early degradation in materials used in the production of nuclear power. The development of such a capability would represent a timely solution to the mounting issues operators face with materials degradation in nuclear power plants. The envisioned framework consists of three primary and interconnected “thrust” areas including 1) microstructural science, 2) behavior assessment, and 3) monitoring and predictive capabilities. A brief state-of-the-art assessment for each of these core technology areas is discussed in the paper.

A senior recital presented at the UNT College of Music Recital Hall.

Recital presented at the UNT College of Music Recital Hall in partial fulfillment of the Doctor of Musical Arts (DMA) degree.

Recital presented at the UNT College of Music Recital Hall in partial fulfillment of the Doctor of Musical Arts (DMA) degree.

Recital presented at the UNT College of Music Recital Hall in partial fulfillment of the Doctor of Musical Arts (DMA) degree.

Recital presented at the UNT Voertman Hall in partial fulfillment of the Doctor of Musical Arts (DMA) degree.

Gordon Binkerd (1916-2003) was an influential and well-known twentieth century composer. While his choral works are renowned worldwide, his piano music is rather unfamiliar to present-day scholars and performers. Binkerd’s Essays for the Piano (1976) is a set of six pieces that was greatly influenced by Brahms’ music. Especially noteworthy is the first piece of the set, titled “Intermezzo,” which is based on Brahms’ “Intermezzo” Op. 118, No. 1. The fact that Binkerd’s compositional procedures allow for a “recasting” of Brahms’ piece in a way that disguises the original source of his work are intriguing and call for further research on the topic. As such, the main purpose of this study is to analyze Binkerd’s modern transcription-style writing, and consequently examine how it incorporates a series of influences and compositional elements from Brahms’ music. This dissertation is divided into five chapters. The first chapter contains a general overview of piano works by Binkerd that incorporate quotations of works by other composers are addressed. These include Five Pieces for Piano, Suite for Piano: Five Fantasies (Nos. 2, 3, and 4), and the Piano Sonatas Nos. 1-3. The second chapter provides an analytical study of the fundamental structure found in Brahms’ Intermezzo, …

The choral music of Hyo-won Woo, the composer of Oh! KOREA, is being widely performed by universities and professional choruses in Korea, as well as throughout the world. The work exhibits Woo's remarkable compositional style, which displays traditional Korean musical influences. Hyo-Won Woo's Oh! KOREA consisting of four movements, is for chorus, two pianos, and both Eastern and Western percussion instruments. Woo's Oh! KOREA employs an excellent introduction to the Korean choral repertoire for Western audiences, rooted in traditional Korean folk tunes. As today's choral conductors, singers, and audience cannot fully appreciate the value of this traditional Korean work and will likely not understand its intended context, it is therefore necessary to provide an in-depth investigation of this work for any conductor considering a performance of this piece. This study includes influences of traditional Korean elements within Oh! KOREA and rehearsal and performance consideration for Western choir directors.

Yearbook for North Texas State University in Denton, Texas includes photos of and information about the school, student body, professors, and organizations.

Recital presented at the UNT College of Music Voertman Hall in partial fulfillment of the Doctor of Musical Arts (DMA) degree.

Daily newspaper from Denton, Texas that includes local, state, and national news along with advertising.

Daily newspaper from Denton, Texas that includes local, state, and national news along with advertising.

Daily newspaper from Denton, Texas that includes local, state, and national news along with advertising.