Women in distressed relationships who had sustained severe psychological abuse and either no, moderate, or severe violence from their partner were included (N = 93). Men's and women's alcohol use did not differ with level of violence. Different patterns were found in the moderate violence group regarding women's beliefs about their partner's substance problem, men's psychological abuse, and the relationship of men's and women's quantity of alcohol use and times intoxicated. Uncertainty resulting from moderate violence may strengthen the emotional impact of psychological abuse. Even when psychological abuse is exacerbated by violence, women may use active coping techniques rather than drinking to cope with abusive relationships. The findings suggest that an inordinate focus on alcohol abuse may be ineffective in combating the problem of domestic violence.

This pilot study, grounded in social learning theory, demonstrated that leisure education services can be delivered on the Internet. Participants (n=40) successfully accessed the Web page program and responded to instruments and surveys. The treatment group (n=16) effectively completed four leisure education sessions on-line. Confidentiality, privacy, and anonymity issues were controlled. Responses were monitored and feedback provided as to the complexity of the program and comprehension of the participants. The leisure education program had no significant effect on posttest measures of alcohol expectancies and leisure motivations. Mean changes frompretest to posttest may indicate trends. The small n and convenience sample may have introduced many extraneous variables. Professional implications include compliance issues (57% experimental mortality rate), technology-related anxiety, and limited professional competency to work in this environment. Future research which examines the provision of leisure education and other components of therapeutic recreation service on-line is warranted.

Jean Millet's L Art de bien chanter (1666), describes the air de cour and its ornamentation as it existed in France during the first half of the seventeenth century. This work, translated for the first time into English and transcribed into modern notation, and B6nigne de Bacilly's Remarques curieuses sur l'art de bien chanter (1668) are the only detailed treatises explaining vocal ornamentation during this period. To clarify his ornamentation method, Millet introduces terms referring to placement of agrements, though few performers used them. Millet expresses the old style, popular under Louis XIII, and the provincial view. Bacilly's treatise deals with the air de cour under Louis XIV, which had a more Italian flavor. He gives aesthetic principles aiding the performer in placing and selecting ornaments. Though Millet and Bacilly describe the same practice, striking differences exist between the two air de cour styles.