German industrialization in the nineteenth century had brought forward a variety of conflicting ideas when it came to the agrarian community. One of them was the agrarian romantic movement led by Adam Műller, who feared the loss of the traditional German peasant. Műller influenced Reichdeutsche Richard Walther Darré, who argued that large cities were the downfall of the German people and that only a healthy peasant stock would be able to ‘save' Germany. Under Darré's definition, “Geopolitik” was the defense of the land, the defense with Pflug und Schwert (plow and sword) by Wehrbauern, an ‘Űberbauer-fusion' of soldier and peasant. In order to accomplish these goals, new settlements had to be established while moving from west to east. The specific focus of this study is on the original Hegewald resettlement ideas of Richard Walther Darré and how his philosophy was taken over by Himmler and fit into his personal needs and creed after 1941. It will shed some light on the interaction of Darré and Himmler and the notorious internal fights and power struggles between the various governmental agencies involved. The Ministry for Food and Agriculture under the leadership of Darré was systematically pushed into the background and all previous, …

Different sections or movements of a piece are associated with each other and contain the composer essential thought. A vague affinity of mood and a resembling theme or form testifies to the relationship. However, the evidence is insufficient to reveal the unification of the different sections or movements since these are under restraint of external music proofs. In order to figure out the relationship, thus, identical musical substance should be discovered. In the study the substantial evidence, which can be called unity or unification, is mainly discussed. The unity is illustrated with Brahms's Horn Trio, Op.40 that is one of the Brahms's significant works. The unity found in the Horn Trio is based on the internal structure and structural voice-leading notes. The unity in the Horn Trio is the fundamental structural unity that is divided into initial ascent and voice exchange, and fundamental voice-leading motive. The fundamental unity seriously affects the master piece and penetrates the movements as a whole. Further, it reveals the hidden connections to the historical background of the Horn Trio and the philosophy of Brahms for the music. Even though a piece consists of several sections or movements, the entire piece presents homogeneity. The identity of …